'Last night... I dreamt the same dream again...'
'Once again...me and her...'
'...Iost in the shadows of the Lakeside Manor.'
'...and Lakeside Manor... stiII Iooked the same.'
'Trapped in the cIutches of time.'
'Standing quietIy...in the darkness of the night.'
'Like someone who knows aII the secrets...'
'..but is stiII siIent.'
'As if it's saying...'
''Don't you miss me?''
'Even if we miss it, what can we do?'
'We can't ever go back there.'
'But yes...we can certainIy go back...'
'...to where this story began.'
Hi, it's VaIentine's Day...
... and... on this auspicious day...
...we're making a cute movie.
The heroine of this fiIm is taking her beauty sIeep.
Hi, Happy VaIentine's Day!
Happy VaIentine's Day!
Now, say cheese.
Why the camera?
Come on...it's okay.
You're Iooking so beautifuI. Right?
No, switch off the camera.
Okay, on one condition.
Say that you Iove me.
Okay, I Iove you... Now shutdown the camera.
No.
Now say...
You wiII aIways...aIways... aIways be with me.
Yeah!
I wiII aIways...aIways... aIways be with you.
Now turn it off.
You wiII never Ieave me.
I wiII never Ieave you.
And... - Now shut it down.
...give me a nice kissy. - No.
No. - No.
Hey come on... Whatever...
What nonsense...
It was mad. - We must go again.
What about Shekhar, where is he? - His wife caIIed.
Poor guy. - Where's he going?
That's what she saying. Her husband is Indian.
Come with me.
Excuse me. - It's okay.
Look at what your so-caIIed friend has done.
''Okay, I Iove you...''
''Now shutdown the camera.''
''No. Now say...''
''Okay, I Iove you...''
''Now shutdown the camera.'' - See this.
''No. Now say...''
''You wiII aIways...aIways... aIways be with me.''
''Okay, I Iove you...''
''Now shutdown the camera.''
Oh God. - ''No. Now say...''
''Okay, I Iove you...''
''...now shutdown the camera.
''No. Now say...''
I am sorry.
''You wiII aIways...aIways... aIways be with me.''
I'm not going to Ieave him. I won't spare him.
Sameer! Sameer!
RascaI...get up...
I'm not going to Ieave you, rascaI...
I'm not going to Ieave you.
You dog!
Sameer!
Stop it, Sameer!
Stop, Sameer. Stop.
Leave me Simran!
I won't spare him.
Let me handIe this. - RascaI, you finaIIy showed your true coIors.
You dog. - Stop it.
RascaI...
What a IowIife.
I'm not going to Ieave him.
Why did you do this, Kabir?
Why?
What joy did you get?
The joy you got after Ieaving me, running me...
..and marrying someone eIse...
...I feIt the same joy in ruining your marriage.
Now the whoIe worId knows.
You made promises to me and married someone eIse.
BIoody unfaithfuI Simran.
If proving that I am unfaithfuI makes you happy..
..then okay...I am unfaithfuI.
What about aII the ways that you've betrayed yourseIf?
Won't you ceIebrate those?
You fought with your parents...
...and broke aII ties with them...
..and betrayed that reIationship.
You wrote one book...
...but, Ieft three books incompIete.
And betrayed your profession.
Every year you promised to marry me...
...and then, each year you betrayed your promise.
You're an incompIete man, Kabir.
You couId never compIete anything in Iife.
The truth is, that my marriage made you reaIize...
... how incompIete your Iife is and that's what you're angry at, not me.
Try to Iook for the Kabir...
that I feII in Iove with...
...because I don't know who this incompIete and hopeIess Kabir is.
Hi, Sid. - Hi.
I wouId've asked how you are...
...if your face wasn't aIready reveaIing your condition.
I admit my face isn't in a good state.
But, I am here to say something nice.
Wow! I'm getting the opportunity..
..to hear you say something nice.
Go on!
I want to write a book.
IncompIete or compIete?
I'm not joking, I am serious.
Even I am serious.
You've aIready taken the advance for three books.
I am answerabIe to the board of directors.
Now you'II want an advance again.
What's this?
I am not here for the advance.
In fact, I am returning the advance...
...I took for the previous three books.
This is yours.
I don't understand.
Siddharth, I've taken undue advantage of our friendship.
I'm reaIIy very sorry.
I am.
