1 00:00:16,449 --> 00:00:21,125 - HIGH SCHOOL IS HYPNOTIC. 2 00:00:21,187 --> 00:00:24,828 IT TICKS, AND TOCKS, 3 00:00:24,924 --> 00:00:31,273 DRAWING US INTO A WORLD WE KNOW ALL TOO WELL... 4 00:00:31,331 --> 00:00:34,437 FROM MEMORIES, DREAMS, 5 00:00:34,501 --> 00:00:40,213 AND MOST OF ALL, FROM THE MOVIES. 6 00:00:41,274 --> 00:00:43,811 THE FURTHER WE VENTURE INSIDE, 7 00:00:43,877 --> 00:00:49,418 THE MORE WE GIVE OURSELVES OVER TO ITS ETERNAL RHYTHM. 8 00:00:49,516 --> 00:00:51,393 BEFORE WE KNOW IT, 9 00:00:51,484 --> 00:00:56,832 WE'RE UNDER THE SPELL OF A PARALLEL UNIVERSE. 10 00:00:57,190 --> 00:01:02,071 BUSES GLIDE INTO THE PARKING LOT. 11 00:01:02,162 --> 00:01:09,603 STARS AND STRIPES HANG LIFELESS AS ANOTHER SEMESTER UNFOLDS. 12 00:01:09,669 --> 00:01:16,484 TEENS FROM ALL AROUND FLOCK INTO THE BUILDING, 13 00:01:16,543 --> 00:01:20,685 LOST IN AN ENDLESS RITUAL. 14 00:01:22,749 --> 00:01:24,422 MOST REMAIN OBLIVIOUS 15 00:01:24,517 --> 00:01:29,159 TO THEIR ROLE WITHIN THIS VAST PRODUCTION, 16 00:01:29,222 --> 00:01:31,862 BUT THOSE WHO WAKE FROM THE TRANCE 17 00:01:31,925 --> 00:01:34,599 AND SEE THE SYSTEM FOR WHAT IT REALLY IS, 18 00:01:34,694 --> 00:01:40,007 FIND THAT THE PATH TO FREEDOM LIES STRAIGHT AHEAD. 19 00:01:40,066 --> 00:01:44,606 THE BEST WAY TO SURVIVE HIGH SCHOOL 20 00:01:44,704 --> 00:01:49,847 IS TO PLAY BY HIGH SCHOOL'S RULES. 21 00:01:52,011 --> 00:01:53,684 TRANSFER STUDENT SARAH 22 00:01:53,746 --> 00:01:57,250 UNDERSTANDS THESE RULES BEITER THAN ANYONE 23 00:01:57,350 --> 00:02:00,024 IN "THE CRAFT". 24 00:02:00,086 --> 00:02:02,726 BLESSED WITH A SUPERNATURAL GIFT, 25 00:02:02,789 --> 00:02:06,794 SHE SENSES A PATH THROUGH THE MAZE OF HIGH SCHOOL 26 00:02:06,893 --> 00:02:11,000 AND SITS A COURSE FOR WHAT LIES BEYOND. 27 00:02:11,064 --> 00:02:13,840 FIRST, SHE IDENTIFIES NATURAL ALLIES 28 00:02:13,900 --> 00:02:19,009 IN BONNIE, NANCY AND ROCHELLE - A TRIO OF GOTHIC PARIAHS 29 00:02:19,072 --> 00:02:21,245 TORMENTED BY THEIR FELLOW STUDENTS... 30 00:02:21,307 --> 00:02:23,253 - HEY, SCARY BITCH ALERT. - GOD! 31 00:02:23,309 --> 00:02:24,788 I THOUGHT IT WAS SATAN. 32 00:02:24,878 --> 00:02:30,726 - AND MARKED AS OUTSIDERS BY FACTORS THEY CAN'T CONTROL. 33 00:02:30,783 --> 00:02:32,285 - SHARK! 34 00:02:33,920 --> 00:02:36,264 - WHY ARE YOU DOING THIS TO ME, LAURA? 35 00:02:36,322 --> 00:02:39,428 DO YOU THINK YOU'RE FUNNY? 36 00:02:40,126 --> 00:02:41,264 - YOU REALLY WANNA KNOW WHY? 37 00:02:41,327 --> 00:02:45,639 - YES, I REALLY WANNA KNOW WHY. 38 00:02:46,232 --> 00:02:48,007 - BECAUSE I DON'T LIKE NEGROIDS. 39 00:02:50,270 --> 00:02:50,771 - SORRY. 40 00:02:50,837 --> 00:02:56,310 - BONDED TOGETHER, THEY ASSERT THEIR POWER AS ONE. 41 00:02:56,409 --> 00:02:59,049 - YOU GIRLS WATCH OUT FOR THOSE WEIRDOS. 42 00:03:00,013 --> 00:03:03,460 WE ARE THE WEIRDOS, MISTER. 43 00:03:04,751 --> 00:03:08,392 - AS THEY FORGE A FRESH PATH THROUGH THE SYSTEM, 44 00:03:08,454 --> 00:03:11,401 THEY LIBERATE THEMSELVES FROM THE PAST... 45 00:03:11,457 --> 00:03:13,095 - I DRINK OF MY SISTERS, 46 00:03:13,159 --> 00:03:17,335 AND I ASK FOR THE ABILITY TO NOT HATE THOSE WHO HATE ME, 47 00:03:17,430 --> 00:03:21,401 ESPECIALLY RACIST PIECES OF BLEACH-BLONDE SHIT, 48 00:03:21,467 --> 00:03:22,172 LIKE LAURA LIZZIE. 49 00:03:22,268 --> 00:03:27,718 - AND WREAK GRUESOME REVENGE ON THOSE WHO'VE DONE THEM WRONG. 50 00:03:29,008 --> 00:03:35,550 FOR THEM, HIGH SCHOOL WILL NEVER BE THE SAME. 51 00:03:36,182 --> 00:03:40,153 BUT AS THEY SHARE OUT SARAH'S INCREDIBLE ABILITIES 52 00:03:40,220 --> 00:03:41,062 AMONGST THE GROUP... 53 00:03:41,154 --> 00:03:42,428 - Light as a feather, stiff as a board. 54 00:03:42,488 --> 00:03:44,468 Light as a feather, stiff as a board. 55 00:03:44,524 --> 00:03:48,529 - THEY CEASE TO EXIST AS DISTINCT INDIVIDUALS, 56 00:03:48,628 --> 00:03:52,770 INSTEAD TAKING ON A COLLECTIVE IDENTITY. 57 00:03:52,832 --> 00:03:55,642 NANCY CAN BE NANCY... 58 00:03:55,969 --> 00:03:58,643 OR SHE CAN BE SARAH, 59 00:03:58,705 --> 00:04:03,848 AS THE BORDERS BETWEEN THEM FADE AWAY. 60 00:04:04,844 --> 00:04:07,347 UNNERVED BY THIS LOSS OF SELF, 61 00:04:07,413 --> 00:04:10,917 SARAH TURNS HER BACK ON THE OTHERS... 62 00:04:12,685 --> 00:04:16,462 - THERE YOU ARE! WE'VE BEEN LOOKING EVERYWHERE FOR YOU. 63 00:04:16,522 --> 00:04:19,401 - AND TURNS THEM AGAINST HER. 64 00:04:19,492 --> 00:04:21,096 - WELL, IF YOU'RE GONNA LEAVE THE CIRCLE, 65 00:04:21,160 --> 00:04:23,333 YOU MIGHT WANNA THINK ABOUT LEAVING THE SCHOOL. 66 00:04:23,396 --> 00:04:26,570 - AND MAYBE THE CITY, TOO. WE'RE NOT SURE. 67 00:04:26,666 --> 00:04:27,701 - OR THE PLANET. 68 00:04:27,767 --> 00:04:29,474 - DESPERATE TO MAINTAIN CONTROL, 69 00:04:29,569 --> 00:04:33,779 THE TRIO JOIN FORCES TO CRUSH SARAH'S REBELLION, 70 00:04:33,873 --> 00:04:35,978 BUT WEAKENED BY THEIR MISSING LINK, 71 00:04:36,042 --> 00:04:38,716 THEY'RE HELPLESS TO DEFEND THEMSELVES... 72 00:04:38,778 --> 00:04:39,586 - WHERE ARE YOU GOING?! 73 00:04:39,679 --> 00:04:42,182 AS SHE TEARS THE PACK APART FROM WITHIN. 74 00:04:42,248 --> 00:04:43,625 - I BIND YOU, NANCY, FROM DOING HARM... 75 00:04:43,716 --> 00:04:46,560 HARM AGAINST OTHER PEOPLE AND HARM AGAINST YOURSELF. 76 00:04:46,619 --> 00:04:49,463 - WAIT. -l BIND YOU, NANCY, FROM DOING HARM... 77 00:04:49,555 --> 00:04:52,536 HARM AGAINST OTHER PEOPLE AND HARM AGAINST YOURSELF. 78 00:04:52,592 --> 00:04:55,436 - AS THE GROUP SHATFERS BEYOND REPAIR, 79 00:04:55,528 --> 00:04:58,168 POWER RETURNS TO THE INDIVIDUAL. 80 00:04:58,231 --> 00:04:59,107 - WE WERE JUST WONDERING, 81 00:04:59,198 --> 00:05:01,474 DO YOU - DO YOU STILL HAVE ANY POWERS? 82 00:05:01,534 --> 00:05:03,707 -'CAUSE WE DON'T. 83 00:05:04,304 --> 00:05:06,841 - HOLD YOUR BREATH UNTIL I CALL. 84 00:05:06,939 --> 00:05:12,218 - SHE PROBABLY DOESN'T HAVE ANY POWERS ANYWAY. 85 00:05:43,976 --> 00:05:49,790 - THE SPELL OF HIGH SCHOOL IS LII-TED. 86 00:06:18,778 --> 00:06:20,758 - SHE KNOWS EVERYTHING ABOUT EVERYONE 87 00:06:20,813 --> 00:06:23,692 SHE'S THE STAR, SHE'S THE ONLY ONE TO BELONG 88 00:06:23,783 --> 00:06:25,319 SHE FEELS BAD FOR YOU THAT YOU DON'T COMPARE 89 00:06:25,385 --> 00:06:28,764 SHE KNOWS IT'S HARD WHEN SHE SEES, SHE SEES YOU STARE 90 00:06:28,855 --> 00:06:31,165 SHE'S A SYMBOL OF THE TURNING WORLD 91 00:06:31,224 --> 00:06:34,228 SHE THINKS EVERYBODY'S IN LOVE WITH HER 92 00:06:34,327 --> 00:06:35,931 SHE'S A STONE-COLD FOX 93 00:06:35,995 --> 00:06:37,702 SHE'S A STONE-COLD FOX 94 00:06:37,797 --> 00:06:42,678 AND THE TREES, LIKE LUNGS, FILLING UP WITH AIR 95 00:06:42,735 --> 00:06:48,617 MY SISTER, THE MEAN ONE, PULLING MY HAIR 96 00:06:48,708 --> 00:06:53,088 AND THOSE GIRLS, THEY WERE JUST WOMEN IN DISGUISE 97 00:06:53,179 --> 00:06:57,719 THEY UNDERSTOOD IT ALL, THERE WAS DARKNESS AND PAIN 98 00:06:57,817 --> 00:06:59,091 IN THEIR EYES 99 00:06:59,152 --> 00:07:01,462 IT ONLY MATTERS THAT WE LOVED THEM 100 00:07:01,521 --> 00:07:04,229 IT ONLY MATTERS THAT WE LOVED THEM 101 00:07:04,323 --> 00:07:08,169 IT ONLY MATTERS THAT WE LOVED THEM 102 00:07:09,395 --> 00:07:10,999 IT ONLY MATTERS THAT WE LOVED THEM 103 00:07:11,063 --> 00:07:14,374 IT ONLY MATTERS THAT WE LOVED THEM 104 00:07:14,434 --> 00:07:20,715 IT ONLY MATTERS THAT WE LOVED THEM 105 00:07:33,252 --> 00:07:35,596 - A FLURRY OF ACTIVITY 106 00:07:35,688 --> 00:07:39,033 SIGNALS THE BEGINNING OF A TRANSFORMATIVE JOURNEY 107 00:07:39,091 --> 00:07:42,698 THROUGH THE TREACHEROUS HIGH-SCHOOL SYSTEM. 108 00:07:42,762 --> 00:07:44,901 AS THE NEW SCHOOL YEAR BEGINS, 109 00:07:44,964 --> 00:07:49,606 TEENS ARE POURED INTO WHICHEVER MOLD BEST FITS. 110 00:07:49,702 --> 00:07:52,239 - THESE SEATS TAKEN, HERE? 111 00:07:52,305 --> 00:07:54,478 - NO, GO AHEAD. 112 00:07:54,574 --> 00:07:58,579 - THE THOUGHTS AND BELIEFS THAT MAKE THEM WHO THEY ARE 113 00:07:58,644 --> 00:07:59,816 MUST BE SET ASIDE, 114 00:07:59,912 --> 00:08:01,949 AS THEY IDENTIFY THE COMMON ELEMENTS 115 00:08:02,048 --> 00:08:04,255 THAT MIGHT BOND THEM TOGETHER... 116 00:08:04,317 --> 00:08:06,661 - Hl, I'M GAVIN. THIS IS U.v. 117 00:08:06,752 --> 00:08:09,198 - BECAUSE IN A WORLD WHERE CLIQUES RULE... 118 00:08:09,255 --> 00:08:09,858 - I'M STEVE. 119 00:08:09,922 --> 00:08:11,959 - THEY'LL GET NOWHERE ON THEIR OWN. 120 00:08:12,058 --> 00:08:14,368 - IT'S A CLASS SYSTEM, MAN. 121 00:08:14,427 --> 00:08:15,770 CHECK IT OUT. 122 00:08:15,828 --> 00:08:17,535 THERE YOU GOT YOUR MOTORHEADS, JOCKS... 123 00:08:17,630 --> 00:08:21,305 ALL THE WORLD'S A GASKET, A LUBE JOB AND A PACK OF LUCKYS. 124 00:08:21,400 --> 00:08:24,108 - WE WERE THE KIDS IN HIGH SCHOOL WHO RAN THE FUCKING SCHOOL. 125 00:08:24,170 --> 00:08:26,047 THAT'S ALL IT IS. THIS IS AN EXTENSION. 126 00:08:26,138 --> 00:08:27,776 - WE WERE THE JOCKS IN HIGH SCHOOL. 127 00:08:27,840 --> 00:08:31,947 WE PLAYED THE SPORTS, WE RAN THE SCHOOL, WE RAN THE PARTIES. 128 00:08:32,011 --> 00:08:33,388 - I'M GONNA MISS THIS PLACE... 129 00:08:33,479 --> 00:08:38,326 THE GAMES, THE PARTIES, ALL THESE LOVELY WOMEN DIGGING ME. 130 00:08:38,417 --> 00:08:41,398 - NOW, OVER HERE YOU HAVE YOUR MICRO-GEEKS... 131 00:08:41,454 --> 00:08:45,994 NERDS, WIZ-KIDS, AND VARIOUS OTHER BOTFOM-FEEDERS. 132 00:08:46,092 --> 00:08:47,230 MUSIC OF CHOICE... 133 00:08:47,293 --> 00:08:48,567 THE SOUND OF AN APPLE PC BEING BOOTED UP. 134 00:08:48,628 --> 00:08:51,666 DRUG OF CHOICE... STEPHEN HAWKING'S "A BRIEF HISTORY OF TIME" 135 00:08:51,764 --> 00:08:54,540 AND A CUP OF JASMINE TEA ON A SATURDAY NIGHT. 136 00:08:54,600 --> 00:08:57,809 - YOU TALK WEIRD, AND YOUR CLOTHES ARE LAME. 137 00:08:57,870 --> 00:08:59,872 YOU'RE JUST THIS WORMY LITTLE GUY 138 00:08:59,972 --> 00:09:01,645 WHO SITS IN HIS ROOM AND STUDIES. 139 00:09:01,707 --> 00:09:04,085 - OVER THERE, YOU HAVE YOUR SKATERS... 140 00:09:04,176 --> 00:09:06,884 RIFFIN', RAGIN' KIDS AND THEIR RAMP TRAMPS. 141 00:09:06,979 --> 00:09:08,424 BAGGY PANTS, DICKIE WOOLS, 142 00:09:08,481 --> 00:09:10,859 DOING 50-50 GRINDS WITH A GNARLY GRAB FINISH 143 00:09:10,950 --> 00:09:12,258 ON A HOMEMADE HALF PIPE. 144 00:09:12,318 --> 00:09:14,025 - THEY... THEY LOOK LIKE TRASH, 145 00:09:14,120 --> 00:09:14,894 THEY'RE WEARING GARBAGE, 146 00:09:14,954 --> 00:09:17,594 THEY EXTEND TO THE GREATEST LIMITS OF - OF INSANITY 147 00:09:17,657 --> 00:09:19,136 AND - AND... AND HIDEOSITY, 148 00:09:19,191 --> 00:09:22,400 AND I JUST DON'T UNDERSTAND WHY THAT'S SOMETHING THAT THEY STRIVE FOR. 149 00:09:22,495 --> 00:09:26,102 - HERE'S WHERE IT GETS REALLY NASTY. 