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We don't meet on the road.
We did not meet at the bus stop.
I can't see. When is the next one?
Within 3 minutes.
That's too long.
I will walk.
We did not meet at the bakery.
Hello.
Please, 2 chocolate eclairs. / I just ran out.
Really bad. Thank you.
Goodbye, sir.
How much? / 5 euro.
We don't meet...
... on the dance floor.
I remember the picture from your movie.
Cléo's face...
Mur Murs in Los Angeles...
That giant mural impressed me.
I like to see out the train window...
... the eyes you put on the water tank.
You amaze me with thousands of faces in the Pantheon.
You photographed old women in Cuba, and old men.
And wrinkled couples...
... You paste it in a chaotic city.
It's funny...
... we didn't pass it earlier.
I made the first step.
I went to see him, Rue Daguerre.
Then he came to see me.
I introduced him to my team.
Emile, Guillaume, Etienne and others.
When I arrived...
.. I want to photograph JR.
I immediately realized he wouldn't take off his glasses.
I think of Jean-Luc Godard...
... with dark glasses stick to his face.
Even though one day...
... he took it off for me...
... for a few moments.
It's been a long time. When I was 33 years old.
Now I'm 33 years old.
And I will say, You have seen about 88 spring.
Alright already, you know my age!
It will be fun make a movie together.
That is our starting point.
Say, you never worked team duo, right?
Big jump!
When do people say that?
When Armstrong walks on the moon.
About our project ..
.. I like spontaneity.
But what should we do?
Create a picture...
... together but differently.
It's ready. Are you coming?
You bet.
I always join to go to the village ..
... meeting simple sights, meeting faces.
These are the trucks I use around the world.
People go back, like photo booths.
In 5 seconds, the photo comes out from the side...
... in large size.
As soon as we leave...
... we stopped.
Miss, would you like to be the opening act?
Opening, yes.
But maybe you can...
... remove your glasses for photos. Let your beautiful eyes be seen.
I will lend my baguette.
We provide some.
Now...
... You sit here.
Make sure you are centered. Perfect.
Hold a baguette between your teeth.
Soft and straight.
Ready... set... Perfect.
I close my eyes.
It's OK. / Looks stupid.
Over there.
They don't do it, only me.
It's like a game.
Really, JR fulfills my biggest desire.
To meet new faces ..
... and photograph them...
... so they don't disappear from my memory.
We leave whenever we can.
Come here, in France.
We are heading north.
Dynamic region.
But in my mind...
... especially I have pictures hills of former coal mines.
And also...
... postcard collection about miners ..
I will save it.
For me...
... I can't wait to see it 2 hills in the shape of a breast.
Drive down a stone road ..
... some of them are abandoned.
Meet people and get new ideas.
We heard about the scheduled miner's house to be destroyed.
There, we met Jeanine...
... the last inhabitant on that road.
Oh... I'm the only one who survives in this miner's house.
I said I'll be the last to go, and I'm still here.
Good for you.
They won't expel me.
I have so many memories here.
I said, "You don't understand it."
No one can understand what we are doing.
JR and Guillaume collect some old photos of miners.
We decided to put it in the houses.
We always start from the foot, so they really tread.
This is so beautiful for us.
I will say this now, this is very beautiful for me.
Return to 1956, I'm 14 years old.
Yes, I'm a tunnel boy.
Mining is a trade that you must learn.
30 years working down to mine pit.
For a daily salary, you must install 150 buffers.
After that I mine coal.
It is very, very difficult.
I suffer a lot.
We go back to see Jeanine ..
... to find out more about his life.
He was so smooth about telling about his father, a miner.
He left with his bread...
... great food all this time...
... full of butter, to eat in the tunnel.
If there is anything left...
he put it in his bag ..
... and bring it back.
We are still children, and we ran...
... to meet our father with his "alouette" bread.
What is that? Alouette Bread?
A piece of our dirty bread.
We love it so much!
We like the bread because comes from the mine.
The hat is called "barrette."
I remember my grandfather coming home ..
... and undress, except the barrette.
He only releases it before entering the bathtub.
My grandmother rubbed her back. That's how it is.
We go to our local help, Father & apos; s House.
On the wall there is a picture the miner who is showering ..
.. which I have as a postcard.
Sometimes I rub my father's back.
I saw a bruise...
... from the blow of coal.
This same photo is just upside down.
That happens. You're so observant.
I saw you working with all these people...
... like a professional anchor.
I like to paste the best .
People think...
I'm a photographer, but most of the time ..
I climb the iron frame.
We remember the miners.
Agnès and I also want to do it...
... to respect Jeanine, opponents of house demolition,
... by sticking his face in his house.
What can I say?
None.
I don't know what to say.
There is nothing to say. Let's hug.
Better, right?
Jeanine, this is not sadness!
We are friends now.
I can't handle it.
We want to pay tribute to you.
In large size, like this.
Thank you for the water that you gave for pasta.
We spend all the contents of the tank!
You know, I often think about Jeanine and her father.