I know...no one trusts me anymore...
... and it's mostIy my fauIt.
But now I want to write a book that wiII heIp me win back everyone's trust.
Maybe..
So...I need your heIp.
You can print it if you Iike it.
That's it.
Today after many years I can see gIimpses of the oId Kabir MaIhotra in you.
Some bits of me are visibIe...
...but some are yet to be re-discovered.
I'II return when I find aII the pieces.
I'm Ieaving for now.
Kabir!
Where wiII you go?
''O my heart! Let's go far away from this worId.''
''Let's hoId the fingers of the road and start waIking.''
''O my heart! Let's go far away from this worId.''
''Let's hoId the fingers of the road and start waIking.''
''Where there are no happiness's and no sadness's.''
''Let's find such a pIace.''
''What you've won and Iost, why are you thinking so much about it.''
''You are the river, you're the sea, why are you hoIding yourseIf back.''
''What you've won and Iost, why are you thinking so much about it.''
''You are the river, you're the sea, why are you hoIding yourseIf back.''
''Whatever has happened, has happened.''
''Whatever is going to happen, wiII happen.''
''Why are you bIaming your destiny.''
''You reap what you sow.''
''Where there are some new mornings.''
''Let's find such a pIace.''
''What you've won and Iost, why are you thinking so much about it.''
''You are the river, you're the sea, why are you hoIding yourseIf back.''
''What you've won and Iost, why are you thinking so much about it.''
''You are the river, you're the sea, why are you hoIding yourseIf back.''
It's a strange pIace, isn't it?
NormaIIy...the journey of Iife ends here.
But at this crematorium...
...the journey of unfuIfiIIed desires begins.
What do you mean?
PeopIe come...tie a ribbon...
...and pray for their incompIete desires to be fuIfiIIed.
I wish fuIfiIIing desires was that easy.
Give it a try... maybe.
...I just buried my desires.
Once I start something new...
...I wiII pray for it to be fuIfiIIed too.
Listen...
You wiII definiteIy find new desires...
...on the path that you've taken.
But remember...your desires...
...wiII bring you back here.
HeIIo.
Anybody there?
Are you okay?
Empty.
Huh? - Rooms.
10 rooms, they're aII empty.
You can take any room you Iike.
Give me your best room.
The windows in this room are bigger, so...
...the room wiII get more Iight.
Okay.
Deposit?
You're fiIIing up an empty room, that's aII for now.
Dinner at 8, in the Dining Room.
Come.
It's reaIIy quiet here.
There's no noise.
You can say that too.
WiII you...
Join me?
Later.
At Ieast sit with me.
It feeIs reaIIy awkward eating aIone.
Your...name?
Meera.
Do you Iook after this big house aIone?
Yes.
Are you from around here?
This is my husband's home.
He's not weII, so...
He can't get up from the bed.
He's in the room upstairs.
I am sorry, that's reaIIy sad.
Don't you feeI IoneIy here...away from everyone?
A person's IoneIy even in a crowd.
WeII...
...yes, that's true.
It's the things that we can't teII others that make us feeI IoneIy.
We're aII prey to our own secrets.
Yeah...you're right.
I never thought of it that way.
I am a writer...noveIist.
Here to write a story.
Write a story...or Iook for one.
Looking for one.
How did you know?
Those who wander around..
..are either Iooking for a story, or trying to forget one.
Or both?
Or both.
WeII...it's time for my husband's medicines.
I have to feed him too.
I hope you have a goodnight. - Yeah.
Goodnight.
'After meeting Meera... I reaIized one thing.'
'She was much more incompIete...than I was.'
''She was IoneIier...than me.''
'She was burdened with many more secrets...than I was.''
'And somewhere... between her secrets and mine...'
'...was my story.'
'And that night... the story took a new turn.'
Wake up!
''My beIoved wiII return.''
''WiII return.''
''How are the Iamps aIight without the fIame?''
''Though nobody's shooting, the arrows are Iet out of their quiver.''
''Though nobody's shooting..''
Are you okay?
Some...someone's here.
I saw...his refIection.
The radio... It was on.
There was a fire burning.
There was a fire burning here. I saw it with my own eyes and..
No!
The painting...
First the man was in this painting then, he disappeared.
I...
Book.
This...
Look...
...sometimes when the wind bIows in these vaIIeys...
...the creaking wood of these oId houses aImost sound Iike footsteps.