150 00:09:26,165 --> 00:09:27,974 - EVERYONE WANTED TO BE THEM. 151 00:09:28,034 --> 00:09:30,742 YOU KNOW THEM. THEY WENT TO YOUR SCHOOL, TOO. 152 00:09:30,836 --> 00:09:33,339 THEY TOTALLY RULED. 153 00:09:33,406 --> 00:09:37,582 - YOU KNOW, HE'S SMART, HE'S RICH. 154 00:09:37,677 --> 00:09:39,452 HE'S WI I I Y, AND EVERYONE LIKES HIM. 155 00:09:39,512 --> 00:09:45,554 - YEAH, I KNEW KIDS LIKE THAT... SUPERSTARS OF HIGH SCHOOL. 156 00:09:47,353 --> 00:09:47,990 - THAT'S IT. 157 00:09:48,054 --> 00:09:51,900 LESSON OVER, CLASS DISMEMBERED. 158 00:09:51,991 --> 00:09:55,268 WELCOME TO CRADLE BAY HIGH, STEVIE BOY. 159 00:09:55,328 --> 00:09:58,332 WELCOME TO MY NIGHTMARE. 160 00:10:00,499 --> 00:10:05,278 - TO A NEW ARRIVAL, HIGH SCHOOL IS A JUNGLE. 161 00:10:05,338 --> 00:10:07,147 ONLY BY FINDING THEIR RIGHTFUL PLACE 162 00:10:07,206 --> 00:10:11,882 CAN A LOST AND LONELY TEEN MAKE THEIR WAY TO SAFETY. 163 00:10:11,944 --> 00:10:17,622 IN "MEAN GIRLS", NAVIGATING THE CRUSH OF THE CAFETERIA 164 00:10:17,717 --> 00:10:21,665 PROVES AN OVERWHELMING TASK FOR NEW STUDENT CADY 165 00:10:21,721 --> 00:10:25,567 UNTIL SHE COMES TO APPRECIATE THE ORDER BENEATH THE CHAOS. 166 00:10:25,625 --> 00:10:28,799 - HERE, THIS MAP IS GONNA BE YOUR GUIDE TO NORTH SHORE. 167 00:10:28,894 --> 00:10:32,341 NOW, WHERE YOU SIT IN THE CAFETERIA IS CRUCIAL. 168 00:10:32,398 --> 00:10:33,934 - A STRICT HIERARCHY 169 00:10:34,033 --> 00:10:36,411 KEEPS EACH OF THE SCHOOL'S CLIQUES IN PLACE, 170 00:10:36,469 --> 00:10:42,750 DAMNING SOME TO OBSCURITY WHILE OTHERS ARE LII-TED TO STARDOM. 171 00:10:42,808 --> 00:10:45,516 MOST NOTORIOUS ARE THE PLASTICS... 172 00:10:45,611 --> 00:10:49,081 AN ELITE GANG OF CAREFULLY SCULPTED TEENS 173 00:10:49,148 --> 00:10:50,593 WHO WILL STOP AT NOTHING 174 00:10:50,650 --> 00:10:55,099 TO ENSURE THEIR CONTINUED DOMINANCE. 175 00:10:55,154 --> 00:10:56,656 SO STRONG IS THEIR WILL 176 00:10:56,756 --> 00:11:00,465 THAT THE CLIQUE'S SUPREMACY GOES ENTIRELY UNQUESTIONED 177 00:11:00,559 --> 00:11:03,665 BY THE REST OF THE STUDENT BODY. 178 00:11:03,729 --> 00:11:06,369 [APPLAUSE 1 179 00:11:06,432 --> 00:11:10,574 THE PLASTICS OFFER TO MOLD CADY INTO ONE OF THEIR OWN, 180 00:11:10,636 --> 00:11:14,106 TRANSFORMING HER INTO HIGH-SCHOOL ROYALTY OVERNIGHT. 181 00:11:14,173 --> 00:11:17,620 - OKAY, YOU SHOULD JUST KNOW THAT WE DON'T DO THIS A LOT, 182 00:11:17,677 --> 00:11:19,714 SO THIS IS, LIKE, A REALLY HUGE DEAL. 183 00:11:19,812 --> 00:11:22,122 - WE WANT TO INVITE YOU TO HAVE LUNCH WITH US 184 00:11:22,181 --> 00:11:23,956 EVERY DAY FOR THE REST OF THE WEEK. 185 00:11:24,016 --> 00:11:26,121 - Ol-|, I-IT'S OKA- - COOLNESS! 186 00:11:26,185 --> 00:11:27,357 SO, WE'LL SEE YOU TOMORROW. 187 00:11:27,453 --> 00:11:28,830 ON WEDNESDAYS, WE WEAR PINK. 188 00:11:28,921 --> 00:11:33,199 - ONCE INSIDE, SHE DISCOVERS THE SOURCE OF THE GROUPS POWER. 189 00:11:33,259 --> 00:11:34,932 TO MAINTAIN THEIR STANDING, 190 00:11:34,994 --> 00:11:39,136 THEY MUST DRAW STRENGTH FROM THEIR LESS-POPULAR PEERS. 191 00:11:39,198 --> 00:11:39,972 - IT'S OUR BURN BOOK. 192 00:11:40,032 --> 00:11:42,638 SEE, WE CUT OUT GIRLS' PICTURES FROM THE YEARBOOK, 193 00:11:42,702 --> 00:11:44,181 AND THEN WE WROTE COMMENTS. 194 00:11:44,270 --> 00:11:47,615 "TRANG PAK IS A GROTSKY LITTLE BYOTCH." 195 00:11:47,673 --> 00:11:48,378 - STILL TRUE. 196 00:11:48,474 --> 00:11:51,284 - THIS IS THE CLIQUES ULTIMATE CONTRADICTION... 197 00:11:51,343 --> 00:11:54,483 IN REALITY, THERE'S LITTLE TO SEPARATE THE PLASTICS 198 00:11:54,547 --> 00:11:55,651 FROM THEIR FELLOW STUDENTS. 199 00:11:55,715 --> 00:11:58,355 - WHY IS EVERYBODY STRESSING OVER THIS THING? 200 00:11:58,451 --> 00:12:01,762 I MEAN, IT'S JUST PLASTIC. 201 00:12:01,821 --> 00:12:03,164 YOU COULD REALLY JUST... 202 00:12:04,657 --> 00:12:07,536 - THEY SURVIVE ONLY BY FEEDING ON THE APPROVAL 203 00:12:07,626 --> 00:12:09,663 OF THE VERY PEOPLE THEY MISTREAT. 204 00:12:09,729 --> 00:12:12,608 - I'M SORRY THAT PEOPLE ARE SO JEALOUS OF ME, 205 00:12:12,698 --> 00:12:14,837 BUT I CAN'T HELP IT THAT I'M POPULAR. 206 00:12:14,900 --> 00:12:17,107 - WITHOUT THE SUPPORT OF THOSE BELOW THEM, 207 00:12:17,203 --> 00:12:20,241 THEY'D FALL HEADLONG FROM THEIR PERCH. 208 00:12:21,040 --> 00:12:25,079 TEENAGE LIFE IS FOUNDED ON THIS OPEN SECRET. 209 00:12:25,177 --> 00:12:27,350 - WELL, I KNOW THIS SOUNDS CORNY, 210 00:12:27,413 --> 00:12:31,122 BUT WHENEVER I FEEL THE TEMPTATION OF PEER PRESSURE, 211 00:12:31,217 --> 00:12:36,257 I TURN TO GOD AND HE HELPS ME THROUGH THE PROBLEM. 212 00:12:36,355 --> 00:12:37,493 - THAT BEAUTIFUL. 213 00:12:37,556 --> 00:12:42,232 - THE ENTIRE SOCIAL FABRIC OF HIGH SCHOOL 214 00:12:42,328 --> 00:12:43,432 RESTS ON A WILLINGNESS TO IGNORE 215 00:12:43,496 --> 00:12:47,967 THE ARTIFICIAL FORCES THAT KEEP THE CLIQUES IN PLACE. 216 00:12:49,869 --> 00:12:51,507 - THIS CULTURE OF SILENCE 217 00:12:51,570 --> 00:12:54,210 CAN MASK EVEN THE DARKEST OF SECRETS, 218 00:12:54,273 --> 00:12:57,152 AS A GROUP OF HIGH-SCHOOL A-LISTERS FINDS OUT 219 00:12:57,243 --> 00:12:59,849 IN "I KNOW WHAT YOU DID LAST SUMMER." 220 00:12:59,912 --> 00:13:02,051 - A TOAST... 221 00:13:02,114 --> 00:13:02,649 TO US... 222 00:13:02,748 --> 00:13:09,859 TO OUR LAST SUMMER OF IMMATURE, ADOLESCENT DECADENCE. 223 00:13:11,056 --> 00:13:12,763 - SOMEBODY'S BUZZED. 224 00:13:13,692 --> 00:13:16,639 YO, CHUM BAIT, TAKE A HIKE! 225 00:13:17,530 --> 00:13:21,068 - AFTER ACCIDENTALLY RUNNING DOWN A STRANGER IN THEIR CAR, 226 00:13:21,133 --> 00:13:22,635 THE TEENS ARE QUICK TO ASSUME 227 00:13:22,735 --> 00:13:25,545 THAT THEY CAN STEER CLEAR OF PUNISHMENT. 228 00:13:25,604 --> 00:13:27,106 - WHAT DO WE DO? 229 00:13:27,206 --> 00:13:27,741 - HELP ME. 230 00:13:27,807 --> 00:13:31,516 - AS MEMBERS OF THEIR SCHOOL'S MOST PRIVILEGED CLIQUE, 231 00:13:31,610 --> 00:13:34,955 THEIR SLATES CAN ALWAYS BE WIPED CLEAN. 232 00:13:35,047 --> 00:13:36,583 - SHIT, THEY'RE SLOWING DOWN! 233 00:13:36,649 --> 00:13:40,187 - THE ONLY THING BEYOND THEIR CONTROL... 234 00:13:40,286 --> 00:13:41,594 - IT'S MAX. 235 00:13:41,654 --> 00:13:43,463 - GET RID OF HIM! 236 00:13:43,556 --> 00:13:47,060 - LS AN OUTSIDER. 237 00:13:49,228 --> 00:13:52,107 - JULIE? WHAT YOU GOT, CAR TROUBLE? 238 00:13:52,164 --> 00:13:53,336 - ACTUALLY, UM... 239 00:13:55,267 --> 00:13:55,904 - L-lT'S BARRY. 240 00:13:55,968 --> 00:13:57,174 HE'S HAD WAY TOO MUCH TO DRINK, 241 00:13:57,269 --> 00:14:01,775 AND WE'RE TRYING TO KEEP THE UPCHUCK OUT OF THE NEW CAR. 242 00:14:02,341 --> 00:14:03,684 - WHAT CAN I DO FOR YOU, MAX? 243 00:14:03,776 --> 00:14:06,279 - YOU CAN WIPE THAT MY-SHIT-DON'T-STINK GRIN 244 00:14:06,345 --> 00:14:06,982 OFF YOUR FACE. 245 00:14:07,079 --> 00:14:11,687 - A LONE WOLF WILL ALWAYS BE A THREAT TO THE HERD. 246 00:14:11,750 --> 00:14:14,230 - OKAY, MAX. WILL DO. 247 00:14:14,286 --> 00:14:17,597 HAVE A GOOD NIGHT. 248 00:14:18,691 --> 00:14:21,365 - WELL, I'M SURE SHE'LL JUST BE DARLING. 249 00:14:21,460 --> 00:14:24,168 - MY GOSH, HERE THEY COME! 250 00:14:24,263 --> 00:14:25,367 I'M SO EXCITED! 251 00:14:25,431 --> 00:14:27,138 - FRENCH EXCHANGE STUDENT GENEVIEVE 252 00:14:27,199 --> 00:14:31,739 IS A WOLF IN SHEEP'S CLOTHING IN "SLAP HER, SHE'S FRENCH!" 253 00:14:31,837 --> 00:14:34,374 HELLO. I AM GENEVIEVE. 254 00:14:34,473 --> 00:14:39,354 TAKEN UNDER THE WING OF THE ALL-AMERICAN GRADY FAMILY... 255 00:14:39,445 --> 00:14:40,082 - BONJOUR! 256 00:14:40,145 --> 00:14:43,592 SHE'S LIKE NOTHING ANY OF THEM HAVE EVER SEEN BEFORE... 257 00:14:43,649 --> 00:14:48,496 SOPHISTICATED, MODEST, AND CHARMINGLY INDIVIDUAL. 258 00:14:48,554 --> 00:14:50,090 - "WHAT IS PERHAPS MOST REFRESHING 259 00:14:50,189 --> 00:14:52,032 "lS HER NATURAL APPEARANCE. 260 00:14:52,124 --> 00:14:54,627 "WHAT A RELIEF FROM THE COSMETICALLY ENHANCED BARBIES 261 00:14:54,693 --> 00:14:57,572 THAT SEEM TO OVERPOPULATE OUR SCHOOL." 262 00:14:57,663 --> 00:15:00,667 - ALONG WITH THE REST OF THEIR SMALL TEXAN TOWN, 263 00:15:00,733 --> 00:15:04,203 THE GRADYS QUICKLY FALL HEAD-OVER-HEELS IN LOVE 264 00:15:04,303 --> 00:15:07,147 WITH HER IMPOSSIBLY ROMANTIC SENSIBILITY... 265 00:15:07,206 --> 00:15:11,552 A WORLD APART FROM THE PICKET FENCES OF THE LONE STAR STATE. 266 00:15:11,644 --> 00:15:14,488 - GENEVIEVE, THESE ARE MY TWO BEST FRIENDS IN THE WORLD... 267 00:15:14,546 --> 00:15:17,083 ASHLEY LOPEZ AND TANNER JENNINGS. 268 00:15:17,182 --> 00:15:17,683 - HELLO. 269 00:15:17,750 --> 00:15:20,890 - SO, THIS IS OUR LITTLE FRENCH VISITOR? 270 00:15:20,986 --> 00:15:21,760 - OUl. 271 00:15:21,820 --> 00:15:22,525 THAT MEANS "YEAH." 272 00:15:22,588 --> 00:15:24,932 IT'S WHAT HIP PEOPLE IN FRANCE SAY. 273 00:15:26,892 --> 00:15:28,496 - HEY, CUTE OUTFIT. - I-ll. 274 00:15:28,560 --> 00:15:32,667 - SOON, GENEVIEVE REPLACES THE GRADYS' OWN DAUGHTER, STARLA, 275 00:15:32,731 --> 00:15:35,234 AS QUEEN BEE OF THEIR SUBURBAN HIGH SCHOOL. 276 00:15:35,334 --> 00:15:37,507 GOOD MORNING, STARLA. 277 00:15:37,569 --> 00:15:40,413 I LOVE YOUR NEW PERFUME. WHAT'S THAT CALLED? 278 00:15:40,506 --> 00:15:44,386 I REMEMBER. IT'S CALLED "OVER!" 279 00:15:44,443 --> 00:15:46,081 - YEAH? 280 00:15:47,379 --> 00:15:48,881 AND IN CASE YOU DIDN'T KNOW, 281 00:15:48,948 --> 00:15:51,087 YOUR BERET LOOKS TOTALLY RETARDED! 282 00:15:54,219 --> 00:15:59,760 - BUT THE GLAMOUR OF HER BOHEMIAN WAYS DOESN'T LAST LONG. 283 00:15:59,858 --> 00:16:03,362 - MANY OF YOU MIGHT RECOGNIZE THIS LITTLE MESS OF A GIRL. 284 00:16:03,429 --> 00:16:10,142 IT'S GLARISSA VOGELSEY, FORMERLY OF SPLENDONA, TEXAS! 285 00:16:10,970 --> 00:16:13,177 - AGAINST THE MONOTONY OF THE CLIQUES, 286 00:16:13,272 --> 00:16:16,151 IT'S NO WONDER NON-CONFORMISTS APPEAR SO EXOTIC, 287 00:16:16,241 --> 00:16:19,188 BUT THEY'RE NOT ALWAYS WHAT THEY SEEM. 288 00:16:19,244 --> 00:16:21,588 - ISN'T THAT RIGHT, CLARISSA? 289 00:16:21,647 --> 00:16:25,789 YOU ARE SUCH A LOSER BITCH! 290 00:16:26,618 --> 00:16:32,569 - SAY WHAT YOU WANT ABOUT ME, BUT DON'T MESS WITH SPLENDONA! 291 00:16:37,229 --> 00:16:39,402 - TO PRESERVE ORDER, 292 00:16:39,465 --> 00:16:42,776 MAVERICKS LIKE GENEVIEVE MUST BE CAST OUT 293 00:16:42,835 --> 00:16:47,875 OR MADE OVER INTO SOMETHING NEW. 294 00:16:49,074 --> 00:16:54,456 CLASS PRESIDENT ZACK RULES THE SCHOOL IN "SHE'S ALL THAT." 295 00:16:54,513 --> 00:16:55,491 - WHAT'S HAPPENING, CONNIE? 