I want to know how long he will survive in his house.
Love at home is a strong thing.
I'm more of a type of person who moves around.
It's fun here.
Pretty fun.
Unfortunately you can't step on the ground. You're stuck.
You need me to assist you.
I damage myself. My legs, my eyes. You look blurry.
Here's my advice.
We take as many pictures as we can before it's too late.
It's too late for me?
That's not what I mean.
You said that.
We know each other...
... but let's discuss our film.
What I like...
.. that is meeting extraordinary people by chance.
So you want to continue like that, without a plan or schedule?
Yes. Opportunities are always my best assistant.
Do you think the opportunity will work for both of us?
Maybe...
If I give you a few melons, can we leave again?
OK. But where?
I met him while riding.
Come see him.
Do you travel to our region?
Yes, actually, we are looking for walls...
... where we can paste large photos.
What kind of photo?
Photos of people. We met. Like you.
Is this your barn?
Yes.
I want to paste something there.
We are in Chérence. But another coincidence...
I know this village well.
I came to meet Nathalie Sarraute ..
.. the writer I like and admire.
His house is 100 yards from this warehouse.
You're a farmer. How big is the land your farm? How many workers do you have?
My farming is 500 hectares.
I work alone.
500 hectares, alone?
Yes. 500 hectares, alone.
I also do work contracts for other people.
I give them a quota.
For example, at harvest time.
I have set prices. High prices per hectare ..
I can also do work from A to Z...
... from sown, plant seeds on the ground...
... so harvest.
When you add 1,500 hectare contract work I go to my own farm ..
I farm 2,000 hectares.
I like innovation.
Today's tractor is loaded with with computerized technology.
I get a real kick from that.
I've got my tract...
... the tools I worked behind the tractor...
... two harvesters of my join...
... just play...
... a plow, a cultivator...
... training seeds,
roller-compactors and seeds.
So you don't have to do anything.
Currently,
I consider myself a passenger in a tractor.
How does it change your job? Is it better or worse now?
We have become antisocial, naturally.
Formerly, farmers with 500 hectares of agriculture
will employ at least 3 or 4 people, whereas today...
Today you farm 2,000 hectares.
Today I work alone, and I farm 2,000 hectares.
Alone.
Do you like being alone?
I like it,
... but I'm glad I can go home to my family every night.
I imagined that person in the tractor...
... 2,000 hectares lying before him...
How quiet!
I am the opposite, I work in a team.
I am rarely alone.
But I also like home at night.
Say, you never told me if you have someone at home?
Say, we haven't finished with with this farmer!
Right.
With large machines...
... he lent you telehandler to install our image.
Looks like you like it!
How does it look?
I can't see, get out!
Look.
Do you want to leave it like that?
I think I'll leave it like that, huh.
Think you will become a village star?
I'm already famous.
How many populations? / 140.
It's great that you agreed.
Now all will know who is the owner of this barn.
Exactly.
I will maintain it closed eyes...
... in the storage of harvest.
We are heading south.
I will be told about a long love relationship ..
... with pictures to tell.
So...
.. the name is Emilie ..
... and he is Emile.
This is a beautiful love story.
When Emile met my great-grandmother...
... maybe at a dance...
... he wants to marry her.
He asks his parents, but they refuse.
So he must kidnap him.
He kidnapped him to marry her.
I will let you take photos.
It will look good in a pendant, or in an oval frame.
We will find one at the flea market.
Right or left?
Left. On the right side of the strip.
I love them so much.
Hello, little brother!
This is a picture of our ancestors, right on their wall.
On their own façade (building face).
This is really fun.
You want to be part of it. / Time to selfie
Family traditions and all...
Our turn now.
Great.
This doesn't work.
We will put it on social media.
Tonight.
My daughter uses for her Facebook profile.
The poster doesn't matter.
The problem is the iron frame on public property.
You need permission.
Except for the poster fine.
Between you and me...
... You can send all and all fines to Agnès Varda.
Come to me with praise and the like.
Ok. Everything can be negotiated.
All traffic tickets depend on Agnès licenses.
Do you have the driver's permission?
Yes, but I don't drive anymore. I have a good judgment.
Let's go meet beautiful women that I want to introduce to you.
He works at the cafe.
Agnès says you agreed.
Sure, why not?
What paste?
Photograph, on the outer wall.
Actually this is my shirt.
Agnès asks if they can borrow it for the photo.
Does your collection happen to include...
... a small umbrella?
We want to photograph a woman holding a small umbrella.
I don't have one.
Let me check my parents' house. / Thank you.
I'll steal your seat.
Ms. Varda, I found one!
My mother's bride umbrella. Model 1973.
That's beautiful!
You can use it for foto./ Thank you.
Here, I'll show you.
OK.
Sitting on the edge, feet like this...
My shoes aren't comfortable. I will take it off.
Barefoot is pretty good.
Just sit and relax.
Spin in the other direction.
Right, okay.
Barefoot is pretty.
May I use your glasses, Nathalie?
Look.
Not too much. He doesn't hear a sound.