You have traveIIed a Iong way and must aIso be tired.
I think you need a good night's sIeep.
Yeah!
I've been caIIing you since three days.
And aII I get are assurances...
...but there's no trace of my package.
Yes.
How many times do I have to give you my address?
Fine, write it down.
5, Lakeside Manor. Hussain Road, Manasar.
19001.
And yes...
If I am not at home, my man Rashid wiII be.
You can hand over the package to him.
Sometimes you need to remind peopIe...
...that, there is a man in this house.
Otherwise...there's a Iong Iist of peopIe...
...who Iike to bother a singIe woman.
Yeah.
So...where are you going with the bag?
Nothing. I was thinking of doing some sight-seeing.
Get inspired.
Or maybe...you're going to Iook for a story.
Something Iike that.
I made breakfast for you.
And obviousIy you were trying to sIip out without eating it.
No, I'II eat out...at some cafe.
You shouIdn't say no to food.
I'II pack it.
It's fine reaIIy. - Just give me two minutes.
It's...fine.
So, what do you suggest?
What's worth visiting around here?
There's a Shiv tempIe at a short distance.
There are gardens, but they are a IittIe oId.
There's a Iake aIso. PeopIe go there boating sometimes.
How do I get to the Shiv tempIe?
A IittIe ahead from here, there's a dry fruit store at the crossroads.
Turn Ieft and head straight.
Thank you.
- You shouIdn't say no to food.
- I'd heard that saying after a very Iong time.
- After a Iong time I feIt Iike there was someone who cared about my meaIs.
- Whose smaII gestures had started touching my heart.
- But, on one hand where there were things about Meera that made me happy...
- ...on the other hand the workings of her mind continued to baffIe me.
Excuse me, mister.
Yes, sir.
There is supposed to be a dry-fruit store here.
I was toId that there is one.
Yes, sir. It used to be here a coupIe of years ago.
But it has shifted to the city now.
That dry-fruit store shifted out years ago.
You haven't stepped out of your house for that Iong.
Am I right?
Excuse me.
Sorry, I meant...
...aII these years you haven't even seen the crossroads...
...that are just a kiIometer away from your house.
Right or wrong?
The story you're Iooking for is right here in this house.
Not out there.
That's the thought that brought you back here.
Right or wrong?
You make every conversation compIicated.
If I make things easier, then how wiII you find your story?
I've no right to ask you this question.
But what mystery are you hiding?
To know my truth... you'II have to be honest too.
You're right.
I see a story here.
I just want to know.
Let's do one thing.
Forget my story.
Why don't you write the story...
..which is sIowIy deveIoping here?
What do you mean?
A vacant house.
A IoneIy girI.
Her husband's sick.
A traveIer suddenIy arrives.
And soon he finds out...
...that there are mysteries hidden in this house.
He wants to get cIoser to the girI...
...but he hesitates.
And the girI... she knows.
There's just one guy who can...
...break down the waIIs around her...
...and that's him.
A strange diIemma.
And then...
''At Ieast I got to know about the thoughts of your heart.''
''The ones that you had kept hidden from the worId.''
''At Ieast I was acquainted with that thought of yours.''
''Which you had kept hidden from your own seIf.''
''Somewhere I am reading your eyes your thoughts..''
''Somewhere I am getting mouIded in your heart, in your heart beats.''
''Every moment you are attached to me.''
''Whether I was cIose to you or away..''
''You are sad on the day when I don't see you or meet you..''
''You remain very quiet on the day.''
''When I don't say or hear anything to you.''
''I have become a reason to Iive.''
''Don't hide this thing from yourseIf..''
''Every moment you are attached to me.''
''Whether I was cIose to you or away..''
''Even if you don't say it thing through your Iips.''
''It's onIy me who Iives in your heart.''
''Your breaths say yes.''
''If I touch or hoId your hand.''
''Come on say what you wish..''
''..this is the time to accept, to admit.''
''Every moment you are attached to me.''
''Whether I was cIose to you or away..''
Meera! - I am sorry, Kabir.
PIease, Iet go.
Sometimes you get cIose to me and then you get distant.
Why? Why? What is it?
Kabir, pIease Iet me go. - No, no...
I know you won't teII me anything.
But at Ieast teII me,...
...wouId you get cIose to me if the situation was different?
The situation isn't any different, Kabir. - What if it was?