296 00:16:55,581 --> 00:16:57,618 HE SPOKE TO ME. 297 00:16:57,683 --> 00:17:00,721 - TO PROVE HIS POWER, HE BITS HIS JOCK BUDDIES 298 00:17:00,819 --> 00:17:05,495 THAT HE CAN TRANSFORM ANY GIRL AT SCHOOL INTO PROM QUEEN, 299 00:17:05,591 --> 00:17:09,471 SUCH IS THE FORCE OF HIS SOCIAL INFLUENCE. 300 00:17:09,528 --> 00:17:11,508 - TAKE... 301 00:17:11,597 --> 00:17:13,804 TAKE HER FOR EXAMPLE... 302 00:17:13,866 --> 00:17:14,708 SHORT, DECENT RACK, 303 00:17:14,800 --> 00:17:18,338 KIND OF A CHELSEA CLINTON THING GOING ON, 304 00:17:18,437 --> 00:17:21,611 BUT GIVEN THE RIGHT LOOK, THE RIGHT BOYFRIEND, 305 00:17:21,673 --> 00:17:25,382 BAM! IN SIX WEEKS, SHE'S THE ONE BEING CROWNED PROM QUEEN. 306 00:17:25,477 --> 00:17:28,822 - BUT WHEN THEY ELECT HOPELESS OUTCAST LANEY 307 00:17:28,881 --> 00:17:30,189 AS HIS TEST SUBJECT, 308 00:17:30,282 --> 00:17:32,728 HIS CONFIDENCE IS SHAKEN. 309 00:17:32,785 --> 00:17:33,820 - LOOK, FAT I CAN HANDLE. 310 00:17:33,886 --> 00:17:38,096 WEIRD BOOBS, BAD PERSONALITY, MAYBE SOME SORT OF FUNGUS. 311 00:17:38,190 --> 00:17:41,637 COME ON, SCARY AND lNACCESSIBLE'S ANOTHER STORY. 312 00:17:41,693 --> 00:17:44,196 - A MEMBER OF EVEN THE MOST LOWLY OF CLIQUES 313 00:17:44,296 --> 00:17:46,776 COULD'VE BEEN RAPIDLY PROMOTED UP THE CHAIN 314 00:17:46,832 --> 00:17:47,674 TO ZACK'S STRATOSPHERE, 315 00:17:47,733 --> 00:17:52,045 BUT LANEY EXISTS COMPLETELY OUTSIDE OF THE SYSTEM. 316 00:17:52,137 --> 00:17:53,582 - LANEY. 317 00:17:53,639 --> 00:17:54,583 - TO REMODEL HER, 318 00:17:54,640 --> 00:17:55,914 ZACK WILL HAVE TO TAKE A SABBATICAL 319 00:17:55,974 --> 00:17:59,615 FROM THE STRUCTURE THAT'S SERVED HIM SO WELL 320 00:17:59,678 --> 00:18:00,520 AND DIVE HEADFIRST 321 00:18:00,579 --> 00:18:04,584 INTO THE UNCERTAIN WATERS OF THE OUTSIDE WORLD. 322 00:18:04,683 --> 00:18:09,826 HIS ODYSSEY BEGINS AT A PERFORMANCE-ART SHOW. 323 00:18:13,092 --> 00:18:18,872 HE DOES HIS BEST TO EMBRACE LANEY'S WAY OF LIFE... 324 00:18:22,534 --> 00:18:24,309 HACK-Y-SACK. 325 00:18:24,369 --> 00:18:25,074 - BUT IT'S CLEAR 326 00:18:25,170 --> 00:18:28,310 HE LONGS TO RETURN TO THE SECURITY OF HIS LETFERMAN JACKET 327 00:18:28,373 --> 00:18:32,219 AND CAREFULLY HONED REPUTATION. 328 00:18:32,277 --> 00:18:36,453 - BY CONTRAST, LANEY'S FIRST FOOTSTEPS INTO ZACK'S DOMAIN, 329 00:18:36,548 --> 00:18:41,691 BY WAY OF A SLEEK RED DRESS AND AN IMPROMPTU MAKEOVER SESSION, 330 00:18:41,753 --> 00:18:43,858 ARE A REVELATION. 331 00:18:43,922 --> 00:18:45,629 - SWING THE SPINNING STEP 332 00:18:45,724 --> 00:18:47,203 YOU WEAR THOSE SHOES, AND I... 333 00:18:47,259 --> 00:18:50,468 - FINALLY, HER INDIVIDUALITY WON'T BE A BARRIER 334 00:18:50,562 --> 00:18:55,033 TO HER - AND ZACK'S... ABILITY TO GIT AHEAD. 335 00:18:55,100 --> 00:18:57,205 SOON, SHE'S THE TALK OF THE HALLWAY, 336 00:18:57,269 --> 00:18:58,270 AS STUDENTS FROM ALL CLIQUES 337 00:18:58,370 --> 00:19:04,343 DELIGHT IN HER SUDDEN EMBRACE OF THEIR WAYS. 338 00:19:04,409 --> 00:19:07,947 BUT FOR ALL HER TEMPORARY CELEBRITY, 339 00:19:08,046 --> 00:19:14,327 HER NEW LOOK SOON SEES HER FADE QUIETLY INTO THE CROWD. 340 00:19:15,220 --> 00:19:21,068 LANEY'S BRAND OF REBELLION IS EASILY QUELLED, 341 00:19:21,126 --> 00:19:25,268 NOT WITH BRUTE FORCE, BUT SOFT EMBRACE. 342 00:19:25,330 --> 00:19:27,936 - BETWEEN TWO GIRLS, WHICH ONE WE GONNA PICK? 343 00:19:28,000 --> 00:19:30,640 I'D RATHER PICK LANEY 'CAUSE TAYLOR BE TALKING - SHHHH 344 00:19:30,736 --> 00:19:33,512 SHE THINKS SHE'S ALL OF THAT WITH EVERYTHING IN BETWEEN 345 00:19:33,572 --> 00:19:36,075 BUT WHO'S ABOUT TO BE PROM QUEEN? LANEY 346 00:19:36,141 --> 00:19:38,280 WELL TAYLOR USED TO BE THE THING, BUT NOW SHE'S NOT 347 00:19:38,343 --> 00:19:40,721 LANEY'S GOING FOR PROM QUEEN AND TAYLOR'S HOT 348 00:19:40,812 --> 00:19:43,486 BUT WE DON'T GIVE A DAMN ABOUT TAYLOR VAUGHAN 349 00:19:43,582 --> 00:19:46,188 'CAUSE TAYLOR'S FADING OUT AND LANEY'S ON 350 00:19:46,251 --> 00:19:48,561 IF I GOULD GIT WITH LANEY, YO, lT'D BE REAL COOL 351 00:19:48,620 --> 00:19:51,464 WITH THE QUEEN BY MY SIDE, WE'D RUN THE WHOLE DAMN SCHOOL 352 00:19:51,523 --> 00:19:53,833 - YO, KEEP IT ON THE BREAK, AND I'MA KEEP THIS COOL 353 00:19:53,926 --> 00:19:56,964 TAYLOR DITCHED ZACK FOR A CAR AND A FOOL 354 00:19:57,029 --> 00:19:59,168 ALL FOR THE HIGH-SCHOOL JOCK NAMED BROCK, 355 00:19:59,264 --> 00:20:02,438 WITH MY MAN CLICK ON THE BEATBOX 356 00:20:04,503 --> 00:20:05,777 LAN EY. 357 00:20:05,837 --> 00:20:07,874 - YEAH, SHE'S ALL THAT 358 00:20:09,942 --> 00:20:15,415 - WITH EVERY ROLE CAST, THE PERFORMANCE CAN BEGIN. 359 00:20:34,499 --> 00:20:39,312 I THINK IT'S THE SADDEST THING I EVER HEARD 360 00:20:39,371 --> 00:20:44,480 BUT I'VE A REPUTATION TO UPHOLD 361 00:20:44,543 --> 00:20:49,515 I HATE YOU SO MUCH THAT IT MAKES ME SICK 362 00:20:49,581 --> 00:20:53,188 BUT I DON'T TRUST MYSELF WITH YOU, YOU KNOW? 363 00:20:53,252 --> 00:20:57,029 YOU TAKE YOURSELF TOO SERIOUSLY 364 00:20:57,089 --> 00:21:02,437 I ALWAYS KNEW IT WOULD BE LIKE THAT 365 00:21:02,527 --> 00:21:08,239 YOU TAKE YOURSELF TOO SERIOUSLY 366 00:21:13,939 --> 00:21:19,446 I GUESS THIS IS A STORY THAT MIGHT BORE YOU 367 00:21:19,544 --> 00:21:24,254 ARE YOU TOO AFRAID TO COME UP TO ME'? 368 00:21:24,349 --> 00:21:29,856 WE'LL DANCE, WE'LL KISS, THEN WE'LL GO HOME 369 00:21:29,921 --> 00:21:33,698 DON'T BE WHO THEY WANT YOU TO BE 370 00:21:33,759 --> 00:21:37,400 YOU TAKE YOURSELF TOO SERIOUSLY 371 00:21:37,462 --> 00:21:40,909 - BENEATH THE CHAOTIC SURFACE OF TEEN EXCESS 372 00:21:40,966 --> 00:21:43,674 LIES A CAREFULLY ORCHESTRATED RITUAL... 373 00:21:43,769 --> 00:21:47,649 - HUNTINGTON HILLS HIGH, KISS MY ASS! 374 00:21:47,739 --> 00:21:49,047 - THE JOCKS AT THE CENTRE 375 00:21:49,107 --> 00:21:52,714 SCHEMING TO PAIR THEMSELVES UP WITH AVAILABLE GHEERLEADERS... 376 00:21:52,778 --> 00:21:53,756 - THERE THEY ARE. 377 00:21:55,747 --> 00:21:56,782 - COME ON. 378 00:21:56,882 --> 00:21:58,259 - THE GEEKS ON THE DOORSTEP, 379 00:21:58,317 --> 00:22:01,958 DESPERATE TO BARTER THEIR WAY INSIDE... 380 00:22:02,054 --> 00:22:03,328 - THERE'S NO PARTY. 381 00:22:03,388 --> 00:22:05,026 - THE BURNOUTS ON THE FRINGES, 382 00:22:05,090 --> 00:22:09,698 OBSERVING THE CHAOS FROM AN IMPARTIAL DISTANCE. 383 00:22:09,761 --> 00:22:13,971 THEY'RE TOGETHER BUT APART, UNITED ONLY BY YOUTH 384 00:22:14,066 --> 00:22:19,709 AND A FAITHFUL ADHERENCE TO THE HIGH-SCHOOL RULE BOOK. 385 00:22:22,274 --> 00:22:25,778 - THAT GIRL DIDN'T LOVE YOU. SHE JUST FELT SORRY FOR YOU. 386 00:22:25,844 --> 00:22:29,883 - NAIVE ODDBALL JIMMY LIVES BY A STRICT SET OF RULES 387 00:22:29,981 --> 00:22:30,584 IN "BUBBLE BOY". 388 00:22:30,649 --> 00:22:33,459 MOST OF THEM DICTATED BY HIS DEVOUT CHRISTIAN MOTHER, 389 00:22:33,518 --> 00:22:36,965 WHO KEEPS HIM LOCKED UP IN A STERILE PLASTIC DOME 390 00:22:37,022 --> 00:22:41,129 TO PROTECT HIM FROM THE CORRUPTION OF THE WIDER WORLD. 391 00:22:41,193 --> 00:22:42,695 SHE MAINTAINS TOTAL CONTROL 392 00:22:42,794 --> 00:22:45,775 OVER EVERYTHING THAT PASSES THROUGH THE BUBBLES WALLS. 393 00:22:45,831 --> 00:22:47,936 - AND THEY PINOCCHIO CAME OUT OF HIS PLASTIC BUBBLE, 394 00:22:47,999 --> 00:22:51,537 TOUCHED THE FILTHY LITTLE WHORE NEXT DOOR, AND DIED. 395 00:22:51,636 --> 00:22:52,171 THE END. 396 00:22:52,270 --> 00:22:54,113 - BUT STILL, SOME NAGGING RESISTANCE 397 00:22:54,172 --> 00:22:58,314 KEEPS JIMMY FROM SUBMITTING ENTIRELY TO HER AUTHORITY, 398 00:22:58,377 --> 00:23:02,826 ESPECIALLY ONCE A RIVAL FOR HIS AFFECTIONS ARRIVES ON THE SCENE. 399 00:23:02,881 --> 00:23:04,986 - SOMETHING WAS HAPPENING TO ME, 400 00:23:05,050 --> 00:23:08,190 BUT I DIDN'T KNOW WHAT. 401 00:23:13,825 --> 00:23:14,496 MOM! 402 00:23:14,559 --> 00:23:16,368 JIMMY, WHAT'S GOING ON?! 403 00:23:16,461 --> 00:23:17,064 - WHAT HAPPENED'?! 404 00:23:17,129 --> 00:23:19,473 ARE YOU ALL RIGHT? - WHAT IS IT?! 405 00:23:19,531 --> 00:23:21,477 MY GOD. 406 00:23:21,533 --> 00:23:23,308 DON'T TOUGH IT! 407 00:23:23,368 --> 00:23:23,903 HANDS OFF! 408 00:23:24,002 --> 00:23:26,004 NOW, JUST RELAX, DON'T GET UPSET. - IT HURTS! 409 00:23:26,071 --> 00:23:27,243 - JUST - JUST DO WHAT I TELL YOUR FATHER, 410 00:23:27,339 --> 00:23:31,014 JUST SAY THE PLEDGE OF ALLEGIANCE OVER AND OVER UNTIL IT GOES AWAY. 411 00:23:31,076 --> 00:23:31,611 COME ON! 412 00:23:31,710 --> 00:23:35,214 - I PLEDGE ALLEGIANCE TO THE FLAG OF THE UNITED STATES OF AMERICA, 413 00:23:35,313 --> 00:23:37,122 AND TO THE REPUBLIC FOR WHICH IT STANDS, 414 00:23:37,182 --> 00:23:38,855 ONE NATION UNDER GOD, INDIVISIBLE, 415 00:23:38,917 --> 00:23:42,387 WITH LIBERTY AND JUSTICE FOR ALL. 416 00:23:42,487 --> 00:23:44,933 I PLEDGE ALLEGIANCE TO THE FLAG OF THE UNITED STATES... 417 00:23:44,990 --> 00:23:46,628 - THE SEEDS OF DOUBT ARE PLANTED, 418 00:23:46,691 --> 00:23:50,730 AND AS JIMMY'S NEW CRUSH, CHLOE, EDGES EVER CLOSER... 419 00:23:50,829 --> 00:23:51,773 - I SUCK! 420 00:23:51,830 --> 00:23:52,638 - THE BUBBLE PROVES 421 00:23:52,697 --> 00:23:56,873 AN ENTIRELY INEFFECTIVE CHASTITY BELT. 422 00:23:56,935 --> 00:24:00,075 - YOU HAVE TO JUST PRESS HARDER. - OKAY. 423 00:24:00,172 --> 00:24:01,515 - HARDER HERE. 424 00:24:01,573 --> 00:24:02,916 - LIKE... - NOW GO. NOW GO. 425 00:24:03,008 --> 00:24:03,884 - OKAY. 426 00:24:03,942 --> 00:24:05,819 - HARDER. - WHEN I LOOK 427 00:24:07,512 --> 00:24:09,514 ALL A... ROU-ROUND... 428 00:24:09,581 --> 00:24:12,755 - I PLEDGE ALLEGIANCE TO THE FLAG OF THE UNITED STATES OF AMERICA 429 00:24:12,851 --> 00:24:15,695 - SOON, SHE ATFEMPTS TO BREACH THE DOME... 430 00:24:15,754 --> 00:24:17,028 - THAT'S WHY I'M COMING IN. 431 00:24:17,088 --> 00:24:19,591 - CHLOE! WAIT! WHOA. WHOA. 432 00:24:19,691 --> 00:24:20,669 - BUT JIMMY BLOCKS HER OUT, 433 00:24:20,725 --> 00:24:22,762 PAYING CLOSE ATTENTION TO HIS MOTHER'S WARNINGS. 434 00:24:22,861 --> 00:24:27,901 REJECTED, CHLOE IS PROPELLED INTO THE ARMS OF THE ANTI-JIMMY, 435 00:24:27,966 --> 00:24:33,245 A SWAGGERING, MULLEFED EXTROVERT WITH NOTHING TO HOLDHIMBACK. 436 00:24:33,305 --> 00:24:35,842 - MARK, JIMMY. JIMMY, MARK. 437 00:24:35,941 --> 00:24:37,921 - SUP, JIMBO'? 438 00:24:37,976 --> 00:24:41,014 - PUSHED TO THE LIMIT, JIMMY ATFEMPTS TO RECONCILE 439 00:24:41,112 --> 00:24:47,119 HIS LONGING FOR CHLOE WITH HIS FEAR OF THE OUTSIDE WORLD. 440 00:24:47,886 --> 00:24:52,835 HE GONSTRUCTS A MOBILE BUBBLE AND TAKES IT ON THE ROAD 441 00:24:52,891 --> 00:24:53,995 IN SEARCH OF ANSWERS 442 00:24:54,059 --> 00:24:58,667 TO A QUESTION HE DOESN'T FULLY UNDERSTAND. 