One more.
A little further back.
Keep the umbrella /. No, closer.
Think about it!
The last one. 1, 2, 3 ..
When the photo is being printed...
... we followed Vincent...
.. which brings us to the upper village.
My father is a bell bell in the bell tower...
... and I have done it for 10 years now.
We will speak with his father first.
I start ringing the bell at 14⁰⁰.
I know Daniel Tamisier, the former bellman.
He is very good at it.
He taught me church bell music.
I convey the feeling love the bell to my son.
Bells have names. Alarm ..
the Ladies & apos; Bell...
the Maidens & apos; Bell...
Tenor.
First, we get momentum...
They will move alone, right?
You don't need to pull too hard all the time?
Those who will pull me.
Soon, You won't hear me again.
We will start with C...
It's quite strange that my head...
... smaller than my feet.
I don't realize the image will be very large.
I work close here. Seeing people taking pictures of me every day bothering me.
But praise is good. Everyone said how beautiful the photo was.
So that's good.
But I'm very shy, so...
... it makes me uncomfortable.
I hope that makes you feel good.
This is weird, seeing photos of yourself...
on the Internet, in...
on Instagram, everywhere. Very weird.
He has been photographed millions of times.
This is amazing.
We employ it back as a waiter...
... late May, early summer.
Now he becomes Bonnieux & the most famous face.
What do you think about your mother up there?
He is very beautiful.
Right. I agree with you.
Press the button.
Can we see your selfie results?
Wow, pretty good.
You're handsome!
I'm not an expert.
Tickle tickle!
When the siren sounds,
hurry to the nearest assembly area.
In a serious situation, a guide might ask you to wear a gas mask.
Claude is on the left.
He is our PR at the factory.
We were introduced to Agnès by Jimmy ..
... someone who knows each other.
Jimmy runs a local cinema, Le Cinématographe.
The cinema is part of our history here at the Château-Arnoux-St-Auban.
Many factory people go to the movies.
And now we cinema people are in the factory.
We will use walls.
Not skewed, the side on the right.
Right or left. We can use both.
We can do something with the water tower.
Something that is circular.
What are all these salt for?
All these white things...
Makes me dream.
Salt has become our raw material...
... since the creation of chloride bonds.
In electrolysis, we separate two molecules that make up salt...
.. chlorine and sodium.
Then we used it to make hydrochloric acid.
So much to dream.
Risk of chemical burns from sodium. Only for authorized personnel.
I see security warnings everywhere.
Is it dangerous to work here?
He works to check equipment and facilities ..
... to ensure safety the people who work here ..
... and make products.
He is the youngest worker here.
His name is Amaury.
I am really interested in with this job.
Learning how the plant works, understand dangerous chemicals...
I am responsible to avoid accidents.
It's really fun has a meaningful job.
What recreational activities are available at the factory?
Do you play soccer?
No. Table tennis.
You play ping-pong? / Yes.
Are you proficient? / I'm pretty good at it.
Look at the speed!
Nobody passed it.
Let me try against Amaury.
Now he plays.
For our photos in the hallway ..
... we will use employees from each department here.
They all work at different hours.
Our first group in the morning.
Anyone can take pictures in groups.
We want you all to make it unique.
No clothes! Right! We need ideas like that.
They don't want to undress.
Ok, but this guy makes suggestions...
... that's his opinion.
I suggest...
... You put your hand on your face.
Open hands are very beautiful.
Yes, that's good.
Everyone sees me. 1, 2 ..
3 ..
Very beautiful!
Now, everyone raises your hands...
... in the air, like that.
Be careful with the head. Everyone sees me.
Great!
After shift changes, we do it with another group.
Reach with both arms.
Throw your body into it.
Come on all! lean like this.
Great. 1, 2, 3...
Boom! thanks.
Now we will start working.
I like this. / Hands up.
Lift an arm like this, so we can place another one ..
... in other ways.
That's good, one group in one direction...
.. the other is the opposite.
Like they want to come together.
No, this is the last.
It must reach the wall.
I'm not in it.
I am not in this group.
We will see after you start sticking.
You can see the first strip. / Ok.
We find Claude.
I'm worried about rough walls.
I'm not sure this works, but it seems good.
Where are you next?
Looks like me.
Can you stand right under yourself?
That's great!
Is this good?
Too bad, some employees are missing.
The idea is that one group, is a combination of all departments ..
... all workers from different shifts ..
... management too... I see their faces there.
This shows we can all hang out!
Show us./ Stand under your drawing.
Where are you next? / Here.
You made a great duo.
I want to know, how did you meet?
On a dating site, Meetic.
That's right!
That's a joke, and I don't like that joke.
I'm not a ghost! I'm a real human.
This is surprising.
The purpose of art is to surprise us, isn't it? / Right.
Have a nice day.
Every face tells a story. And that day ..
Today is my last day. I took an early retirement.
Today? / Today.
This is your last day here? / Yes indeed.
I feel like I have reached the edge of the cliff ..
... and tonight I will jump.
I will find a lot of things.