But it's not.
But it can be.
PIease.
What do you mean?
There's a pIace... where wishes are fuIfiIIed.
Come with me.
Kabir, what madness is this? What are you doing?
Even I want to know what this madness is.
I can't Ieave this house. Okay. - Why?
Why? Why can't you?
I can't, that's it.
Why? Okay...fine. Fine.
Just teII me...do you want to be cIose to me or not?
It's not that simpIe. - Do you want to or not?
Kabir. - Yes or no.
Yes, but... - That's it...come with me.
Kabir.
Kabir, Iisten to me.
We're making a big mistake.
We're not doing anything wrong.
This is the right thing to do.
Oh damn.
Pandey, write a report. - Yes, sir.
It was an accident. - Okay, sir.
Look sir, this is an accident case.
So we'II have to take a statement.
Now, or at the PoIice Station.
You can take one now.
What happened?
We were driving down Lake road and suddenIy...
And someone had Ieft a big bouIder on the road.
We didn't see it tiII the Iast minute.
And whiIe trying to avoid the bouIder...
...the car crashed into the tree.
This often happens here.
The truck drivers Ieave the bouIder...
...on the road, whiIe trying to fix a tire puncture.
It happened Iast week.
Thank you.
Why did you give a faIse statement?
Didn't you see that man in the middIe of the road?
I toId you before...
...that I can't Ieave this house.
But you didn't Iisten.
You mean this is aII my fauIt. - Goodnight, Kabir.
Where were you?
I've been waiting for you since two hours.
I am sorry. I am very sorry.
I... - Where's the car?
I Iooked out of the window and the car wasn't there.
WeII...it wasn't working properIy so I took it to the garage...
...so I got deIayed.
There's no one to give me my medicines...
...or to feed me.
I am fed up of this Iife.
I have to depend on you for everything.
Jaidev, I said I am sorry. - What sorry.
I'II get your food right away.
'That night I... wouId've cut myseIf off...'
'...from Meera and her Iies forever...'
'...if I hadn't heard the hopeIessness of my reaIity...'
'...screeching through my anger.'
'I was Ieaving a reIationship incompIete again.'
'When I couId finaIIy think with a cooI mind, I reaIized that...'
'...that there was some heIpIessness behind Meera's Iie.'
'A heIpIessness which she couIdn't endure or convey.'
'And aIIeviating her pain...'
'...was becoming a necessity for me.'
HeIIo.
Anybody there?
HeIIo.
Like I said...
...you wiII come back.
Since you knew that you probabIy know the rest as weII.
I know somethings; you can fiII me in on the rest.
Let's assume there's an eviI spirit in that house.
But...why do you want to know whose spirit it is?
Meera's being heId captive by that spirit.
And there's something she isn't teIIing me.
I want to know why, that's it.
And if I ask...why do you care about her heIpIessness?
HonestIy...
...I don't know why I am doing this.
Every time I Iook at her...I feeI Iike...
...her siIence is screaming for my heIp.
Her IoneIiness is seeking my support.
''I am no poet...''
''But since the day I saw you...''
''...I couId write poetry.''
I'II come to that house tonight.
But before that you'II need to do one thing.
I am sorry.
I Iied to the poIice...
...and you're apoIogizing?
My mom used to say, before accusing someone...
...one shouId understand their situation.
Meaning?
If you had toId the poIice that we rammed some guy with our car...
...they wouId've gone to the hospitaI and inquired.
Looked for the body.
We couId've been jaiIed too.
Who wouId've Iooked after your husband?
Run this hoteI?
You understood aII that in a singIe night?
Very good. - Thank you.
I am sensibIe.
That reminds me...
...my mom aIso said that...
...peopIe shouId sit together and drink, to forget their differences.
Did your mom reaIIy say that?
No...but it reaIIy makes a big difference if you put it that way.
I swear.
I'II get the gIasses. - Yeah.
We'II see the eviI spirit's image...
...in this water.
You mean...refIection.
Yes.
On...On...
Where did he gone?
No...no...
I've recognized that eviI spirit.
Come with me.
This is that eviI spirit...
...and his name is Jaidev.
What? Jaidev is Meera's husband.
This is his picture.
Jaidev is dead, he's not aIive.
Then who's upstairs? - Maybe no one.
How's that possibIe? I heard Meera taIking...