443 00:25:00,398 --> 00:25:04,107 ALONG THE WAY, HIS CONFUSION ONLY DEEPENS. 444 00:25:04,169 --> 00:25:05,648 - ARE YOU ALL RIGHT?! 445 00:25:05,737 --> 00:25:07,080 - A BUSLOAD OF PILGRIMS 446 00:25:07,138 --> 00:25:10,745 STRESS THE DANGERS OF GIVING IN TO IMPULSE... 447 00:25:10,809 --> 00:25:12,288 - FIRST, WE PREPARE OUR SOULS 448 00:25:12,344 --> 00:25:15,951 BY STRIPPING OURSELVES OF ALL MATERIAL POSSESSIONS, 449 00:25:16,014 --> 00:25:20,121 AND SEXUAL DESIRES. 450 00:25:27,325 --> 00:25:28,463 - WHILE A FREE-SPIRITED BIKER 451 00:25:28,527 --> 00:25:33,670 ENCOURAGES HIM TO LOSE HIS INHIBITIONS AND GO FOR IT. 452 00:25:33,765 --> 00:25:35,802 - SLl M? - YEAH. 453 00:25:35,867 --> 00:25:38,347 - WHAT'S IT LIKE? 454 00:25:44,442 --> 00:25:49,790 1200 CCS OF AMERICAN STEEL VIBRATING BETWEEN YOUR LEGS! 455 00:25:49,848 --> 00:25:50,952 MAN. 456 00:25:51,016 --> 00:25:52,825 I'M TALKING FOURTH GEAR. 457 00:25:52,884 --> 00:25:54,363 4000 RPMs! 458 00:25:54,452 --> 00:25:56,489 Al! 459 00:25:56,555 --> 00:25:59,195 - THAT SOUNDS AMAZING. [CHUCKLES 1 460 00:26:01,560 --> 00:26:03,767 - JIMMY IS TORN... 461 00:26:03,862 --> 00:26:05,341 BUT NOT FOR LONG. 462 00:26:05,397 --> 00:26:10,107 CHLOE FINALLY WITHIN HIS GRASP, HE SHEDS THE BUBBLE FOR GOOD. 463 00:26:10,201 --> 00:26:12,044 - I'D RATHER SPEND ONE MINUTE HOLDING YOU 464 00:26:12,137 --> 00:26:15,482 THAN THE REST OF MY LIFE KNOWING I NEVER COULD. 465 00:26:15,540 --> 00:26:22,185 THE RULES FALL AWAY, AS INSTINCT TAKES OVER. 466 00:27:02,754 --> 00:27:06,224 - IT'S OKAY, I WANT YOU TO. 467 00:27:43,128 --> 00:27:46,769 - WAIT, WAIT, WAIT, WAIT, WAIT, WE CAN'T... 468 00:27:46,831 --> 00:27:50,108 WE CAN'T DO THIS. WE CAN'T DO THIS. 469 00:28:23,968 --> 00:28:24,571 - AS THEIR BODIES 470 00:28:24,636 --> 00:28:28,140 PULL THEM EVER CLOSER TOWARDS A SEXUAL AWAKENING, 471 00:28:28,206 --> 00:28:32,655 TEENAGE MINDS EXERT AN EQUAL AND OPPOSITE REACTION 472 00:28:32,711 --> 00:28:33,712 TO PULL THEM AWAY 473 00:28:34,512 --> 00:28:41,726 OUT IN THE OPEN, SEX SEEMS A STRANGE AND TERRIFYING THING. 474 00:28:41,820 --> 00:28:44,699 TORN BETWEEN DESIRE AND FEAR, 475 00:28:44,789 --> 00:28:48,066 TEENS ARE TRAPPED IN A HOPELESS BATTLE... 476 00:28:48,126 --> 00:28:50,970 AGAINST THEMSELVES. 477 00:28:51,029 --> 00:28:54,340 IN "lDLE HANDS", ADOLESCENT STONER ANTON 478 00:28:54,399 --> 00:28:59,371 LIVES A LIFE OF QUIET APATHY IN HIS SLEEPY SUBURBAN HOMETOWN. 479 00:28:59,471 --> 00:29:07,151 HIS SEXUAL INSTINCTS, NUMBED BY DRUGS AND BOREDOM, LIE DORMANT. 480 00:29:08,213 --> 00:29:11,592 AT LEAST UNTIL HIS PUBESCENT URGES ARE ROUSED 481 00:29:11,683 --> 00:29:13,685 BY THE SUDDEN APPEARANCE OF MOLLY, 482 00:29:13,752 --> 00:29:16,596 A SOULFUL ARTIST WHO ENTRANCES ANTON 483 00:29:16,688 --> 00:29:20,192 WITH THE BEAUTY OF HER LYRICISM... 484 00:29:21,259 --> 00:29:23,967 - THESE ARE GREAT. 485 00:29:24,662 --> 00:29:30,943 - AND PETRIFIES HIM WITH THE PROSPECT OF HER SEXUALITY. 486 00:29:38,443 --> 00:29:40,389 - MY BOOK! 487 00:29:41,346 --> 00:29:42,984 THANK YOU SO MUCH FOR... 488 00:29:43,047 --> 00:29:45,493 RETURNING IT. 489 00:29:45,550 --> 00:29:46,426 HEY! 490 00:29:46,518 --> 00:29:50,227 - SHE SPARKS IN HIM A TOTAL PERSONALITY SHIFT, 491 00:29:50,288 --> 00:29:51,665 HIS NORMAL PASSIVE SELF 492 00:29:51,756 --> 00:29:56,296 MUTATING INTO AN AGGRESSIVE, DEEPLY VOLATILE PERSONA. 493 00:29:56,394 --> 00:29:57,031 - WANT A BEER'? 494 00:29:57,095 --> 00:30:00,474 - NO, THANKS. - YOU SURE'? JUST... 495 00:30:04,235 --> 00:30:07,079 - WHOA. 496 00:30:09,474 --> 00:30:10,680 - MICK. 497 00:30:10,775 --> 00:30:11,583 - THIS NEW ANTON 498 00:30:11,643 --> 00:30:15,250 LASHES OUT VIOLENTLY AT HIS SLACKER FRIENDS 499 00:30:15,313 --> 00:30:18,522 BUT WHEN CONFRONTED, DENIES RESPONSIBILITY. 500 00:30:18,616 --> 00:30:21,324 - NO MAN, I DIDN'T DO IT. 501 00:30:21,419 --> 00:30:22,454 - O-OKAY, ANTON. 502 00:30:24,255 --> 00:30:25,393 I HAVE TO LEAVE NOW. 503 00:30:25,456 --> 00:30:27,231 - INSTEAD, HE BLAMES 504 00:30:27,292 --> 00:30:30,967 THAT ULTIMATE AGENT OF TEEN SEXUALITY... 505 00:30:31,062 --> 00:30:32,837 HIS RIGHT HAND. 506 00:30:33,298 --> 00:30:35,175 'AAH! 507 00:30:39,771 --> 00:30:41,580 AAH! 508 00:30:42,507 --> 00:30:45,181 - THE HAND TAKES ON A MIND OF ITS OWN, 509 00:30:45,276 --> 00:30:47,415 ELIMINATING ANY OBSTACLE IN ITS PATH 510 00:30:47,478 --> 00:30:51,585 AS IT SETS A COURSE FOR THE OBJECT OF ITS AFFECTION. 511 00:30:52,851 --> 00:30:54,956 PANIG-STRICKEN BY WHAT HE APPEARS TO CRAVE, 512 00:30:55,019 --> 00:30:58,159 ANTON TRIES TO RESIST THE HAND'S IMPULSES... 513 00:30:58,990 --> 00:31:01,527 - BUT THE REST OF HIS BODY PROVES WEAK BY COMPARISON. 514 00:31:01,626 --> 00:31:04,266 - LOOK, DO YOU WANT TO COME INSIDE FOR A SECOND AND TALK? 515 00:31:04,329 --> 00:31:06,275 - NO. - YEAH? 516 00:31:06,331 --> 00:31:07,503 - NO! - OKAY. 517 00:31:08,366 --> 00:31:11,711 - DESPERATE TO PUT AN END TO THESE UNWANTED DESIRES, 518 00:31:11,803 --> 00:31:13,510 HE RESOLVES TO SEVER THE HAND, 519 00:31:13,605 --> 00:31:17,417 CASTRATING HIMSELF FROM ITS IMPURE URGES. 520 00:31:30,555 --> 00:31:32,557 - IT'S A BOLD SACRIFICE... 521 00:31:33,324 --> 00:31:37,864 - BUT THIS IS ONE APPETITE THAT WON'T BE SO EASILY SUPPRESSED. 522 00:31:39,664 --> 00:31:42,270 - SHIT. 523 00:31:46,671 --> 00:31:49,151 - DETACHED FROM HIS MIND AND BODY, 524 00:31:49,207 --> 00:31:53,212 ANTON'S SEXUAL INSTINCTS NOW RUN RIOT, 525 00:31:53,311 --> 00:31:56,758 WITH DISASTROUS CONSEQUENCES. 526 00:32:04,355 --> 00:32:05,993 RIGHT THERE. 527 00:32:07,091 --> 00:32:08,968 MY GOODNESS. 528 00:32:23,775 --> 00:32:27,951 - WITH SEXUAL AWAKENING SO OFTEN ENDING IN CATASTROPHE, 529 00:32:28,046 --> 00:32:32,085 IT'S NOT HARD TO SEE WHY TEENS MIGHT BE EAGER TO PUT IT OFF. 530 00:32:32,183 --> 00:32:36,154 - DOES IT HURT DOWN BY YOUR TAILBONE, OR IT UP HIGHER? 531 00:32:36,220 --> 00:32:38,598 IS - IS IT TIGHT THROUGHOUT HERE? 532 00:32:38,690 --> 00:32:40,328 - MAYBE. 533 00:32:40,391 --> 00:32:43,031 - DOES IT ACHE BACK HERE? 534 00:32:43,895 --> 00:32:44,839 - MIGHT. 535 00:32:44,896 --> 00:32:46,603 - MY GOD. 536 00:32:49,033 --> 00:32:50,171 DO YOU THINK IT'S CRAMPS? 537 00:32:50,234 --> 00:32:54,376 - WOULD YOU GIVE IT A REST FOR TWO SECONDS?... 538 00:32:54,439 --> 00:32:56,248 - PAM, WE'RE EATING. - HENRY... 539 00:32:56,307 --> 00:33:00,016 THE GIRLS ARE BOTH THREE YEARS LATE MENSTRUATING, OKAY? IT'S NOT NORMAL. 540 00:33:00,111 --> 00:33:01,886 IF IT'S FINALLY HAPPENING... 541 00:33:01,946 --> 00:33:02,947 - IN "GINGER SNAPS", 542 00:33:03,047 --> 00:33:06,028 THE ONSET OF PUBERTY IN TEENAGE NIHILIST GINGER 543 00:33:06,084 --> 00:33:09,588 COINCIDES WITH THE BEGINNING OF HER TRANSFORMATION 544 00:33:09,654 --> 00:33:10,598 INTO A WEREWOLF. 545 00:33:10,655 --> 00:33:14,626 BOTH DEVELOPMENTS TRIGGER GRUESOME PHYSICAL CHANGES 546 00:33:14,726 --> 00:33:17,104 AND EXTREME SHIFTS IN TEMPERAMENT, 547 00:33:17,161 --> 00:33:20,165 MAKING IT HARD TO SEPARATE ONE 548 00:33:20,264 --> 00:33:22,403 FROM THE OTHER. 549 00:33:22,467 --> 00:33:25,641 - I'M SURE IT SEEMS LIKE A LOT OF BLOOD. 550 00:33:25,737 --> 00:33:27,341 IT'S A PERIOD! 551 00:33:27,405 --> 00:33:30,181 - BUT REALLY, IT WAS LIKE... 552 00:33:31,809 --> 00:33:32,253 - GEYSER. 553 00:33:32,310 --> 00:33:36,156 - EVERYONE SEEMS TO PANIC THEIR FIRST TIME. 554 00:33:36,247 --> 00:33:37,123 IN THREE TO FIVE DAYS, 555 00:33:37,181 --> 00:33:38,785 YOU'LL FIND LIGHTER BRIGHT-RED BLEEDING. 556 00:33:38,850 --> 00:33:43,128 THAT MAY TURN TO A BROWNISH OR BLACKISH SLUDGE, 557 00:33:43,187 --> 00:33:46,657 WHICH SIGNALS THE END OF THE FLOW. 558 00:33:46,758 --> 00:33:49,967 - OKAY, SO IT'S ALL NORMAL. - VERY. 559 00:33:50,028 --> 00:33:56,707 EXPECT IT EVERY 28 DAYS, GIVE OR TAKE, FOR THE NEXT 30 YEARS. 560 00:33:56,801 --> 00:33:59,008 - GREAT. 561 00:33:59,103 --> 00:33:59,604 THAN KS. 562 00:33:59,670 --> 00:34:03,675 - WHAT ABOUT, UM, HAIR THAT WASN'T THERE BEFORE? 563 00:34:03,775 --> 00:34:06,255 AND PAIN? 564 00:34:06,310 --> 00:34:07,118 COMES WITH THE TERRITORY. 565 00:34:07,178 --> 00:34:09,818 - FOR GINGER AND SO MANY OTHERS LIKE HER, 566 00:34:09,881 --> 00:34:13,328 BECOME LINKED... 567 00:34:13,384 --> 00:34:15,830 I GET THIS ACHE. 568 00:34:15,887 --> 00:34:18,561 AND I-l THOUGHT IT WAS FOR SEX, 569 00:34:18,656 --> 00:34:23,298 BUT IT'S TO TEAR EVERYTHING TO FUCKING PIECES. 570 00:34:24,328 --> 00:34:26,467 THE RESULT OF YEARS OF CONDITIONING. 571 00:34:26,531 --> 00:34:30,638 - DON'T HAVE SEX, 'CAUSE YOU WILL GET PREGNANT... 572 00:34:30,701 --> 00:34:31,145 AND DIE. 573 00:34:31,202 --> 00:34:32,977 DON'T HAVE SEX IN THE MISSIONARY POSITION, 574 00:34:33,037 --> 00:34:35,415 DON'T HAVE SEX STANDING UP... 575 00:34:35,506 --> 00:34:38,282 JUST DON'T DO IT. PROMISE'? 576 00:34:38,342 --> 00:34:41,949 OKAY, EVERYBODY TAKE SOME RUBBERS. 577 00:34:43,347 --> 00:34:45,850 - SUCH POWERFUL IMPULSES... 578 00:34:45,917 --> 00:34:46,691 - W-WAIT A SECOND. 579 00:34:46,751 --> 00:34:49,231 SOON BECOME A SOURCE OF SHAME. 580 00:34:50,555 --> 00:34:53,934 I KNOW I'M NOT SUPPOSED TO BE DOING THIS. 581 00:34:54,225 --> 00:34:57,695 IT'S BAD, WRONG. 582 00:34:57,762 --> 00:34:59,400 WRONG, BAD. 583 00:34:59,497 --> 00:35:00,942 NO, IT'S NOT BAD. IT'S... 584 00:35:00,998 --> 00:35:02,136 JESUS CHRIST. 585 00:35:02,200 --> 00:35:04,009 - WRONG, BAD. 586 00:35:04,068 --> 00:35:05,945 BAD, WRONG. 587 00:35:06,037 --> 00:35:08,074 WRONG, BAD. 588 00:35:08,172 --> 00:35:10,550 BAD, WRONG. 589 00:35:10,608 --> 00:35:14,818 - LN "THE GIRL NEXT DOOR", HIGH-SCHOOL EVERYMAN MATTHEW 590 00:35:14,912 --> 00:35:17,688 REFUSES TO EVEN ACKNOWLEDGE HIS SEXUALITY, 591 00:35:17,748 --> 00:35:18,726 INSTEAD HIDING IT AWAY 592 00:35:18,783 --> 00:35:25,667 BENEATH HIS STRAIGHT-A STUDENT, SUREFIRE VALEDIGTORIAN IMAGE. 593 00:35:26,858 --> 00:35:28,337 BUT LIKE THE REST OF HIS PEERS, 594 00:35:28,392 --> 00:35:32,431 SEX EVENTUALLY FINDS IT'S WAY INTO MA'l'l'HEW'S LIFE 595 00:35:32,530 --> 00:35:35,977 IN THE FORM OF NEXT-DOOR NEIGHBOR DANIELLE. 596 00:35:36,033 --> 00:35:38,912 - MY GOD, SHE'S SO HOT 597 00:35:38,970 --> 00:35:39,971 - WHAT CHANNEL, DUDE? 598 00:35:40,071 --> 00:35:41,550 - NO, TH-THE GIRL NEXT DOOR. 599 00:35:41,606 --> 00:35:43,984 I-I CAN SEE HER THROUGH MY WINDOW. 