This will be completely different. A truly new life.
Last night, I will find myself at home.
What will you do tomorrow?
Tomorrow?
I thought I would sleep!
Tomorrow you will sleep. How about the day after tomorrow?
This is the first time I retired.
I'm headed for something unknown.
It's time to work on the water tower.
And where there is water, are fish.
This is the head.
Right, like this.
Where is the big fish? / It's up there.
On the crane,
... the photo posters are having fun.
Will you go up?
You know my knee pain!
Don't waste time. Very beautiful up here.
You can show it for me.
It's all my sport for a week.
Not bad.
What do you think, from here?
Looks good.
The fish are happy now.
Living a high life.
Do you remember where we caught all these fish?
I don't know.
Like this? / A little lower.
Tilt the camera down. Ok, start.
Check the focus.
Yes there, great.
Boom! Extraordinary.
I don't see black...
Your hand is blocking.
I just saw his stomach.
Slightly lower...
Not sure what I got.
He has beautiful fins.
Perfect.
Slightly lower.
There.
Great.
What is focus?
Just for fun.
Really fun!
I want the items to hang!
I will add this.
No, this is great.
I will make it like this.
That looks... Argh, he slips!
Awesome disgusting.
That's what I want, monkfish.
What a nightmare.
We take cheeks and everything.
His eyes are still there.
Looks a little...
You may allow me to come, be cured.
Ms Varda, look as far as you can left.
Good.
I touch your eyes.
Don't move.
This is where the injection is.
Are you okay?
Are you not afraid?
No, I'm not afraid. I'll tell you the reason.
I always think of the movie Buñuel, Andalusian dogs.
Right, with a large razor.
You see eyes, then come the knife.
So injections are not a big problem.
Should we sit for a while?
I suffer from eye disease.
I need an injection, check-up...
and checking.
What are the checks made of?
See letters.
Does it look right, Agnès?
This is good, the bottom is opaque, but...
... the letter needs to move a little.
How do you move?
Up and down a little. / Understood.
Notify them. / Immediately.
Move up and down a little!
Now I'm happy. That's what I saw.
You look blurry, and you're happy.
You see everything dark, and you're happy.
It all depends on how someone sees something.
With a certain distance.
Or from above.
We do rounds with one leg (pirouette) ..
and land on Pirou.
Pirou-Plage.
A village that is half built, then abandoned.
Now a ghost town.
Extraordinary.
Hello.
This is magical.
We think it's empty, and suddenly full.
Thank you for coming.
I talk to kids. / Right, that's your size!
We hope to inhabit, re-inhabit, bring a little life
... to this place where life has disappeared.
Using a face and a little energy...
... even if only for a day. Let's try it.
Call it a portrait and a picnic party.
We bring a giant photo booth truck.
We want to take your photo.
This is very good if you can cut your face...
... so when they go up...
... they will be closer.
3, 2, 1...
I need to brush here.
Form groups.
Others remain in place.
I used to come here as a child.
I see houses...
... falls into destruction over time.
They are never finished.
Very strange.
They come.
Neighbors, who are curious...
... residents of Pirou-Plage and nearby villages ..
.. people passing by ..
... a dreamer ..
... a photographer...
... and postman.
Hello!
There is a letter for me? / Yes.
Thank you.
See you soon!
Have a nice day.
A postman is so important to a village.
I serve as a liaison.
Not long ago, a little further there...
.. I brought Mrs. Fournier bread every day.
I send a bottle of gas, meat from a butcher.
We have known each other for a long time.
Twenty years, I think.
That's right.
One day, you surprised me.
You brought me this.
I don't know you're a painter.
That makes me happy, give it to you.
In your eyes...
.. what does that represent?
Maybe it's you!
A tiny woman and a high postman?
Exactly.
Be careful with cat fur!
I have a bad smile!
Not true!
I used to do my play with a bicycle.
I will go to the fields.
Fill my bag with melon and tomatoes...
... when I distributed letters.
Why? / The farmers are very generous.
Seriously, melons and tomatoes!
My bag is on a bicycle.
They will hear me coming, I set the radio on the handlebars.
This is a portrait gallery ..
... in the open.
I'm Pony, that's my nickname. Usiaku 75.
Will be 76 next April.
I can't get a lot of pension money, but I manage it.
Parents don't eat much.
There are no activities from morning, afternoon and night.
You eat when you're hungry. At least I did.
What are you retired, if you never work?
I get the pension...
Maximum... What is that? Maximum or minimum?
For people who have never worked.
I'm afraid that is the minimum.
That's it.
Your turn.
Good luck!
3, 2, 1...
Amazing images!
Very handsome.
Very expressive.
Very handsome!
Pony has invited us to visit his kingdom.
He is very proud of that.
So comfortable here, right?
You can do anything and nobody interferes.
You are on this planet.
People throw this bottle cap.
I picked it up and made stuff with it.
You can make items with anything.
All that is needed is an idea.
Pony tells us he has nailed 1,300 bottle caps.
And the clock works.