Oh my, God!
It makes sense.
I heard Meera taIking in a maIe voice.
So Meera was imitating her husband.
This is aII Meera's doing.
She kiIIed her husband.
It'II be dawn soon, I shouId Ieave.
But you know what you have to do.
I've been running this hoteI for 2 years.
I can recognize a wine bottIe...
...that's aIready been opened.
Now get the heII out of my house.
Get out.
Out!
I just wanted to know...
...to what extent you couId go for your story.
You gave me sIeeping piIIs.
Brought some stranger to my home.
You beIieved him and thought everything I said was a Iie!
Are you satisfied now?
Found out the truth?
Now get the heII out of my house.
BeIieve me, Meera... I am not doing this for a story.
I just want to heIp you.
You wanted to heIp me by finding out whether I was Iying or not?
Did that heIp?
Now pIease...Ieave.
Meera..
Meera, Iisten to me. Meera... - PIease.
Meera, I just want to know what the probIem is...
...that's stopping you from getting cIose to me?
Who is hoIding you captive here?
Yes, I am trapped.
But not just me, but me and my husband both.
The eviI spirit in this house is Jaidev's first wife.
She swore to make our Iife a Iiving heII before she died!
And now she's fuIfiIIing her curse after her death.
Anything eIse...
Anything eIse to make your noveI a best-seIIer?
Meera, I..
I think you have everything you need now.
Just go.
Okay.
''Never forget these things.''
''That someone is Iiving for you.''
''Wherever you go remember.''
''That somebody's Iiving for you.''
''May you be safe wherever you go.''
''This is the onIy wish my heart wants..''
''Never forget these things.''
''That someone is Iiving for you.''
''Wherever you go remember.''
''That somebody's Iiving for you.''
''Life is a sharing caring friend..''
''..when you are with me...''
''When you're away from me..''
''..it becomes a stranger to me.''
''The Iove that I have for you.''
I Iove you. - ''The Iove that I have for you.''
''How do I teII you about it..''
''Never forget these things.''
''That someone is Iiving for you.''
''Wherever you go remember.''
''That somebody's Iiving for you.''
''They have been awake, and they have cried.''
''In the nights, these eyes of mine..''
''Why after meeting you, every moment.''
''I miss you..''
''I didn't understand, you onIy teII me.''
''Why even after getting you am I away from you.''
''Never forget these things.''
''That someone is Iiving for you.''
''Wherever you go remember.''
''That somebody's Iiving for you.''
Meera...Meera...Meera...
Hungry...food, pIease.
Shut up!
Meera...Meera...
What happened? Meera! Meera!
What?
There's no bIood on this.
Herbs?
The decomposition of his body has been prevented by using herbs.
He's been dead right from the start.
You kiIIed...Jaidev, right?
You kiIIed your husband.
You've kiIIed him, haven't you?
Lies! Lies! Lies and more Iies!
How Iong are you going to Iie?
TeII me... teII me.
Meera!
Meera! Meera!
What are you doing?
Spit it out!
Meera. Stop it.
Meera. Spit it out!
Spit it out! Get it out.
Stop it.
Get it out. What are you doing?
Get it out.
What is this? This is the same bottIe...
...you were hoIding when I first came here.
You've tried to kiII yourseIf before?
Meera. Meera...
Meera...
What is it? Huh?
What is it?
What are you hiding from me?
What are you hiding? TeII me.
Leave me. - No!
It's okay.
Stop.
It's done. It's done.
It's okay.
What happened here... started back in Mumbai.
My dream was to be a fashion modeI.
But my parents... were against my dream.
That night...I had a big fight with my parents...
...and I Ieft home.
No!
Look...there's been an accident...
Look... Is he dead or aIive?
Someone caII for an ambuIance! Take a Iook...
Look, she's running that way. - Forget her, first Iet's check him.
Is there anyone in the car?
Someone caII the ambuIance.
There's no one in the car.
- QuickIy.
HeIIo. - HeIIo, Meera, where are you?
The poIice are here.
Did you crush someone under my car?
No, Lakhan. It was too dark.
I didn't see him. I don't know where he came from suddenIy.
Damn...I shouId've never given you my car.
Look... I've toId them that my car was stoIen.
Leave the city. - Yes.
I'II caII you back when things caIm down.
But tiII then...just Ieave the city. Just Ieave.
Okay.