600 00:35:44,075 --> 00:35:45,179 - HOW'S THE RACK? 601 00:35:45,243 --> 00:35:48,850 - GOD, WHO IS THIS GIRL? 602 00:35:50,414 --> 00:35:52,917 MY GOD. 603 00:35:52,984 --> 00:35:54,429 - What'.7 604 00:35:54,485 --> 00:35:55,429 Matt, what? 605 00:35:55,486 --> 00:35:56,760 Matt... 606 00:36:02,960 --> 00:36:04,405 - Dude, what the fuck... 607 00:36:04,462 --> 00:36:08,000 - LARGE ON CONFIDENCE AND SHORT ON CLOTHING, 608 00:36:08,099 --> 00:36:10,204 SHE COAXES MATTHEW OUT OF HIS SHELL, 609 00:36:10,268 --> 00:36:16,617 URGING HIM TO EXPLORE HIS WILD SIDE AND LIVE FOR THE MOMENT. 610 00:36:16,674 --> 00:36:17,516 - WHAT? 611 00:36:17,608 --> 00:36:19,747 - YOU SAWME. 612 00:36:21,078 --> 00:36:25,049 YEAH, RIGHT, LIKE I'M GONNA STRIP RIGHT HERE. 613 00:36:27,518 --> 00:36:30,158 ARE YOU... ARE YOU SERIOUS? 614 00:36:32,190 --> 00:36:33,168 NO. 615 00:36:35,193 --> 00:36:35,796 NO. 616 00:36:35,860 --> 00:36:38,841 NO, NEVER GONNA HAPPEN. 617 00:36:40,431 --> 00:36:41,136 - UNH-UNH. 618 00:36:41,199 --> 00:36:42,837 THE WHOLE PACKAGE. 619 00:36:42,934 --> 00:36:45,141 AAH! 620 00:36:45,203 --> 00:36:45,704 JESUS! 621 00:36:45,803 --> 00:36:50,183 - YEARS OF REPRESSION ARE UNDONE IN A MATTER OF DAYS 622 00:36:50,274 --> 00:36:51,218 AS DANIELLE TEACHES MATTHEW 623 00:36:51,275 --> 00:36:55,587 TO EMBRACE HIS SEXUAL SELF, RATHER THAN SUBDUE IT. 624 00:36:55,646 --> 00:36:57,990 - SO, YOU'RE ABOUT TO GRADUATE. 625 00:36:58,049 --> 00:37:00,757 YOU MUST BE GOING NUTS RIGHT NOW. 626 00:37:01,953 --> 00:37:03,227 - YEAH. 627 00:37:03,287 --> 00:37:04,288 I MEAN, ul-| 628 00:37:04,355 --> 00:37:07,802 IT'S JUST BEEN, BEEN OFF THE HOOK, YOU KNOW? 629 00:37:07,858 --> 00:37:08,666 - REALLY? - YEAH. 630 00:37:08,726 --> 00:37:14,074 - SO, WHAT'S THE CRAZIEST THING YOU'VE DONE LATELY? 631 00:37:14,165 --> 00:37:16,304 - SHE SEEMS SENT FROM ABOVE 632 00:37:16,367 --> 00:37:20,975 TO FULFILL HIS EVERY MASTURBATORY FANTASY. 633 00:37:21,038 --> 00:37:22,415 - HOW DO YOU WANT ME? 634 00:37:22,506 --> 00:37:24,645 - BUT STILL, HE TURNS HER DOWN. 635 00:37:24,709 --> 00:37:26,814 - WHY ARE YOU DOING THIS? 636 00:37:27,812 --> 00:37:29,257 - WHAT? 637 00:37:29,313 --> 00:37:31,987 - THIS. 638 00:37:33,184 --> 00:37:36,324 - ISN'T THIS WHAT YOU WANT? 639 00:37:36,387 --> 00:37:39,527 - SEXISWHAT MATTHEW WANTS, 640 00:37:39,590 --> 00:37:43,697 BUT NOT WITH DANIELLE, OR AT LEAST NOT YET. 641 00:37:43,761 --> 00:37:48,232 - TAKE HER TO A MOTEL ROOM, AND BANG HER LIKE A BEAST! 642 00:37:48,332 --> 00:37:49,333 - ELl, I LIKE THIS GIRL. 643 00:37:49,400 --> 00:37:52,609 - AND YOU CAN STILL LIKE HER WITH YOUR PENIS INSIDE HER. 644 00:37:53,437 --> 00:37:57,749 WHEN HE DISCOVERS TO HIS HORROR THAT SHE'S SEGRETLY A PORN STAR, 645 00:37:57,842 --> 00:37:59,321 THE REVELATION MERELY CONFIRMS 646 00:37:59,377 --> 00:38:04,087 MA'I_I'HEW'S WORST SUSPICIONS ABOUT DANIELLE. 647 00:38:04,915 --> 00:38:06,019 - MATl', MATT! 648 00:38:06,083 --> 00:38:07,585 DUDE, YOU'RE MISSING THE BEST PART. 649 00:38:07,685 --> 00:38:09,392 - SHE MAKES PUBLIC THE SIDE OF HERSELF 650 00:38:09,453 --> 00:38:11,592 THAT MATTHEW DENIES ALTOGETHER. 651 00:38:11,689 --> 00:38:15,364 THE CHASM BETWEEN THEM IS SIMPLY TOO GREAT, 652 00:38:15,426 --> 00:38:19,238 AND IT'S CLEAR WHO SHOULD BE THE ONE TO CHANGE. 653 00:38:19,297 --> 00:38:20,605 EXCUSE ME. 654 00:38:20,698 --> 00:38:22,302 I JUST WANT TO LIT YOU KNOW, 655 00:38:22,366 --> 00:38:24,846 I KNOW WHO YOU REALLY ARE... 656 00:38:25,770 --> 00:38:29,081 AND YOU'RE BEITER THAN THIS. 657 00:38:29,140 --> 00:38:31,086 - AND SO, DANIELLE ABANDONS HER CAREER 658 00:38:31,142 --> 00:38:36,319 AND FOLLOWS MATTHEW INTO A WORLD OF PRIM RESPECTABILITY. 659 00:38:36,414 --> 00:38:38,121 - THANK YOU. 660 00:38:38,783 --> 00:38:39,727 - FOR WHAT'? 661 00:38:39,784 --> 00:38:43,061 - I NEVER WENT TO PROM. 662 00:38:44,488 --> 00:38:46,866 - LN THE END, IT'S HIM WHO SAVES HER, 663 00:38:46,957 --> 00:38:48,493 MOLDING HER INTO HIS OWN IMAGE 664 00:38:48,592 --> 00:38:54,133 AND PAVING THE WAY TOWARDS HIS ULTIMATE GOAL. 665 00:38:55,232 --> 00:38:59,339 TEEN SEXUALITY DOESN'T HAVE TO BE SUPPRESSED... 666 00:39:00,438 --> 00:39:03,044 IT JUST HAS TO BE CONTAINED... 667 00:39:03,107 --> 00:39:04,051 - READY? 668 00:39:04,108 --> 00:39:05,485 - YEAH, YEAH, YEAH, JUST - JUST TWO SECONDS. 669 00:39:05,576 --> 00:39:11,356 - AND REVEALED ONLY AT PRECISELY THE RIGHT MOMENT. 670 00:39:12,750 --> 00:39:14,627 OKAY. HOLD ON. 671 00:39:17,521 --> 00:39:20,832 - HENRY, ARE YOU READY'? 672 00:39:23,361 --> 00:39:25,807 - I'M READY. 673 00:39:27,031 --> 00:39:32,481 YEAH, I WANNA FIX ALL MY MISTAKES 674 00:39:32,536 --> 00:39:37,713 YEAH, I DIDN'T EXPECT TO FALL IN LOVE 675 00:39:37,808 --> 00:39:39,947 SO DROP DEAD 676 00:39:40,010 --> 00:39:43,287 LOVE, SO DROP DEAD 677 00:39:43,347 --> 00:39:48,194 YEAH, YOU KNOW I'VE SEEN IT ALL BEFORE 678 00:39:48,285 --> 00:39:53,291 YEAH, THIS SOUND REALLY SUCKS FOR SURE 679 00:39:53,357 --> 00:39:56,031 SO GO BACK 680 00:39:56,127 --> 00:39:59,472 SURE, SO GO BACK 681 00:39:59,530 --> 00:40:05,037 HAVEN'T YOU EVER WANTED TO DISAPPEAR? 682 00:40:05,136 --> 00:40:08,413 TO DISAPPEAR 683 00:40:08,472 --> 00:40:12,420 I THOUGHT MAYBE YOU COULD HELP ME 684 00:40:12,476 --> 00:40:14,149 TO DISAPPEAR 685 00:40:14,211 --> 00:40:17,556 LET'S BE HONEST, JUST BE HONEST 686 00:40:17,648 --> 00:40:19,025 CAN YOU BE HONEST? 687 00:40:19,083 --> 00:40:23,054 YEAH, YOU COULDN'T TURN BACK THE CLOCK 688 00:40:23,154 --> 00:40:28,661 YEAH, NOTHING WILL EVER HURT AS MUCH 689 00:40:28,726 --> 00:40:30,899 I'M FALLIN' 690 00:40:30,995 --> 00:40:34,875 AS MUCH, I'M FALLING 691 00:40:34,932 --> 00:40:38,539 YEAH, THIS IS ALL A BIG MISTAKE 692 00:40:38,602 --> 00:40:43,415 YEAH, WILL YOU STILL WANT ME WHEN I LEAVE'? 693 00:40:43,507 --> 00:40:46,147 IT'S OVER 694 00:40:46,210 --> 00:40:50,659 I LEAVE, IT'S OVER 695 00:40:50,714 --> 00:40:56,187 HAVEN'T YOU EVER WANTED TO DISAPPEAR? 696 00:40:56,253 --> 00:40:58,597 TO DISAPPEAR 697 00:40:58,689 --> 00:41:03,866 I THOUGHT MAYBE YOU COULD HELP ME 698 00:41:03,928 --> 00:41:04,929 TO DISAPPEAR 699 00:41:05,029 --> 00:41:08,806 LET'S BE HONEST, JUST BE HONEST 700 00:41:08,866 --> 00:41:14,578 CAN YOU BE HONEST? 701 00:41:42,500 --> 00:41:47,006 BA-A-A-CK 702 00:41:47,104 --> 00:41:54,420 HOW FAR DO YOU GO BA-A-A-ACK? 703 00:41:54,478 --> 00:42:02,295 HOW FAR DO YOU GO BA-A-A-ACK? 704 00:42:19,503 --> 00:42:22,677 - SEX CHANGES EVERYTHING. 705 00:42:22,773 --> 00:42:24,912 IN A POST-COITAL RAPTURE, 706 00:42:24,975 --> 00:42:26,682 TEENS SLIP THROUGH THE LOOKING GLASS 707 00:42:26,777 --> 00:42:34,059 AND INTO A WORLD IN WHICH THEIR PLACE NO LONGER SEEMS CERTAIN. 708 00:42:34,118 --> 00:42:34,755 - I THINK MAYBE 709 00:42:34,818 --> 00:42:37,697 IT'S MORE POWERFUL THAN WE'D LIKE IT TO BE. 710 00:42:41,325 --> 00:42:44,829 - IT'S FUCKING TRIPPY... 711 00:42:44,895 --> 00:42:49,344 THAT'S FOR SURE. 712 00:42:55,339 --> 00:42:59,378 - AS THEIR OUTWARD APPEARANCES AND INNER-LIVES 713 00:42:59,476 --> 00:43:00,819 BEGIN TO DIVERGE, 714 00:43:00,878 --> 00:43:05,725 THE ADOLESCENT MIND SPLITS IN TWO. 715 00:43:05,816 --> 00:43:06,920 AWIDENING RIFT 716 00:43:06,984 --> 00:43:10,830 SEPARATES THE IMAGE PROJECTED TO THE OUTSIDE WORLD 717 00:43:10,888 --> 00:43:15,064 FROM THE UNEXAMINED TRUTH WITHIN. 718 00:43:17,761 --> 00:43:23,302 TEENS ARE FACED WITH TWO VERSIONS OF THEMSELVES, 719 00:43:23,400 --> 00:43:28,179 BARELY SURE OF WHICH IS REAL. 720 00:43:29,607 --> 00:43:34,249 - THAT'S A PART OF HISTORY YOU CAN'T CHANGE. 721 00:43:34,345 --> 00:43:37,451 - IN "JEEPERS CREEPERS", SIBLINGS DAFiFIY AND TRISH, 722 00:43:37,514 --> 00:43:39,892 WILE AWAY A CROSS-COUNTRY DRIVE 723 00:43:39,950 --> 00:43:43,955 BY GUESSING THE MEANINGS OF CUSTOM LICENSE PLATES. 724 00:43:44,054 --> 00:43:44,828 -"GAY... 725 00:43:44,888 --> 00:43:45,889 "GAY FEVER." 726 00:43:45,956 --> 00:43:46,661 NO, "GAY FOREVER"! 727 00:43:46,757 --> 00:43:50,432 - DARRY'S SUGGESTIONS REVEAL MORE ABOUT HIS OWN CONCERNS 728 00:43:50,527 --> 00:43:52,905 THAN THOSE OF THE PLATES' OWNERS. 729 00:43:52,963 --> 00:43:56,672 - THAT'S A NOT A YOU IDIOT. 730 00:43:56,767 --> 00:43:57,768 THAT'S "SEXY FOREVER". 731 00:43:57,868 --> 00:43:59,973 THAT'S MINE. THAT'S 5 TO 2. 732 00:44:00,037 --> 00:44:01,641 - SHIT. 733 00:44:01,705 --> 00:44:03,548 - GAY FEVER? 734 00:44:05,976 --> 00:44:10,857 - SOON, HE SPIRALS INTO HIS OWN PERSONAL GAY FEVER 735 00:44:10,948 --> 00:44:13,053 AFTER STUMBLING UPON A BODY-STREWN LAIR 736 00:44:13,117 --> 00:44:17,065 FILLED WITH SEMI-NAKED TEENAGE BOYS. 737 00:44:17,121 --> 00:44:17,997 - WHAT? 738 00:44:18,088 --> 00:44:19,362 - I FOUND A... AAH! 739 00:44:19,423 --> 00:44:21,562 JESUS! AAH! 740 00:44:21,625 --> 00:44:22,330 GET OFF! 741 00:44:22,426 --> 00:44:23,598 - DARRY! 742 00:44:23,661 --> 00:44:24,503 DAR RY! 743 00:44:24,595 --> 00:44:25,972 - JESUS. 744 00:44:39,576 --> 00:44:45,390 - THIS CHAMBER OF HOMOEROTIC HORROR BELONGS TO THE CREEPER, 745 00:44:45,449 --> 00:44:48,157 A PREDATORY HALF-HUMAN KILLER 746 00:44:48,252 --> 00:44:52,257 WITH A FONDNESS FOR '30s JAZZ STANDARDS. 747 00:44:53,023 --> 00:44:57,130 THE INHABITANTS OF A SMALL, CONSERVATIVE TOWN 748 00:44:57,194 --> 00:44:59,231 LIVE IN CONSTANT FEAR 749 00:44:59,329 --> 00:45:04,540 OF THIS SEXUALLY-VORACIOUS MONSTER IN THEIR MIDST. 750 00:45:08,439 --> 00:45:09,383 DARRY, ON THE OTHER HAND, 751 00:45:09,440 --> 00:45:13,115 SEEMS EVERY BIT AS FASCINATED WITH THE CREEPER 752 00:45:13,177 --> 00:45:16,989 AS THE CREEPER IS WITH HIM. 753 00:45:19,817 --> 00:45:21,854 - EVENTUALLY, THE MONSTER TAKES AHOLD OF THE BOY, 754 00:45:21,952 --> 00:45:27,493 TOSSING TRISH ASIDE AND MAKING HIS INTENTIONS CLEAR 755 00:45:27,558 --> 00:45:29,162 - YOU DON'T WANT HIM. 756 00:45:29,226 --> 00:45:30,432 YOU DON'T WANT HIM. 757 00:45:30,527 --> 00:45:32,507 WHATEVER YOU WANT... 758 00:45:32,563 --> 00:45:34,042 YOU CAN TAKE IT FROM ME. 759 00:45:37,167 --> 00:45:40,114 - LET HIM GO, AND TAKE ME. 760 00:45:40,504 --> 00:45:42,848 YOU LET HIM GO! 761 00:45:50,214 --> 00:45:53,752 - HIS BODY EVISCERATED BY THE BEAST, 762 00:45:53,851 --> 00:45:56,127 DARRY IS STRUNG UP ON DISPLAY, 763 00:45:56,186 --> 00:46:02,364 JUST ANOTHER MONUMENT TO THE GREEPER'S DARK DESIRES. 764 00:46:06,697 --> 00:46:09,007 TEENS' UNWILLING TO FOLLOW DARRY'S LEAD 765 00:46:09,066 --> 00:46:11,876 AND GIVE IN TO THEIR REPRESSED IMPULSES 766 00:46:11,935 --> 00:46:16,975 INSTEAD RESORT TO OUTLANDISH ACTS OF DENIAL. 767 00:46:17,074 --> 00:46:19,179 - WHAT THE FUCK?! 768 00:46:19,777 --> 00:46:22,223 MAIL, MOTHERFUCKER. 