I was born in the shadow of a star.
My mother, month, gives me coolness.
My father, the sun, gives me his warmth...
... and the universe to live in it.
Imagine that. I have so many things in life.
We meet an artist who likes words.
Every new person I meet...
... feels like the last to me.
The last, you're the last... You keep saying that.
But we bounce back like cats.
A perch cat makes us wise.
You play games "wise grandmother".
And you play "excited youth".
Look and learn from sheep instead.
I have to admit it...
... young sheep outside lead the dance.
Look at Agnès, an animal that eats a tree.
They are goats.
Goats without horns? Is there such a thing?
Let's investigate.
Follow me.
The goat is here.
I have 240 goats in production.
During the visiting season, we make around 800 cheeses a day.
Why don't they have horns?
When they are young, we burn their horns.
It was not finished in the past.
Does it hurt them?
No, it only takes 20 seconds.
Why do it?
If they are horned, they fight.
They can hurt legs and ribs with each other.
Goats are the dominant animals.
They compete for dominance.
They always fight.
Well, they look very tame and obey the milking machine.
They immediately enter.
They like to play, jump on wood.
This is their playground.
They are free to come and go.
They have hectares for themselves.
You're the only cattle group where goats have horns.
In my mind...
... if the goat has a horn, he let it.
I will not eliminate it.
Looks like...
I can't find a logical explanation ..
... unless you see it as a product...
... needed to reach a certain level of return on capital ..
... so you delete all parameters which makes it less profitable...
... and cut off their horns.
You burn it.
But if you want to do it in a way that respects animals ..
You must leave it intact. If they have horns, leave it.
Sure, they fight.
Humans fight too.
So...
Goats on the road, no doubt.
Excuse me.
I know what the car horn means.
We return the next day. I like this principled woman.
We want to know more about him.
And about this horse.
Fanfan?
Fanfan maintains property. And he looks after goats.
If something happens...
... if some goats roam, she whines to warn us.
He is very sweet for visitors.
With my daughter...
... and me, he is a little alone. But he is warming up.
How many do you work here?
Both of us.
I handle most of the milk production.
I use traditional methods, without preservatives.
He is so attentive to animals...
... bring them to the meadow and flush them.
How many goats do you have? About 60.
You don't have a milking machine.
I used to have. One mechanical, one electric.
But actually, the sound of the machine...
... and all the hassle clean it...
... makes it unfit.
We realize that blushing is a peaceful moment.
Agnès likes cats and goats.
So I thought he would like it if I put up a big goat...
... with horns.
Nice surprise, at the end of my day...
... to see goats, all done.
This is cool, this is amazing.
But why is this goat?
For fun, and other reasons.
Well that's cool, it's amazing.
Let me explain it to you.
JR and I are investigating.
I understand.
Goat breeders want without horns, so they eliminate it.
I don't know about that until you tell me now.
This horn.
Most people see photos...
... will never hear about it.
Well, I will tell them.
Again, is the same old problem...
... here on the planet.
Always produce more, more and more.
That's the reason they got rid of goat horns?
Goats are born to have horns, rather than without horns.
I say let the horn and put the ball on the end...
... like a bull with.
Rubber balls.
It can be funny. Or clown nose.
Made of rubber.
That will look funny...
... and you can use different colors to distinguish them.
Purple, colorful, zebra, whatever you like.
Good idea, I like that. Very imaginative.
We are happy to meet you.
I'm happy to meet you too.
You're amazing, Madam. Continue like that.
And I will look after your goat.
Yes?
Me and heaven. See you again.
We want our usual souvenir photos.
This looks very good on small porcelain plates.
Dishes for dessert!
My turn to take your picture.
The glasses!
It's not friendly.
You place black screen between us.
I have it. Enough!
Stop criticizing my glasses.
Criticism? How cruel!
We try to work and you bother me.
Stop it. Let's continue.
Go for a walk!
He made me lose my series of transitions...
... from the goat to the photo I took in my youth.
It's in Normandy.
A white goat falls off a cliff.
He inspired this composition...
... from a naked man staring at the sea...
... a child, and a goat.
It was 1954. The place was Saint-Aubin-sur-Mer.
The beach I know well. I often explore this region.
I like this coastline, with a quiet beach.
Once upon a time, when driving away by motorcycle...
.. between Saint-Aubin and Sainte-Marguerite...
.. I found this bunker.
Who falls from the cliff to the beach ..
and sticking out.
That is a blockade...
Germany builds it on cliffs to maintain the coastline.
I thought, "What can I stick to it?"
I always ask myself .
But this project is close to my heart.
Agnès must be part of it.
Step 1. It's the same as every project is attached, Agnès ..
... we are looking for our location...
... and find out ways bring our equipment.
Etienne takes measurements.
Better find out about tides.
This morning, I checked the level during high tide.
Water level rises about 2.6 meters from the ground.
It appears around there.
What time is it, 11:30? / Yes.
On the day it sticks...
... we have to know how long it has been us in low tide ..
... and what image we will paste.