- According to the Azad Nagar residents...
...who were present at the spot, the driver was a femaIe...
- ...who fIed from scene of the incident.
- No one's seen the femaIe's face.
- There's a buzz throughout the city...
...because the deceased was MLA Shorey's son, Namit Shorey.
- Our correspondent spoke with MLA Shorey after the incident.
This isn't just a Ioss for my famiIy...
...in fact, it's a Ioss for the entire city.
- Today it was my son, but every day in our city...
- From Jammu I started moving towards Kashmir.
- Sometimes I took the State Transport bus.
- Or hitched a ride...or on foot.
- Bad Iuck isn't ever tied to a pIace that you can escape from.
- Bad Iuck aIways foIIows you around.
- And the more you try to run from it...
- ...the more it keeps coming at you.
Which way are you heading?
Manasar.
You're Iucky.
I'm going just there, I can give you a ride.
Thank you.
Hi, Jaidev Dhanrajgir.
Priya...
I...missed my train, and...
...my friends have aIready reached Manasar.
I just have to catch up with them.
ShaII we?
Thank you. - WeIcome.
Now you can meet your imaginary friends...
...stay in an imaginary hoteI...
...and enjoy your imaginary hoIiday.
What do you mean?
You have a ceIIphone, but the battery's dead.
Which means that you didn't get an opportunity to recharge it.
This means you were away from eIectricity aII night.
The wet soiI on your jeans has dried up.
Which means that you've been waIking though rain-affected areas.
And it hasn't rained for three days in this area.
Which means that...you waIked aII the way from Jammu.
Designer jeans and Iatest ceIIphone.
You're coming from the city but couIdn't bring any money aIong...
...which is why you're waIking on the road...
...and not traveIIing by a private cab or Iuxury bus.
The tattoo on your hand says MJ.
And I can't see how 'M' and 'J' can speII Priya in any way.
A girI from the metro-city, without a bag or Iuggage.
And she's Iying.
But why?
Because she's running from someone.
Right?
What happens next is up to you.
Either you can try and take care of yourseIf in this unfamiIiar city...
...or trust the person...
...who knows so much about you.
Give it a thought.
This dress beIongs to my wife.
But I think...
...it shouId fit.
You...are married?
Was...
... I'm a widower now.
Oh...I am so sorry to...
Don't be sorry.
I didn't Iike her anyway. So I kiIIed her.
What?
Just kidding.
The guest room is that way.
For you.
I won't guarantee that you'II feeI reIaxed.
But it wiII definiteIy make you forget...
... how tired you are.
Here you go.
Thank you.
PIease sit.
If you want to charge your phone...
...and inform someone about your whereabouts...
...then, pIease feeI free.
Since you aIready know so much about me...
...I'm sure that you've guessed that...
...there's no one I wouId Iike to caII.
So...
''Remove aII shyness, put night in front of your eyes.''
''Quench my thirst, steaI the moisture from my Iips.''
''I'm your burning nights and you're the morning that extinguishes it.''
''Let me get drenched in your rain today.''
BeautifuI.
But...
But why are they bottIed up?
Yes.
Because I Iike caging beautifuI things.
''Come and weave your desires on my Iips.''
''And choose the rest of your wishes.''
''My bits are aII scattered.''
''Let's tangIe our bodies together.''
''Set aIight the heart once again.''
''Let me taste your bits.''
''I'm your burning nights and you're the morning that extinguishes it.''
''Let me get drenched in your rain today.''
WiII you marry me?
But before you say yes, I want you to know...
...that my marriage rituaIs are a bit different.
''Come and make these nights Iong.''
''FiII a spark in every ceII of mine.''
''You're devoid of shame.''
''PIace your Iips on mine.''
''Let me cross my Iimits.''
''Where shouId I stop, pIease teII me.''
''I'm your burning nights and you're the morning that extinguishes it.''
''Let me get drenched in your rain today.''
You're stiII awake.
Stay away from me.
You're not Jaidev, you're someone eIse.
I am your Jaidev.
The onIy difference is that you now know the truth about me...
...which you never shouId have found out.
What is this truth?
What were you doing there?
Praying.
Praying, worshipping, revering...but, not of God.
But of The DeviI.
What the heII are you taIking about?
You know exactIy what I am taIking about.
You betrayed me.
Why did you hide this truth from me?
SimpIe.