769 00:46:22,279 --> 00:46:23,815 - HEY, I GOT ONE FROM MIKE. 770 00:46:23,914 --> 00:46:24,915 - IN "EuroTrip", 771 00:46:25,015 --> 00:46:26,016 SUBURBAN TEEN SGOTFY 772 00:46:26,083 --> 00:46:29,064 FEELS LANDLOCKED IN HIS QUIET HOMETOWN. 773 00:46:29,119 --> 00:46:30,257 BORED OF THE ROUTINE, 774 00:46:30,420 --> 00:46:35,460 HE EXCHANGES WISTFUL E-MAILS WITH HIS GERMAN PEN-PAL, MIKE. 775 00:46:35,559 --> 00:46:40,065 - "DEAR MIKE, GREETINGS FROM YOUR AMERICAN PEN PAL." 776 00:46:40,130 --> 00:46:43,304 - BEST FRIEND COOPER IS SUSPICIOUS. 777 00:46:43,400 --> 00:46:45,437 - LISTEN TO YOURSELF, ALL RIGHT. 778 00:46:45,536 --> 00:46:49,985 NOW, YOU MET A "COOL GUY ON THE INTERNET", OKAY? 779 00:46:50,040 --> 00:46:51,383 THIS IS HOW THESE SEXUAL PREDATORS WORK. 780 00:46:51,441 --> 00:46:54,115 NEXT THING YOU KNOW, HE'S GONNA WANT TO "ARRANGE A MEETING," 781 00:46:54,211 --> 00:46:57,556 WHERE HE WILL GAS YOU AND STUFF YOU IN THE BACK OF HIS VAN 782 00:46:57,614 --> 00:46:59,651 AND MAKE A WIND-CHIME OUT OF YOUR GENITALS 783 00:46:59,750 --> 00:47:02,356 - SCOTl'Y DISREGARDS THE WARNING... 784 00:47:02,419 --> 00:47:04,023 "AUF WIEDERSEHENMIKE." 785 00:47:04,087 --> 00:47:06,863 BUT RETURNS HOME DRUNK LATER THAT NIGHT 786 00:47:06,924 --> 00:47:10,633 TO DISCOVER THAT COOPER MAY HAVE BEEN ON TO SOMETHING. 787 00:47:10,727 --> 00:47:11,762 - HEY, MIKE. 788 00:47:11,829 --> 00:47:14,036 "DEAR SCOTT, I WAS VERY SAD 789 00:47:14,131 --> 00:47:17,442 "TO HEAR ABOUT YOUR LADY-WOMAN FIONA DUMPING YOU. 790 00:47:17,501 --> 00:47:19,708 "SINCE YOU NO LONGER HAVE A GIRLFRIEND, 791 00:47:19,803 --> 00:47:21,009 "MAYBE I COULD COME TO AMERICA 792 00:47:21,104 --> 00:47:23,641 "AND WE COULD GET TO KNOW EACH OTHER BEITER. 793 00:47:23,740 --> 00:47:26,380 "PERHAPS WE COULD... 794 00:47:26,443 --> 00:47:28,081 ZUSSAMEN." 795 00:47:28,145 --> 00:47:31,683 WHAT THE FUCK IS AZUSSAMEN? 796 00:47:38,455 --> 00:47:40,059 "ARRANGE A MEETING." 797 00:47:40,123 --> 00:47:41,602 NO. NO, NO COME ON! 798 00:47:41,658 --> 00:47:44,332 COOPER WAS RIGHT, THIS GUY WANTS TO HAVE SEX WITH ME. 799 00:47:44,428 --> 00:47:48,399 - LN A HAZE OF FEAR, HE FIRES BACK A FURIOUS REPLY... 800 00:47:48,465 --> 00:47:51,503 - "I DON'T WANT TO ARRANGE ANY MEETINGS WITH YOU, 801 00:47:51,602 --> 00:47:53,639 "YOU SICK GERMAN FREAK. 802 00:47:53,704 --> 00:47:56,708 "SO - SO PLEASE KEEP YOUR HANDS OFF OF MY GENITALS, 803 00:47:56,807 --> 00:48:01,813 "AND NEVER WRITE TO ME AGAIN, AND DON'T COME TO AMERICA. 804 00:48:01,879 --> 00:48:03,222 GOODBYE." 805 00:48:03,313 --> 00:48:09,025 - ONLY TO REALIZE THE ERROR OF HIS WAYS THE NEXT MORNING. 806 00:48:11,221 --> 00:48:13,098 - I CAN'T BELIEVE THIS GERMAN CHICK 807 00:48:13,190 --> 00:48:14,965 WANTS TO COME OVER HERE AND HOOK UP WITH YOU. 808 00:48:15,025 --> 00:48:17,335 - YEAH, I DON'T THINK SO BUDDY. MIKE'S A GUY. 809 00:48:17,394 --> 00:48:20,068 - UM, NO, IT SAYS RIGHT HERE "TRAURIGES MADCHEN". 810 00:48:20,163 --> 00:48:25,340 I'M TAKINGINTROTO GERMAN, AND EVENIKNOW THAT. 811 00:48:25,402 --> 00:48:26,278 - COME HERE. 812 00:48:26,370 --> 00:48:27,644 HE SENT ME A PICTURE, REFARDO. 813 00:48:27,704 --> 00:48:32,653 SEE? THAT'S A PICTURE OF MIKE, AND THAT'S HIS CUTE COUSIN JAN. 814 00:48:32,709 --> 00:48:34,848 - NO, REFARDO. 815 00:48:34,912 --> 00:48:36,585 THAT'S JAN, A MAN'S NAME, 816 00:48:36,680 --> 00:48:38,819 AND THAT'S NOT "MIKE," IT'S "MIEKE," 817 00:48:38,882 --> 00:48:43,228 A COMMON GERMAN GIRL'S NAME, SIMILAR TO OUR MICHELLE. 818 00:48:43,320 --> 00:48:44,025 - WITHIN MOMENTS, 819 00:48:44,087 --> 00:48:48,194 SCOTFY IS READY TO DECLARE HIS UNDYING LOVE FOR MIEKE, 820 00:48:48,258 --> 00:48:52,638 DESPITE FORMING THIS BOND WHILE BELIEVING HER TO BE A MAN. 821 00:48:52,729 --> 00:48:54,333 - THAT'S MIKE. 822 00:48:54,398 --> 00:48:55,536 I MEAN MIEKE. 823 00:48:55,599 --> 00:48:59,979 - AND SO, HE EMBARKS UPON A VOYAGE OF DISCOVERY 824 00:49:00,070 --> 00:49:01,208 ACROSS EUROPE 825 00:49:01,271 --> 00:49:06,118 TO WIN BACK HER LOVE. 826 00:49:06,843 --> 00:49:09,289 AS THEY CROSS THE CONTINENT, SCOTFY AND FRIENDS 827 00:49:09,346 --> 00:49:14,625 SEEK OUT ONE OVERT DISPLAY OF HETEROSEXUALITY AFTER ANOTHER. 828 00:49:14,685 --> 00:49:17,666 STILL, THEIR SITUATION INVARIABLY 829 00:49:17,721 --> 00:49:20,099 TAKES A TURN FOR THE HOMOEROTIC. 830 00:49:25,696 --> 00:49:27,573 WHETHER AT THE BEACH... 831 00:49:27,631 --> 00:49:28,666 WHAT A RIP! 832 00:49:28,765 --> 00:49:30,244 - LN AN AMSTERDAM COFFEE SHOP... 833 00:49:30,300 --> 00:49:32,337 IT'S HOT IN HERE. YOU HOT? 'CAUSE I'M - I'M REALLY HOT. 834 00:49:32,436 --> 00:49:35,815 - MY GOD! - OKAY, I CAN'T BREATHE! GOD! 835 00:49:35,906 --> 00:49:37,408 I'M FREAKING OUT! 836 00:49:37,474 --> 00:49:39,010 I SAW A GAY PORNO ONCE. 837 00:49:39,109 --> 00:49:41,055 I DIDN'T KNOW UNTIL HALFWAY m. 838 00:49:41,111 --> 00:49:43,489 THE GIRLS NEVER GAME. 839 00:49:43,580 --> 00:49:44,752 THE GIRLS NEVER GAME! 840 00:49:44,815 --> 00:49:47,853 - OR VISITING THE RED LIGHT DISTRICT. 841 00:49:47,951 --> 00:49:50,329 - ON, ON, VANDERSEXXX! 842 00:49:52,723 --> 00:49:57,103 - THE SEX-STARVED GANG FIND THEMSELVES TIME AND TIME AGAIN 843 00:49:57,160 --> 00:50:01,370 DIVERTED FROM THE STRAIGHT AND NARROW. 844 00:50:04,067 --> 00:50:05,603 - I-ll. 845 00:50:15,479 --> 00:50:18,517 SO, A-ARE THE GIRLS C-COMING BACK'? 846 00:50:18,615 --> 00:50:20,720 - WHEN SCOTFY DOES CATCH UP WITH MIEKE, 847 00:50:20,784 --> 00:50:24,425 IN THE SUITABLY REPRESSED SURROUNDINGS OF VATICAN CITY, 848 00:50:24,488 --> 00:50:29,665 HIS HETEROSEXUAL CREDENTIALS FINALLY SEEM CONFIRMED. 849 00:50:29,760 --> 00:50:30,795 - I LOVE YOU, MIEKE. 850 00:50:30,861 --> 00:50:32,738 - BUT WHEN THEIR RELATIONSHIP IS CONSUMMATED, 851 00:50:32,829 --> 00:50:35,275 IN A CONFESSIONAL DEEP WITHIN THE PALACE, 852 00:50:35,332 --> 00:50:39,212 SCOTFY LETS OUT A DEVASTATING CONFESSION OF HIS OWN. 853 00:50:39,302 --> 00:50:40,804 MIKE. M-MIEKE! 854 00:50:41,605 --> 00:50:46,384 - THE MASQUERADE GOES ON, AND MIKE IS LAID TO REST 855 00:50:46,443 --> 00:50:51,756 WHILE SCOTIY REMAINS SAFELY INSIDE THE CLOSET. 856 00:50:51,815 --> 00:50:54,352 - FLIGHT ATFENDANTS, PREPARE FOR DEPARTURE. 857 00:50:54,451 --> 00:50:57,125 - BUT THE TRUTH CAN ONLY STAY HIDDEN FOR SO LONG 858 00:50:57,187 --> 00:51:03,001 BEFORE IT SPILLS DISASTROUSLY INTO THE OPEN. 859 00:51:03,060 --> 00:51:04,164 - Eo. 860 00:51:05,328 --> 00:51:09,799 - LN "FINAL DESTINATION, SUPERNATURAL PRODIGY ALEX" 861 00:51:09,866 --> 00:51:14,576 LIBERATES A SELECT GROUP OF HIGH SCHOOLERS FROM CERTAIN DEATH 862 00:51:14,671 --> 00:51:20,121 AFTER HIS PSYCHIC FREAK-OUT FORCES THEM OFF A DOOMED FLIGHT. 863 00:51:22,979 --> 00:51:24,686 ALEX'.7 864 00:51:29,186 --> 00:51:30,859 THE FUCKING PLANE'S GONNA EXPLODE! 865 00:51:30,921 --> 00:51:33,197 - SHUT UP, BROWNING. - YOU'RE SO NOT FUNNY. 866 00:51:33,256 --> 00:51:34,735 - IF THIS IS YOUR IDEA OF A JOKE... 867 00:51:34,825 --> 00:51:36,805 IT'S NOT A JOKE! IT'S NOT A JOKE! 868 00:51:36,860 --> 00:51:38,737 - ALEX, TAKE IT EASY. 869 00:51:41,231 --> 00:51:42,209 - AS THEY CHEAT FATE, 870 00:51:42,265 --> 00:51:47,078 THEY REPRESS THE ONE CERTAINTY IN LIFE... 871 00:51:47,170 --> 00:51:48,877 DEATH. 872 00:51:48,939 --> 00:51:50,077 - WHOA. 873 00:51:50,173 --> 00:51:51,447 WE GET THROWN OFF THE PLANE, 874 00:51:51,508 --> 00:51:53,181 WE BLOW, WHAT, A HALF A DAY IN PARIS? 875 00:51:53,243 --> 00:51:56,281 ALL BECAUSE BROWNING HAS A BAD FUCKING DREAM? 876 00:51:56,379 --> 00:51:57,323 BUT WAIT, BUT - THE PLANE, 877 00:51:57,380 --> 00:51:59,189 IT'S GONNA BLOW UP, IT'S GONNA BLOW UP. - TOD... 878 00:51:59,249 --> 00:52:02,958 - THE ONLY TRIP YOU'RE TAKING IS TO THE FUCKING HOSPITAL! 879 00:52:03,053 --> 00:52:04,259 - GET OFF HIM! 880 00:52:04,354 --> 00:52:06,231 - SHIT! 881 00:52:14,431 --> 00:52:17,742 - MORTALITY WRESTLED INTO SUBMISSION, 882 00:52:17,801 --> 00:52:22,443 ALEX AND FRIENDS WALK AWAY PHYSICALLY UNSCATHED 883 00:52:22,539 --> 00:52:28,649 BUT MENTALLY DISORIENTED. 884 00:52:28,712 --> 00:52:33,388 THEY ALLOW THEMSELVES TO BELIEVE THAT THE HARD TIMES ARE OVER... 885 00:52:33,450 --> 00:52:36,431 - BECAUSE OF YOU, I'M STILL ALIVE. 886 00:52:36,486 --> 00:52:37,191 - BUT IT'S CLEAR 887 00:52:37,287 --> 00:52:41,463 THAT THEIR NEWFOUND EQUILIBRIUM IS UNSUSTAINABLE. 888 00:52:41,558 --> 00:52:44,505 - I'M NEVER GONNA DIE. 889 00:52:44,561 --> 00:52:49,169 - INSIST AS THEY MIGHT, DEATH WAS NEVER REALLY EXPELLED. 890 00:52:49,232 --> 00:52:52,839 IT WAS MERELY FORCED INTO THE SHADOWS. 891 00:52:52,903 --> 00:53:00,583 THE LONGER THEY DENY THE TRUTH, THE MORE DESTRUCTIVE IT BECOMES. 892 00:53:18,862 --> 00:53:22,674 - AS THE FORCES OF REPRESSION SWELL, 893 00:53:22,766 --> 00:53:26,441 AN EXPLOSION IS INEVITABLE. 894 00:53:26,503 --> 00:53:29,040 - HERE SHE IS. 895 00:53:37,113 --> 00:53:42,426 ONE DAY, YOU WAKE UP AND YOU FIGURE OUT, 896 00:53:42,485 --> 00:53:46,865 WHAT'S THE WORST THING THEY CAN DO TO YOU? 897 00:53:52,729 --> 00:53:56,836 EACH OF US HAS WITHIN US A WEAK ASPECT, 898 00:53:56,900 --> 00:54:02,441 EAGER TO GIVE UP FREEDOM FOR THE COMFORT OF BEING DOMINATED, 899 00:54:02,539 --> 00:54:06,988 BUT WE ALSO HAVE A WILL TO POWER THAT DESIRES FREEDOM, 900 00:54:07,043 --> 00:54:09,216 THAT INSISTS ON DECIDING FOR OURSELVES, 901 00:54:09,312 --> 00:54:12,816 EACH OF US INDIVIDUALLY, 902 00:54:12,882 --> 00:54:16,159 WHAT IS GOOD... 903 00:54:16,219 --> 00:54:19,598 AND WHAT IS EVIL. 904 00:54:31,368 --> 00:54:32,711 - HEY, GARY. - DAVl D. 905 00:54:32,769 --> 00:54:35,375 - GARY, DID YOU KNOW I GREW UP IN A LOT OF DIFFERENT PLACES'? 906 00:54:35,438 --> 00:54:37,315 - NO, ACTUALLY NICOLE TOLD ME THAT YOU... 907 00:54:37,407 --> 00:54:40,388 - YEAH - BRIDGEWATER, SPOFFORD, RIKERS, YOU NAME IT. 908 00:54:40,443 --> 00:54:43,390 YOU KNOW WHAT THEY ALL HAVE IN COMMON, GARY? -l\1o. 909 00:54:43,446 --> 00:54:44,049 - WEAK WALLS. 910 00:54:44,114 --> 00:54:46,287 ACTUALLY, THAT'S WHY THEY MOVED ME AROUND SO MUCH. 911 00:54:46,383 --> 00:54:47,691 I'D POUND ON A WALL, IT WOULD BREAK, 912 00:54:47,751 --> 00:54:49,594 THEY'D MOVED ME TO THE NEXT ONE AND THE NEXT ONE 913 00:54:49,686 --> 00:54:51,723 UNTIL FINALLY THEY GOT SICK OF BUILDING WALLS 914 00:54:51,788 --> 00:54:55,133 AND JUST SHOWED ME THE DOOR. 915 00:54:55,225 --> 00:55:00,868 - HERE WE HAVE YOUR STANDARD .22 LEVER ACTION, 916 00:55:00,930 --> 00:55:03,308 PERSONALLY, I'M NOT A BIG FAN. 917 00:55:03,400 --> 00:55:06,279 NEXT, WE HAVE THE PRIDE OF THE OLD WEST HERE... 918 00:55:06,369 --> 00:55:08,849 .20 GAUGE DOUBLE-BARREL SHOTGUN. 