I want to know how if we can put this in a bunker.
It won't look good. You can't put a man...
... and goats and still in...
What else do you have?
The photo you took there at that time.
What about this?
Other compositions.
In ruins.
You make all naked people.
Naked is beautiful.
This is a painter's approach, this is artistic...
Just admit you like naked men.
Sure, naked men are beautiful. Women too.
These are the two people I have with me.
Fouli Elijah and Guy Bourdin.
I made a version of with Guy myself.
We can try, but...
... visually, in a bunker, it won't work.
Ok, we will find another for bunkers.
And let's stick Guy ..
... on the wall with holes.
Or in ruins.
Will there be a destruction of in a destroyed job?
This is called image in the image.
Or what if we try the house that is being built, with a hole?
Guillaume, could you agree using the cinderblock house?
One with a hole.
Why not? They are being in the development stage.
Right, that might work.
Guillaume, come on! Etienne, everyone.
Agnès!
You are in Normandy, one of the oldest regions in France...
... and you choose the worst house around here!
There is nothing bad about starting something.
Come on in and see!
I just said we always look for beautiful old walls.
Why not try the bad cinderblock from the building being built?
You always make fun of!
I tried to find a surface, with a hole!
Become JR's artistic director ..
... and you, the accompanying supervisor ..
... don't agree to stick to this?
Same size with window, or larger?
We want the big one.
This must be in human size.
I admit that maybe isn't a good idea...
... but the most important thing for me in this area is Guy Bourdin.
Why come back to Guy Bourdin's house?
Given that dead people are good...
... but some places are easier to bring them back.
He then becomes a famous photographer...
... but when I knew him...
... he is a young man...
... from La Chapelle-sur-Dun, who lives with her grandmother.
Have you ever worked with him?
No, but we often meet each other.
And we do a photo shoot together...
... along with Fouli Elia ..
... using one of the large plate cameras...
... with a negative size of 18x24.
Guy often poses for me.
He is a good model...
... because he understands what I want to do.
I made a portrait of him here.
Near this beach hut.
I want to see the photo.
It feels like yesterday.
I took it from here.
I remember exactly when I put the camera.
I saw Guy, and then...
I press the shutter release and take the photo.
That image.
I might remember my photos about him better than I remember them.
Too much wind.
Wait for me.
No, I'll leave. Too much wind.
Why don't we place the image in the bunker?
I like it.
Will you install it like that?
It's good to tilt it a little.
The sea is still far away when we start.
While JR is on the stairs...
I got a visit from the mayor Sainte-Marguerite.
I don't know when it fell. I thought I came before it happened.
We dropped it in 1995.
Right, that's it.
We deliberately dropped it.
That part depends.
The mayor was afraid...
It's quite funny to have to push boulders like that.
Yes, and I like how he buries himself on the beach
... like a work of art.
Recently, a calf fell from a cliff.
He is just born, back like that.
He is just born, and doesn't understand...
... about danger.
And he fell.
I can't imagine that is better for Guy.
Here it is, like a child in the cradle.
Rest in peace.
The next morning, we went to see.
Wave has deleted the image.
Mortal images are my quality and characteristics.
But the sea works quickly.
The sea always has the last word.
and wind, and sand...
The image has disappeared. We will also disappear!
The film won't finish...
... and I won't make JR glasses disappear.
I heard about this little grave...
... where Cartier-Bresson is buried.
I want to go there with JR.
That's them.
This is Henri ..
... and this is Martine Franck, is also a reliable photographer.
One for Henri...
... and one for Martine.
Quite a lot of people are coming...
... to this remote place.
I remember the photo, a man jumped over a puddle.
The eyes he has.
People associate it "decisive moment" ..
... with Cartier-Bresson.
Apparently he doesn't like that phrase.
He once said he didn't want it to be used.
This is one of the smallest graves I have ever seen.
How much is there? Ten people.
Not that much.
It's hidden well.
We have plans to see Cartier-Bresson's grave.
And we do it.
I didn't take any photos. Do you do it?
Just a small photo.
I will take once before we leave.
Are you afraid of death?
I don't think so.
I thought about it a lot.
I don't think I'm afraid, but...
.. I might be at the end.
I look forward to it.
Really, why?
Because it will be like that.
Good afternoon.
I was surprised by how...
... You always wear the hat and glasses.
So, I'm me...
... and you are in your costume.
I mean, in your chosen appearance.
Your haircut like a costume too.
Why did you choose two colors?
I like color.
And I don't want to be white like my beloved dog...
... which is all white!
Your whole body is white.
The subject of our conversation changes. / No problem.
What is the subject?
You...
... so caring towards parents.
Right.
Where did it come from?
Well...
... they are always there. I grew up with old people.
Grandparents?
Yes. My grandmother lives with me.
I treat an old woman who lives across the hall.
Actually they are to look after me...
... but finally I who took care of them.
I understand. Do you still have a grandmother?
One, yes. This year he was just 100 years old.
That's amazing. Can I meet him?
Grandma, this is Agnès.
Hello, Madam.