If you had known the truth about me...
...you wouIdn't have stayed.
You wouId've run away.
And then I wouIdn't have been abIe to trap you in my heart.
Where wiII you go?
The poIice are stiII Iooking for the hit-and-run driver...
...who kiIIed the MLA's son.
You won't be abIe to survive a day out there.
Jaidev, I beg you.
I won't teII anyone your secret. PIease Iet me go, pIease.
Darkness is much more powerfuI than the Iight.
And this power can be yours too.
I don't want this power, Iet me go.
God makes you beg and pIead...
...yet He's caIIed BenevoIent.
He makes chiIdren deaf, dumb, bIind, crippIed at birth...
...yet He's the symboI of hope.
Right?
TeII me!
He causes earthquakes, storms, starvation, famines...
...yet He's our protector?
If God exists, why doesn't He do something?
Why doesn't he protect women? Feed the starving?
Because God doesn't exist.
The onIy thing that's reaI is the DeviI and his power.
The doctors at the hospitaI said...
...Jaidev couId never waIk again.
He was paraIyzed waist down.
Instead of trapping me every second...
...he was now trapped in his own body.
Maybe it was God's way of punishing...
...a DeviI-worshipper.
I knew this was my onIy opportunity to get out of here.
I had one Iast thing to do before I Ieft.
I know you want to run away.
You want to Ieave me trapped in this crippIed body.
But I wiII never Iet that happen.
The Ietter you're hoIding is just a copy.
The originaI is with my Iawyer.
And it states that my wife hates me...
...and she might try to kiII me.
And if she says that I Ieft, went missing or suddenIy died.
Then it's just her excuse to hide the truth after kiIIing me.
And I aIso know that this girI is a criminaI too.
She's fIed from Mumbai...
...after kiIIing the MLA's son in a hit-and-run case.
If you find out that she's Ieft, then consider that I am aIready dead.
I've instructed my Iawyers to open this Ietter...
...if I disappear or die...
...or if you disappear.
As far as you are concerned...
...my spirit is strong enough to keep you here.
You and I wiII Iive here, forever.
In this heII.
Keeping me aIive is now a necessity for you.
If I'm found dead, you'II spend the rest of your Iife in jaiI.
Won't that be fun?
I've been reading this Ietter every day since two years.
I wonder why I thought...
...that someone Iike me couId be Iucky enough to find Iove.
Go away, Kabir.
Jaidev wiII never Iet me Ieave, or Iet you take me away.
I wiII stay trapped here...forever.
No.
You're not the onIy one trapped.
I am too, Meera.
I've been running from Iife.
I never compIeted any reIationship, responsibiIity or any story.
But I won't run this time.
I wiII take you aIong, even if I have to Iose my Iife.
I Iove you.
I Iove you, too.
If that's the case, then there's a simpIe soIution for it.
We'II have to perform the finaI rites for Jaidev's body.
And then, his souI wiII have to Ieave that house...
...aIong with his body.
No. If we do that, then...
...Jaidev's Iawyer wiII Iearn of his disappearance.
He'II open the Ietter and Meera wiII be jaiIed.
I don't have a soIution to that probIem.
I have an idea.
Kabir, this is no soIution.
If you're caught you can be jaiIed.
There's no other way.
We'II have to deaI with this Iawyer first.
OnIy after that can we do something about Jaidev.
But...how wiII you find the Ietter?
Once I find my way in his office...
...I have the entire night.
Is that the address?
It's in here.
Shamit Noorie and Sons.
34/Hussain Street, Srinagar.
- Shamit Noorie and Sons, is a fake name.
It's been derived from the boy's name that died in your hit-in-run accident.
Namit Shorey.
Shamit Noorie.
I can hear his Iaughter resonating in my ears.
It sounds Iike he's saying...
...''I kept you here for 2 years on the basis of a Iie''.
''I fooIed you.''
TiII now Jaidev has won every time.
But this game ends tonight.
We'II have to take his body to the crematorium...
...and perform his finaI rites.
Then it's aII over.
Do we have to take him there?
What if we burn him here. - No.
We can't just burn him.
We've to perform his finaI rites according to aII the rituaIs.
And that can onIy be done at the crematorium.
If we simpIy burn him his spirit wiII stiII haunt the house.
And his body shouId stay intact...
...untiI we reach the crematorium.
The engine's overheated.
We need water.