919 00:55:08,905 --> 00:55:11,215 - COOL. 920 00:55:11,574 --> 00:55:15,886 - DON'T EVER CONDESCEND TO ME AGAIN. 921 00:55:15,945 --> 00:55:19,950 I AM NOT YOUR LITTLE WIND-UP DOLL. 922 00:55:20,050 --> 00:55:23,429 - THIS, THIS IS PROBABLY MY FAV- ONE OF MY FAVORITE GUNS. 923 00:55:23,486 --> 00:55:27,957 THIS IS, LIKE, THE DIRTY HARRY FUCKING GUN RIGHT HERE. 924 00:55:32,128 --> 00:55:33,106 - YOU SEE THAT'? 925 00:55:33,163 --> 00:55:37,942 DO YOU SEE HOW FAST IT JUST SLIDES STRAIGHT THROUGH? 926 00:55:38,001 --> 00:55:43,144 - DO YOU THINK THAT IF YOU WERE FALLING IN SPACE, 927 00:55:43,239 --> 00:55:48,951 THAT YOU WOULD SLOW DOWN AFTER A WHILE OR GO FASTER AND FASTER? 928 00:55:49,012 --> 00:55:50,685 - YOU ARE PSYCHO! 929 00:55:50,780 --> 00:55:52,259 WHAT THE HELL IS WRONG WITH YOU?! 930 00:55:52,315 --> 00:55:57,856 YOU ALL BELONG IN A LOONY BIN! EVERY ONE OF YOU! 931 00:55:57,954 --> 00:55:59,729 - MY BEST TIME SO FAR IS 64 SECONDS. 932 00:55:59,789 --> 00:56:02,429 I WANT TO BE ABLE TO DO IT AT A MOMENT'S NOTICE 933 00:56:02,492 --> 00:56:05,268 'CAUSE WE NEVER KNOW WHEN ZERO DAY'S COMING. 934 00:56:05,328 --> 00:56:07,308 - GO. 935 00:56:13,770 --> 00:56:14,771 - I DON'T NEED YOU! 936 00:56:14,838 --> 00:56:16,943 YOU THINK YOU'RE SO HAPPY. 937 00:56:17,006 --> 00:56:19,213 YOU THINK YOU'RE SO... 938 00:56:19,309 --> 00:56:20,811 SUPERIOR. 939 00:56:33,890 --> 00:56:37,337 - LIZZY, I'M GONNA FUCKING KILL YOU. 940 00:56:40,730 --> 00:56:43,677 - YOU WANNA GIT FUCKED UP, MOTHERFUCKER? 941 00:57:05,922 --> 00:57:08,232 - YOU KNOW WHAT, BRO, FUCK YOU, OKAY? 942 00:57:08,324 --> 00:57:09,860 FUCK YOU. ALL RIGHT? 943 00:57:09,926 --> 00:57:14,534 - DON'T PUT YOUR FUCKING FINGER IN MY FACE. 944 00:59:14,050 --> 00:59:14,550 - EVERYTHING WE EVER DID, 945 00:59:14,551 --> 00:59:15,495 - EVERYTHING WE EVER DID, 946 00:59:15,552 --> 00:59:18,556 EVERYTHING WE EVER OWNED AND EVERYTHING WE OWN RIGHT NOW 947 00:59:18,655 --> 00:59:19,531 IS GOING TO BE SCRUTINIZED 948 00:59:19,622 --> 00:59:21,966 UNDER, LIKE, THE BIGGEST MICROSCOPE THE WORLD CAN PRODUCE. 949 00:59:22,025 --> 00:59:23,834 EVERY CD YOU HAVE, EVERY - EVERY VIDEO GAME, 950 00:59:23,893 --> 00:59:25,031 THEY'RE GOING TO GO THROUGH AND SAY 951 00:59:25,128 --> 00:59:29,167 "'MORTAL KOMBAT', IT WAS BECAUSE OF THAT." 952 00:59:41,044 --> 00:59:44,924 - lN THE WAKE OF A BLAST THEY NEVER SAW COMING, 953 00:59:45,014 --> 00:59:45,890 THE POWERS THAT BE 954 00:59:45,982 --> 00:59:53,366 SEARCH DESPERATELY FOR SOMEONE, OR SOMETHING, TO BLAME. 955 00:59:53,423 --> 00:59:55,130 - EXPLICIT AND GRAPHIC SEX, 956 00:59:55,224 --> 00:59:58,694 EXTREME VIOLENCE, SUICIDE IN LYRICS... 957 00:59:58,761 --> 01:00:01,708 - NEVER BEFORE IN THE HISTORY OF THIS COUNTRY 958 01:00:01,764 --> 01:00:03,869 HAVE SO MANY CORRUPTING INFLUENCES 959 01:00:03,933 --> 01:00:07,938 DESCENDED UPON CHILDREN AT ONE TIME. 960 01:00:08,037 --> 01:00:11,211 - TEENS WHO DARE TO SUBVERT PROTOCOL 961 01:00:11,274 --> 01:00:12,480 ARE IMMEDIATELY SUSPECT 962 01:00:12,575 --> 01:00:17,684 AND FIND THEMSELVES RUTHLESSLY POLICED. 963 01:00:17,747 --> 01:00:21,524 - AS I STUDY THE LAST 60 YEARS OF POPULAR TEEN CULTURE, 964 01:00:21,584 --> 01:00:24,963 I'VE COME TO THE CONCLUSION THAT WE'RE LOSING OUR KIDS. 965 01:00:25,054 --> 01:00:30,060 SOMETIME, SOMEBODY HAS TO STAND UP AND SAY "ENOUGH IS ENOUGH." 966 01:00:30,126 --> 01:00:31,799 SO, LET'S SAY IT TONIGHT. 967 01:00:31,894 --> 01:00:34,067 ENOUGH IS ENOUGH. 968 01:00:34,130 --> 01:00:37,839 IN "THE FACULTY", QUARTERBACK STAN 969 01:00:37,934 --> 01:00:41,143 IS ONE OF A NUMBER OF TEENS RELUCTANT TO PLAY THE ROLES 970 01:00:41,237 --> 01:00:43,217 IN WHICH THEY'VE UNWITFINGLY BEEN CAST. 971 01:00:43,272 --> 01:00:46,116 - I'M QUITFING FOOTBALL. - NOT PLAYING TOMORROW? 972 01:00:46,209 --> 01:00:48,917 - NO, I'M NOT PLAYING THIS YEAR, WOULD YOU LISTEN TO ME? 973 01:00:48,978 --> 01:00:54,257 I'M QUIT-TING THE TEAM, I'M NOT PLAYING BALL ANYMORE. 974 01:00:54,317 --> 01:00:55,159 - WHAT BROUGHT THIS ON? 975 01:00:55,251 --> 01:00:57,925 - HIS HIGH-SCHOOL ECOSYSTEM REJECTS THE NOTION, 976 01:00:57,987 --> 01:01:01,025 EAGER TO FORGE STAN BACK INTO HIS PLACE. 977 01:01:01,124 --> 01:01:03,832 - YOU'RE NOT GOOD AT STUDYING, STAN, YOU'RE GOOD AT FOOTBALL. 978 01:01:03,926 --> 01:01:05,269 YOU SHOULD STICK TO WHAT YOU'RE GOOD AT. 979 01:01:05,328 --> 01:01:08,832 - YEAH I'VE ALWAYS BEEN GOOD AT FOOTBALL AND BASKETBALL 980 01:01:08,931 --> 01:01:09,739 AND OTHER SPORT I TRY. 981 01:01:09,799 --> 01:01:13,975 I THINK MAYBE IT'S TIME I TRY SOMETHING I'M NOT SO GOOD AT. 982 01:01:14,070 --> 01:01:14,775 - AT THE SAME TIME, 983 01:01:14,837 --> 01:01:18,216 HIS FELLOW STUDENTS DISCOVER A MYSTERIOUS ORGANISM 984 01:01:18,307 --> 01:01:20,981 LURKING IN THE SCHOOL'S WATER SUPPLY. 985 01:01:21,077 --> 01:01:22,715 - JUST GONNA CHECK HIS PROSTATE. 986 01:01:22,779 --> 01:01:26,989 ACTUALLY, THE SURFACE TEXTURE CHANGED, SO... 987 01:01:41,631 --> 01:01:43,804 GATE. 988 01:01:43,866 --> 01:01:47,473 - IT'S A PARASITE, CAPABLE OF TAKING ON HUMAN HOSTS 989 01:01:47,537 --> 01:01:52,008 AND TRANSFORMING THEM INTO MODELS OF AMERICAN TEEN-DOM, 990 01:01:52,108 --> 01:01:58,389 FORCING CONFORMITY ON AN UNSUSPECTING STUDENT BODY. 991 01:01:58,448 --> 01:02:02,123 STAN AND THE OTHERS REFUSE TO RELINQUISH CONTROL, 992 01:02:02,185 --> 01:02:06,531 MAKING THEM EVER MORE DESIRABLE TO THE BUG. 993 01:02:06,622 --> 01:02:08,124 - WHAT ARE YOU KIDS DOING IN HERE? 994 01:02:08,191 --> 01:02:09,534 - LITl'LE DO THEY KNOW 995 01:02:09,625 --> 01:02:13,596 THAT ONE OF THEIR NUMBER HAS ALREADY BEEN TURNED. 996 01:02:13,663 --> 01:02:17,304 - CASEY, COME OUT COME OUT WHEREVER YOU ARE. 997 01:02:17,366 --> 01:02:18,845 - WHEN TRANSFER STUDENT MARYBEFH 998 01:02:18,901 --> 01:02:23,509 IS FINALLY UNVEILED AS A HOST FOR THE PARASITE, 999 01:02:23,573 --> 01:02:24,574 SHE APPEALS TO THE OTHERS 1000 01:02:24,674 --> 01:02:28,486 TO CONSIDER THE VALUE OF GIVING IN TO CONFORMITY. 1001 01:02:28,544 --> 01:02:31,650 - ALL OF YOU ARE DIFFERENT FROM THE OTHERS. 1002 01:02:31,714 --> 01:02:35,526 YOU'RE LOST AND LONELY, JUST LIKE ME. 1003 01:02:35,585 --> 01:02:36,859 AND I THOUGHT THAT MAYBE, 1004 01:02:36,919 --> 01:02:39,866 I GOULD GIVE YOU A TASTE OF MY WORLD... 1005 01:02:39,922 --> 01:02:44,302 A WORLD WITHOUT ANGER, WITHOUT FEAR, WITHOUT ATTITUDE, 1006 01:02:44,393 --> 01:02:48,068 WHERE THE UNDER-ACHIEVER GOES HOME AT NIGHT TO PARENTS WHO CARE. 1007 01:02:48,164 --> 01:02:51,304 THE JOCK CAN BE SMART, THE UGLY DUCKLING BEAUTIFUL, 1008 01:02:51,367 --> 01:02:54,405 THE CLASS WUSS DOESN'T HAVE TO LIVE IN TERROR, 1009 01:02:54,504 --> 01:02:55,312 AND THE NEW GIRL, WELL... 1010 01:02:55,371 --> 01:02:57,510 THE NEW GIRL, SHE CAN JUST FIT RIGHT IN 1011 01:02:57,573 --> 01:02:59,712 WITH PEOPLE WHO ARE JUST LIKE HER. 1012 01:02:59,776 --> 01:03:02,222 - THOUGH SHE PROMISES PARADISE, 1013 01:03:02,278 --> 01:03:07,159 MARYBEFHS WORLD IS IN FACT ONE OF COLD UNIFORMITY, 1014 01:03:07,250 --> 01:03:11,562 WHERE UNRULY TEENS CAN BE SAFELY CONTROLLED, 1015 01:03:11,621 --> 01:03:18,061 ALL WITH THEIR BEST INTERESTS SUPPOSEDLY IN MIND. 1016 01:03:32,041 --> 01:03:35,545 THE BIND OF CONFORMITY GROWS EVER STRONGER 1017 01:03:35,611 --> 01:03:38,956 IN "JOSIE AND THE PUSSYCATS." 1018 01:03:39,048 --> 01:03:41,858 A SINISTER GROUP OF RECORD EXECUTIVES 1019 01:03:41,918 --> 01:03:43,056 RECOGNIZE THE VALUE 1020 01:03:43,119 --> 01:03:44,792 OF CONTROLLING THE YOUNGER GENERATION, 1021 01:03:44,887 --> 01:03:48,926 NOT ONLY TO KEEP THEM IN LINE, BUT TO KEEP THEM SPENDING. 1022 01:03:48,991 --> 01:03:53,804 - I AM SICK OF MY REEBOK SWEATS I NEED SOME PUMA SWEATS. 1023 01:03:53,896 --> 01:03:56,740 - I GOT TO BUY A SIX-PACK OF ZIMA. 1024 01:03:56,799 --> 01:03:58,472 - DUDE, YOU DON'T DRINK. 1025 01:03:58,568 --> 01:04:00,241 - I THINK I SHOULD START. 1026 01:04:00,303 --> 01:04:04,615 - THREATS TO THE ORGANIZATION ARE QUIEFLY REMOVED FROM THE PICTURE 1027 01:04:04,674 --> 01:04:06,483 BY SLIMY PROMOTERS... 1028 01:04:06,576 --> 01:04:08,021 - I THINK THAT SONG SUCKS. 1029 01:04:08,077 --> 01:04:11,581 I PLUG MY EARS WHEN CRAP LIKE THAT COMES ON. 1030 01:04:11,647 --> 01:04:12,091 - REALLY? 1031 01:04:12,148 --> 01:04:13,786 WELL, EVERYBODY ELSE SEEMED TO LIKE IT. 1032 01:04:13,850 --> 01:04:15,852 - THAT'S JUST BECAUSE THEY'RE MINDLESS DRONES 1033 01:04:15,952 --> 01:04:20,162 WHO WILL GOBBLE UP ANYTHING YOU TELL THEM IS COOL. 1034 01:04:20,256 --> 01:04:21,758 - I SEE... 1035 01:04:21,824 --> 01:04:23,963 THIS MUST BE MY LUCKY DAY. 1036 01:04:24,026 --> 01:04:24,834 A REAL NON-CONFORMIST 1037 01:04:24,927 --> 01:04:27,237 I'M SO INTERESTED TO HEAR WHAT ELSE YOU HAVE TO SAY. 1038 01:04:27,296 --> 01:04:31,745 - WELL, FIRST OF ALL, I DON'T UNDERSTAND WHAT... 1039 01:04:31,801 --> 01:04:33,508 - GOSH, THAT'S FASCINATING. 1040 01:04:33,603 --> 01:04:38,052 - OR ERADICATED ALTOGETHER IN THEIR MASTER PLAN, 1041 01:04:38,107 --> 01:04:39,085 A GLOBAL CONSPIRACY 1042 01:04:39,141 --> 01:04:42,020 TO SYSTEMICALLY REPROGRAM ALL TEENS. 1043 01:04:42,111 --> 01:04:45,786 - GENTLEMAN, A DEMONSTRATION. 1044 01:04:45,848 --> 01:04:49,295 THIS IS WHAT THOSE KIDS THINK THEY'RE HEARING ON THOSE HEADSETS. 1045 01:04:50,453 --> 01:04:53,991 AND THIS IS WHAT THEY'RE REALLY HEARING. 1046 01:04:54,056 --> 01:04:57,333 - "CONFORM! FREE WILL ls OVERRATED. 1047 01:04:57,393 --> 01:04:58,895 JUMP ON THE BANDWAGON! 1048 01:04:58,995 --> 01:05:02,499 - THE THREAT OF THE INDIVIDUAL FADES AWAY, 1049 01:05:02,565 --> 01:05:08,243 LEAVING ONLY OBEDIENCE TO THE SYSTEM... 1050 01:05:08,337 --> 01:05:13,218 A SYSTEM THAT HIDES IN PLAIN SIGHT. 1051 01:05:13,309 --> 01:05:14,185 - GOT TO MAKE ROOM FOR HER. 1052 01:05:14,243 --> 01:05:15,881 I DON'T KNOW WHERE SHE'S GONNA SIT. 1053 01:05:15,978 --> 01:05:19,858 - COME ON! THE PROM! - LET'S GO! 1054 01:05:19,916 --> 01:05:21,862 'YEAH! 1055 01:06:37,827 --> 01:06:38,771 - I BEGIN THE PRESENTATION 1056 01:06:38,828 --> 01:06:43,038 WITH THE ANNOUNCEMENT OF THE 1999 PROM KING. 1057 01:06:43,132 --> 01:06:46,409 - WHOO! THAT'S WHAT I'M TALKING ABOUT! 1058 01:06:48,971 --> 01:06:55,286 - AND NOW FOR THE 1999 PROM QUEEN. 