I want to meet you since I met him.
Really? / Of course, grandma is someone important.
He often talks about you.
Really? / Yes, of course.
I came to see you directly. / Thank you.
Does he wear his glasses with you?
Do you accept him like this? / Yes, of course.
You don't take off the hat and glasses for your grandmother?
He is always like this. That is my grandson!
Tell me, when he was little, how did you call him?
I don't remember. / Nickname?
My little lover...
That's good.
But that call can be for anyone.
No special calls?
My little boy.
That's beautiful.
That's what he said about it.
Everyone has their secrets.
Dark glasses must be used in the family.
Hush, noisy...
and jump!
Port of Le Havre.
I managed to find you here after all that.
I will never go to Le Havre.
Except in a song.
During the war ..
... we will learn old songs.
When I was 13 years old, and I picked a small guitar.
♪ To the port of Le Havre they come ♪
♪ Three big ships full of wheat ♪
♪ Apples and pears, ♪ ♪ turnips and cabbage ♪
♪ Figs and strawberries ♪ ♪ and sweet wine ♪
♪ Three women come to bargain ♪
♪ A good sailor, ♪ How much is your wheat? ♪
♪ Apples and pears, ♪ ♪ turnips and cabbage ♪
♪ Get on board, you woman, ♪ ♪ and look ♪
I brought you here to meet...
... these people, Christophe, Denis and David...
... who works with me, along with many others.
This is where we paste & apos; eyes & apos; it's on the ship.
Everyone here really works hard on this project.
Why did you do that for JR?
For beautiful eyes, but we can't see it!
Right.
He wants to take off my glasses!
You didn't mention our project is about the village.
Become the kotainer.../ It's not a village.
He tried to convince me the dock was like a village.
Right, right? / Right.
Right, and we really are out of town.
When I told him there were only men there...
... he was excited about the idea.
I ask where the women are.
He said, I have to find them myself.
That's when I asked to your wife ..
... since you have a wife, to meet me somewhere.
Here we have three women.
Three blondes ..
... wearing black.
Do you know why I call you here?
The three of you are the wives of the dock workers.
They do a lot, strong unity.
Dock workers... Their wives are rarely mentioned.
I thought this time...
Please speak.
Morgane?
I am a schedule planner for transportation companies.
My husband is a fleet manager at Terminal de France.
Nathalie?
I'm a hairdressing instructor...
..and my husband arranges courses training for dock workers.
And Sophie?
I am a port truck driver.
A truck driver!
Licensed to drive a large truck? / - Sure!
How many women drive large container trucks?
In my company, I am the only one.
Of 80 riders.
Sounds right.
What size truck do you drive?
.. 45 ton truck, the biggest.
So...
... when we met Christophe, Denis and David...
... they told us about their work, the strike...
What is your position?
I really became very angry when they were criticized.
I like their loyalty, I like ..
I like their solidarity.
I support...
I support port workers, always.
It's true, I always stand behind Christophe.
I stand behind him. This is an extraordinary profession.
Why are you saying behind and not on the side?
No, I always stand next to him. Next to him.
Sophie? They must maintain their position.
Striving to maintain the rights obtained by their parents ..
... by their father, who broke down in the past.
So I support them.
Do dock workers are ..
... jobs run in the family?
Yes.
For all of you?
Our project is taking a portrait of from all three of you...
And paste it into the container.
This will be our pride, Agnès.
The faces are so beautiful.
It's good to see a woman standing tall.
We are ready now.
You can take off your small vest.
Child-changing-room will get it for you.
Wait!
The head is a little lower... That's it.
Look like this, eyes open...
Leave the scarf, it's beautiful.
Wait, let me see.
That's right, his legs are perfect.
Look at me...
I like your eyes laughing.
Smile, just with your eyes.
We want to be like three big statues, three totems...
... up there...
... entered the world of men...
... find your place.
Dear place, for this one time.
Until we leave.
Remember the last time we took the elevator?
We are in the Louvre.
Rise for a challenge.
We want a little pleasure at Godard.
He has three characters run at high speed ..
... descends on the Louvre Main Gallery...
... to break records across the museum.
I saw the film. Bande à Section, black and white.
You are lucky to know Godard.
I don't run anymore, but I have you.
How beautiful!
Bellini...
Del Sarto...
How beautiful!
Lorenzo Costa...
Ghirlandaio...
Botticelli...
Raphael...
There!
Arcimboldo...
Summer...
Spring.
Totem women, yes. But also brave.
Prepared to sit in their own hearts.
How nice it feels to be here!
Feelings of freedom like that!
I'm very happy to be here.
So calm.
Very big.
I don't like being alone.
I don't like altitude, I don't like being alone.
Two things at once.
I'm very scared.
I feel like I dominate everything.
It feels comfortable, I like that.
I feel...
I feel high, I feel strong.
This will attract curiosity.
Dock workers are talking about it.
Wonder who are these women.
We said they were our wives and told them about the project.
I think pride can't describe it.
Everyone is very involved.
You know, that...
continues to increase.