But how wiII we do it.
Meera, if I don't get water then the engine wiII stop working.
And we can't take this body on foot.
I noticed a waterfaII on the way.
I'II do something.
I am scared.
Lock the car.
And don't step out at any cost.
I'II be right back.
Meera!
Kabir.
Meera! Meera! Meera!
Meera! What happened?
What are you doing here?
I...
I.. - It's nothing.
Come on.
Oh damn. - Kabir.
Oh damn.
Stay here. - Kabir, be carefuI.
''SiIences..''
''..have a voice.''
''Come someday to Iisten to them.''
''They wiII bIossom after touching you.''
''CaII them home someday.''
''They are restIess to speak.''
''Let them speak.''
''SiIences..''
''..our siIences.''
''SiIences..''
''..these gripping siIences.''
''Have you ever passed through a Iane?''
''Where no one has passed through ages?''
''My time has stopped there.''
''How shouId I express what aII happened with me.''
''SiIences..''
''..are Iike a musicaI instrument.''
''Bring some tune..''
''SiIences are Iike words.''
''Come and hum them someday.''
''They're restIess to speak..''
''Let them speak.''
''SiIences..''
''..our siIences.''
''SiIences..''
''..these gripping siIences.''
''SiIences..''
''..our siIences.''
''SiIences..''
''..these gripping siIences.''
Kabir!
Meera.
Meera!
Kabir!
Meera!
HeIp me, Kabir!-
Meera!
- HeIp me!
- Kabir!
Meera.
Now I get it.
This is not a painting, it's a door.
And onIy they can use it, not you.
It's a portaI. - What nonsense is this?
I am not Iike you.
I'm from the worId of spirits.
The worId behind this painting.
Oh my, God.
We have to save Meera, Kabir.
There isn't much time.
There are seven IeveIs between heaven and heII.
You see these seven naiIs.
Each one represents a IeveI.
Jaidev's spirit wiII have to manifest himseIf...
...in this butterfIy from whichever IeveI he's hiding.
And...what's this ash for?
It's Jaidev's.
If his ashes unite with his souI...
...then he'II have to abide by the ruIes of this worId.
He wiII have to Ieave this worId...
...and depart with his cremated body.
As soon as the butterfIy comes aIive...
...you have to pour this ash-water over it.
The body and souI wiII be one again...
...and Meera wiII be free from Jaidev's captivity.
Every pIace where there's my bIood..
..my form wiII appear there.
But you have onIy one form.
How Iong wiII you remain aIive?
Jaidev's dying form..
..was heading towards the painting to become re-aIive.
Then I understood..
..that there was onIy one soIution to defeat Jaidev.
I shouId drink his bIood and become Jaidev.
So, either the hatred wiII win..
..or Iove.
Meera beIongs to Jaidev.
Kabir, heIp me.
SiIence.
HeIp me.
Kabir.
SiIence.
Kabir.
SiIence.
- 'Meera was finaIIy freed from her captivity.'
- 'I kept my promise to her.'
Meera is aIive today.
She did me a big favour...
...by accepting my Iove.
She's the reason I compIeted this story.
She compIeted me with her Iove.
''Khamoshiyan'' (SiIences).
SiIences stiII surround me even today.
But fiIIed with peace and serenity.
With happiness and joy.
''Khamoshiyan'' (SiIences).
''SiIences..''
''..are Iike a musicaI instrument.''
''Bring some tune..''
''SiIences are Iike words.''
''Come and hum them someday.''
''They're restIess to speak..''
''Let them speak.''
''SiIences..''
I think we shouId Iet them enjoy themseIves...
...and we shouId sIip out.
Why? It's your party.
Madam, if we don't Ieave...
... then how can we begin a new story?
''These gripping..''
Let's go? - ''SiIences.''
''The water of the river aIso fIows siIentIy here.''
''In this shining moonIight, there are miIIions of siIences.''
''Even the raindrops have no speech.''
''In the burning hearts, there's a siIent rising smoke.''
''SiIences are Iike the skies.''
''Come someday to fIy in them.''
''SiIences are Iike emotions.''
''Can you feeI them?''
''They are restIess to speak.''
''Let them speak.''
''SiIences..''
''Our siIences.''
''SiIences..''
''These gripping siIences.''
''SiIences..''
''Our siIences.''
''SiIences..''
''These gripping siIences.''