We move forward, beyond all cliches.
They are confined.
But soon.
I can't see it well, they are far away.
But I can see they are young women.
We will take pictures near his eyes that cannot see far.
Now, where are we?
I think that's fine.
Let me take one time.
Look ..
Extraordinary. Beautiful wrinkles.
You have muscles in wrinkles!
What? You do it /! I agree with this.
I will remain cooperative.
We have finished your eyes, your hands...
Maybe it's your feet too.
They are beautiful. / Hold my legs.
I want your feet.
How does it look? I can't see
I have never fallen into a rabbit trap...
... but this is very similar.
Raise this one.
Bring this one out, closer to me.
Good.
This one is slightly down.
Good.
You point my toes...
makes me happy.
Now wrinkle for me...
Looks like a wrinkled heart.
Like the potatoes I squeezed, young, then old.
Guess what I will do with all this.
Are you yours?
Very beautiful.
Whose idea is that? / He! Not my idea.
I'm not proud of my legs, they're too small.
They do look small. That's right, they're small.
But that's fine.
I'm curious.
Why put fingers on the train?
What do you mean? Or is...
The point is...
... imagination power.
We have given _ freedom to us...
JR and I...
... to imagine many things, and ask others if we can...
... express our imagination in their territory.
But our idea is always to be with people, at work.
Therefore group photos.
So we want to exchange with you...
... and also try our own unique ideas.
We enjoy it ..
... and we hope you too.
I was surprised by the originality.
This is an experience.
Your feet and eyes tell a story.
This train will go to a place that you have never visited.
Thank you, JR, for a beautiful trip.
I have one more for you.
Close your eyes.
I have something for you. / What is that?
Wait.
We have to close the curtains.
Look.
How does it work? / Like this.
Stand up.
What is your password?
2-3-4-5.
Amazing security!
Continue, press the play button.
There.
Why did you show me Godard? / You know the reason.
Where are we headed? / Yes, of course.
Not excited? / Of course excited.
I made this short film with Jean-Luc Godard and Anna Karina...
... in 1961.
This will put you in the desire for our visit.
That's all I will say.
Ever visited the place?
Not to his new home.
I've never seen it for a long time.
I don't know, maybe five years.
What will happen?
We will see, we will see.
He is unpredictable, so you never know.
Why is he like that?
He is very lonely. A solitary philosopher.
He built a cinema ..
... he changed the cinema.
The film is very beautiful.
He is an inventor, a researcher.
Cinemas need people like him.
Is he your old friend?
Don't say old friends! He is a friend forever.
Better for parents.
And yes, he is right.
I really don't see it much since last we used to hang out.
I still care about him, but we lost contact.
Where do you want to sit?
What will happen?
Madame?
What should you do? / Perrier-grenadine.
I like water.
No, herbal tea, please.
Herbal tea.
We met him at 9:30.
So what time is it?
Will he be on time?
He is at home, he will be on time.
Should we go?
You haven't enjoyed even a sip.
Oh yeah.
Cheers.
Do you see the door bell?
I don't see the doorbell.
There is one there.
Locked.
Metal window.
Is this a joke?
Jean-Luc!
What is written there?
This is a secret message...
from Jean-Luc.
"A la Ville de Douarnenez"...
We used to eat there. It's a small restaurant
... on Boulevard Montparnasse. We usually eat there.
Me, Jacques and Jean-Luc.
And when Jacques dies...
... that's all written Jean-Luc to me.
"A la Ville de Douarnenez"...
If he wants to hurt me, he can do it.
And "Du Côté de la Côte"...
I don't know.
That is one of my films.
He knows I'm here, he thinks of Jacques...
... but it's not too funny.
This isn't too funny.
If he doesn't let us in, he is a dirty rat.
Come on.
Wait.
It occurred to me to go to his favorite bakery...
... to buy small brioches for him!
I will write a note for him.
Lend me your feather pen...
... to write a word...
... my friend Jacquot...
Thank you, JLG ..
... for your good memory.
But no thanks...
... for your hospitality.
I describe the heart too.
And you will never know JR.
And JR won't know you.
But I know you well.
And I like you.
You're a dirty rat.
Let's go to the lake.
Du Côté de la Côte
... is the second line in the Godard puzzle.
Jean-Luc and Anna have rented a villa near Nice.
They invited Jacques and me.
We have fun. Jean-Luc reads all day...
... and Anna wanders around saying, "I don't know what to do."
We don't make fun of him, but that makes Jacques and me laugh.
I have good memories with my friends.
But today Jean-Luc is out of line.
Do you think he wants to hurt you?
Or does he challenge the narrative structure of your film?
Our film.
Do you think he made a joke?
It seems like he thinks you're writing, so he writes too.
Maybe both come together.
In a surprising way, but...
My feelings are mixed.
Very mixed up.
I don't know what to do.
What can I do?
Something, just for you.
Thank you.
That's so sweet.
I never realized that your eyes were so bright.
I don't see you well...
... but I saw you.
Should we see the lake?
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