1059 01:07:47,329 --> 01:07:50,037 - AS THE DYING DAYS OF HIGH SCHOOL LOOM, 1060 01:07:50,132 --> 01:07:55,514 THE ILLUSION OF ATEEN UTOPIA COMES CRASHING DOWN. 1061 01:07:55,571 --> 01:07:56,208 - YOU WANT A BEER? 1062 01:07:56,305 --> 01:07:58,342 - AS QUICKLY AS THEY WERE ASKED TO FIT IN, 1063 01:07:58,407 --> 01:08:02,856 ADOLESCENTS ARE ORDERED TO MOVE ON. 1064 01:08:02,912 --> 01:08:04,516 - TRIP McNEELY! 1065 01:08:04,580 --> 01:08:05,854 TRIP McNEELY. 1066 01:08:05,915 --> 01:08:06,757 - NO WAY, MAN. 1067 01:08:06,849 --> 01:08:10,160 - TRIP McNEELY. - TRIP McNEELY! 1068 01:08:10,219 --> 01:08:12,096 GEEZ. 1069 01:08:12,188 --> 01:08:14,168 YOU WERE A SEXUAL ICON. 1070 01:08:14,223 --> 01:08:18,069 YOU KNOW, GIRLS AT HUNTINGDON STILL TALK ABOUT YOU. 1071 01:08:18,160 --> 01:08:20,037 - REALLY? 1072 01:08:20,096 --> 01:08:20,699 WHICH ONES? 1073 01:08:20,763 --> 01:08:24,074 - YOU MUST BE RACKING UP AT COLLEGE. COLLEGE. 1074 01:08:24,166 --> 01:08:27,841 - I WISH, BRO. lCAN'T EVEN GET DIGITS AS A FRESHMAN. 1075 01:08:27,903 --> 01:08:28,438 - SHUT UP! 1076 01:08:28,537 --> 01:08:31,347 COME ON, YOU CAN TELL ME. 1077 01:08:31,407 --> 01:08:32,215 - SERIOUSLY, MAN. 1078 01:08:32,274 --> 01:08:36,586 I THOUGHT COLLEGE WAS GONNA BE A 24/7 ORGY. 1079 01:08:38,114 --> 01:08:39,752 - S-SO, WHAT HAPPENED? 1080 01:08:40,850 --> 01:08:44,662 COLLEGE CHICKS ARE TOTALLY DIFFERENT, BRO. 1081 01:08:44,720 --> 01:08:48,361 THEY'RE ALL SERIOUS AND SHIT. 1082 01:08:48,424 --> 01:08:53,601 THEY ALL TALK ABOUT WORLD ISSUES AND ECO-MOLOGICAL CRAP. 1083 01:08:53,696 --> 01:08:57,007 THEY ALL WANT TO DATE OLDER GUYS. 1084 01:08:58,934 --> 01:09:01,039 - YEAH, BUT... 1085 01:09:01,103 --> 01:09:02,776 NOT ALL OF THEM, RIGHT? 1086 01:09:02,872 --> 01:09:04,510 - THE WAY IT GOES. 1087 01:09:04,573 --> 01:09:09,545 GUYS LIKE US, WE ARE A DIME A DOZEN. 1088 01:09:11,380 --> 01:09:15,419 - FAIL TO RE-ASSERT THEMSELVES AS INDIVIDUALS, 1089 01:09:15,484 --> 01:09:19,955 AND THEY'LL BE LEFT TO A LIFE OF EMPTY FANTASY. 1090 01:09:20,055 --> 01:09:22,592 - TAKE IT EASY, TRIP! 1091 01:09:22,658 --> 01:09:24,194 TRIP McNEELY! 1092 01:09:24,293 --> 01:09:26,933 ALL RIGHT. 1093 01:09:34,770 --> 01:09:36,477 - LN "DISTURBING BEHAVIOR," 1094 01:09:36,572 --> 01:09:39,178 BRAINWASHED STUDENTS BECOME LOCKED 1095 01:09:39,241 --> 01:09:41,517 IN AN INFINITE LOOP OF HIGH-SCHOOL ROUTINE, 1096 01:09:41,577 --> 01:09:47,892 UNABLE TO MOVE PAST THEIR TEEN IDENTITIES TOWARDS ADULTHOOD. 1097 01:09:47,950 --> 01:09:50,590 HIDDEN AWAY IN A REMOTE ASYLUM, 1098 01:09:50,653 --> 01:09:53,463 THEY LIVE OUT A PERVERSE NIGHTMARE 1099 01:09:53,522 --> 01:09:56,469 OF INDEFINITE ADOLESCENCE. 1100 01:09:56,525 --> 01:09:57,868 - YOU'RE PRE Y. 1101 01:09:57,960 --> 01:09:59,837 AND... 1102 01:09:59,929 --> 01:10:00,532 DO IT. 1103 01:10:00,596 --> 01:10:02,439 - THIS IS THE LIFE THAT AWAITS THOSE 1104 01:10:02,498 --> 01:10:05,968 WHO FAIL TO SHAKE OFF THE TRAPPINGS OF YOUTH. 1105 01:10:07,102 --> 01:10:13,075 - THIS IS THE FATE OF THE PERPETUAL TEEN. 1106 01:10:13,442 --> 01:10:17,913 - SOCIAL MISFIT JENNA IS WELL AWARE OF THIS DANGER 1107 01:10:17,980 --> 01:10:19,482 IN "13 GOING ON 30," 1108 01:10:19,548 --> 01:10:22,688 AND THOUGH SHE'S BARELY ENTERED HER TEEN YEARS, 1109 01:10:22,785 --> 01:10:24,822 SHE'S ALREADY EAGER TO MOVE ON. 1110 01:10:24,887 --> 01:10:29,165 BEST FRIEND MAI I Y, MEANWHILE, IS HAPPY TO STAY PUT. 1111 01:10:29,225 --> 01:10:30,704 - WANT SOME RAZZLES? 1112 01:10:30,793 --> 01:10:32,466 - RAZZLES ARE FOR KIDS. 1113 01:10:32,528 --> 01:10:35,372 - EXACTLY. 1114 01:10:35,464 --> 01:10:37,444 - I WANNA BE 30! 1115 01:10:37,499 --> 01:10:38,341 - JENNA'S WISH COMES TRUE 1116 01:10:38,400 --> 01:10:41,938 AS SHE'S SENT MIRACULOUSLY FORWARD THROUGH TIME 1117 01:10:42,037 --> 01:10:42,913 TO HER 30th YEAR, 1118 01:10:43,005 --> 01:10:46,111 WHERE SHE FINDS HERSELF A SUCCESSFUL, 1119 01:10:46,175 --> 01:10:51,682 POPULAR, AND FIERCELY INDEPENDENT WOMAN. 1120 01:10:53,716 --> 01:10:56,697 - MOM? 1121 01:10:59,221 --> 01:11:02,168 DAD? 1122 01:11:12,601 --> 01:11:13,306 WH OA! 1123 01:11:13,402 --> 01:11:15,848 - DISORIENTED BY THE TRANSFORMATION, 1124 01:11:15,904 --> 01:11:20,444 SHE FRANTICALLY TRACKS DOWN THE REMNANTS OF HER TEEN YEARS, 1125 01:11:20,542 --> 01:11:21,577 INCLUDING MAI I Y. 1126 01:11:21,677 --> 01:11:26,023 TRUE TO HIS WORD, HE CONTINUES TO PRACTICE THE SAME HOBBIES, 1127 01:11:26,081 --> 01:11:26,889 LISTEN TO THE SAME MUSIC, 1128 01:11:26,949 --> 01:11:30,453 AND FOLLOW THE SAME FASHIONS HE DID AS AN ADOLESCENT. 1129 01:11:30,552 --> 01:11:32,395 - HEY, JENNA. WHY ARE YOU HERE? 1130 01:11:32,454 --> 01:11:35,128 - I WAS SITTING IN MY CLOSET, 1131 01:11:35,224 --> 01:11:38,034 AND I-l... l SKIPPED EVERYTHING. 1132 01:11:38,093 --> 01:11:39,629 I MEAN, IT'S LIKE A WEIRD DREAM. 1133 01:11:39,728 --> 01:11:41,071 I-I CAN'T REMEMBER MY LIFE. 1134 01:11:41,130 --> 01:11:43,508 YOU NEED TO HELP ME REMEMBER MY LIFE. 1135 01:11:43,599 --> 01:11:44,737 - ME'? - YES. 1136 01:11:44,800 --> 01:11:46,074 - I CAN'T DO THAT. - WHY NOT? 1137 01:11:46,802 --> 01:11:48,975 I DON'T KNOW ANYTHING ABOUT YOU, ALL RIGHT? 1138 01:11:49,071 --> 01:11:52,518 I HAVEN'T SEEN YOU SINCE HIGH SCHOOL. 1139 01:11:53,475 --> 01:11:53,953 - WHAT? 1140 01:11:54,043 --> 01:11:56,580 - WE'RE NOT FRIENDS ANYMORE, JENNA. 1141 01:11:56,645 --> 01:12:01,025 - FINDING COMFORT IN THE CONTINUITY OF MAI I Y'S LIFE, 1142 01:12:01,116 --> 01:12:04,928 JENNA, TOO, ATTEMPTS TO RESUME HER CHILDHOOD IDENTITY, 1143 01:12:04,987 --> 01:12:08,366 MUCH TO THE DELIGHT OF HER FORMER FRIEND. 1144 01:12:08,457 --> 01:12:11,495 TOGETHER, THEY ENACT A WARPED ADULT SIMULATION 1145 01:12:11,593 --> 01:12:13,595 OF THEIR TEENAGE LIVES. 1146 01:12:13,662 --> 01:12:16,973 - YOU WHAT I WISH I HAD RIGHT NOW? 1147 01:12:17,066 --> 01:12:18,909 - NO. WHAT'? 1148 01:12:18,967 --> 01:12:20,969 - RAZZLES. 1149 01:12:21,070 --> 01:12:22,674 - RAZZLES? 1150 01:12:22,738 --> 01:12:26,379 - THIS UNCOMPLICATED VISION OF GROWN-UP LIFE 1151 01:12:26,442 --> 01:12:28,581 SEEMS FAR MORE APPEALING TO JENNA, 1152 01:12:28,644 --> 01:12:31,625 AND SHE SETS OUT TO MAKE SURE IT'S FOR GOOD, 1153 01:12:31,680 --> 01:12:33,682 BY RETREATING INTO THE PAST... 1154 01:12:33,782 --> 01:12:34,590 - MA'l'l'Y! 1155 01:12:34,650 --> 01:12:36,357 - DIVING INTO THE ARMS OF MAI I Y, 1156 01:12:36,452 --> 01:12:39,922 AND SHUNNING THE POPULAR GIRLS ONCE AND FOR ALL. 1157 01:12:39,988 --> 01:12:41,262 - BIATGH. 1158 01:12:41,323 --> 01:12:42,927 - BACK IN THE PRESENT DAY, 1159 01:12:42,991 --> 01:12:45,528 JENNA NOW LIVES AS AN ETERNAL TEENAGER, 1160 01:12:45,627 --> 01:12:50,406 TRAPPED INSIDE THE BODY OF A 30-YEAR-OLD WOMAN. 1161 01:12:50,466 --> 01:12:53,242 ABANDONING THE CAREER AND INDEPENDENCE 1162 01:12:53,302 --> 01:12:54,337 SHE FOUGHT SO HARD TO ACQUIRE, 1163 01:12:54,436 --> 01:12:58,282 SHE LIVES OUT AN IMPOSSIBLE CHILDHOOD FANTASY OF ADULTHOOD, 1164 01:12:58,340 --> 01:13:01,514 COMPLETE WITH HER HIGH-SCHOOL ADMIRER IN TOW 1165 01:13:01,610 --> 01:13:05,581 AND A LIFE-SIZE DOLLHOUSE FOR A HOME. 1166 01:13:05,647 --> 01:13:07,456 - RAZZLE, MR. FLAMHAFF? 1167 01:13:07,516 --> 01:13:10,656 - THANK YOU, MRS. FLAMHAFF. 1168 01:13:17,626 --> 01:13:19,003 - THE MECHANICS OF HIGH SCHOOL... 1169 01:13:19,061 --> 01:13:22,941 SWEETHEARTS, CLIQUES, AND HAPPILY EVER AFFERS... 1170 01:13:23,031 --> 01:13:26,137 CAN NEVER BE SQUARED WITH ADULTHOOD. 1171 01:13:26,201 --> 01:13:27,373 - I RENTED THE LIMO. 1172 01:13:27,469 --> 01:13:28,914 I GET TO BE THE GUY. 1173 01:13:28,971 --> 01:13:30,143 - YEAH? 1174 01:13:30,706 --> 01:13:34,483 - SO I GUESS THAT MAKES ME THE GIRL, '? 1175 01:13:34,543 --> 01:13:35,214 - RIGHT. 1176 01:13:35,310 --> 01:13:36,186 - IN "DRIVE ME CRAZY," 1177 01:13:36,245 --> 01:13:38,225 CHILDHOOD FRIENDS CHASE AND NICOLE 1178 01:13:38,547 --> 01:13:41,551 FINALLY UNITE AT THEIR SENIOR PROM, 1179 01:13:41,650 --> 01:13:45,928 AFTER YEARS OF UNFULFILLED FLIRTATION. 1180 01:13:50,025 --> 01:13:53,370 THEY LOOK FORWARD TO AN ETERNITY TOGETHER, 1181 01:13:53,429 --> 01:13:57,878 A NOTION THAT SOON BECOMES ALL TOO TERRIFYINGLY REAL. 1182 01:13:59,368 --> 01:14:00,813 - MOM'.7! 1183 01:14:00,869 --> 01:14:01,745 - Ol-|. 1184 01:14:01,837 --> 01:14:06,843 WELL, THAT MUST'VE BEEN AN INTERESTING EVENING. 1185 01:14:06,909 --> 01:14:08,286 - DAD. 1186 01:14:08,377 --> 01:14:10,823 - CHASE.... 1187 01:14:10,879 --> 01:14:13,223 -ol-|. 1188 01:14:13,282 --> 01:14:16,092 - SHOULD WE TELL THEM? - YEAH. 1189 01:14:17,886 --> 01:14:21,060 - WE'RE MOVING IN TOGETHER. - YEAH. 1190 01:14:23,792 --> 01:14:26,102 - AT THIS DECISIVE CROSSROADS, 1191 01:14:26,195 --> 01:14:29,506 MAKING A CLEAN BREAK IS ESSENTIAL. 1192 01:14:29,565 --> 01:14:31,169 - IT IS YOU. 1193 01:14:31,233 --> 01:14:32,337 I DON'T BELIEVE IT. 1194 01:14:32,401 --> 01:14:33,436 - IN "BOYS AND cums," 1195 01:14:33,535 --> 01:14:35,173 FELLOW HIGH SGHOOLERS JENNIFER AND RYAN 1196 01:14:35,237 --> 01:14:39,117 ARE SURPRISED TO FIND THEMSELVES REUNITED AT COLLEGE. 1197 01:14:39,208 --> 01:14:42,712 THEY BOTH EMBARK UPON A FRESH CHAPTER IN THEIR LIVES, 1198 01:14:42,778 --> 01:14:45,952 BUT WHILE SHE MAKES THE MOST OF HER NEWFOUND FREEDOM, 1199 01:14:46,048 --> 01:14:48,358 HE REMAINS TIED TO HIS TEENAGE PAST. 1200 01:14:48,417 --> 01:14:52,058 - I LOVE YOU. - I LOVE YOU. 1201 01:14:52,120 --> 01:14:54,999 - SO, IS SHE YOUR HIGH-SCHOOL SWEETHEART? 1202 01:14:55,090 --> 01:14:57,798 - AS A MATTER OF FACT, SHE IS. 1203 01:14:57,893 --> 01:14:59,497 - GOOD FOR YOU. 1204 01:14:59,561 --> 01:15:01,700 WHERE IS SHE GOING TO SCHOOL'? 1205 01:15:01,763 --> 01:15:03,037 - SEATl'LE. 1206 01:15:03,098 --> 01:15:03,906 - Ol-|. 1207 01:15:03,966 --> 01:15:06,105 LONG DISTANCE. 1208 01:15:06,168 --> 01:15:07,545 - 50? 1209 01:15:07,636 --> 01:15:08,410 - GOOD LUCK. 1210 01:15:08,470 --> 01:15:09,244 - WE DON'T NEED LUCK. 1211 01:15:09,304 --> 01:15:10,840 WE HAVE A VERY STRONG RELATIONSHIP. 1212 01:15:10,939 --> 01:15:13,920 WE WEREN'T TOGETHER OVER THE SUMMER, AND EVERYTHING WAS FINE. 1213 01:15:13,976 --> 01:15:17,355 - WHEN RYAN'S DREAMS OF ROMANTIC HARMONY 1214 01:15:17,446 --> 01:15:19,824 COME CRASHING DOWN AROUND HIM, 1215 01:15:19,915 --> 01:15:20,893 HE STRUGGLES TO MOVE ON, 1216 01:15:20,949 --> 01:15:25,125 FRUSTRATED BY THE FAILURE OF HIS BLUEPRINT FOR HAPPINESS. 1217 01:15:25,187 --> 01:15:28,168 - YOU KNOW THE ONLY WAY TO BUILD SOMETHING THAT AWESOME? 1218 01:15:28,257 --> 01:15:31,636 - ALIEN SLAVES FROM OUTER SPACE? 1219 01:15:31,693 --> 01:15:33,536 - PERFECT PLANNING. - ol-|. 1220 01:15:33,629 --> 01:15:35,404 - DOESN'T IT MAKE SO MUCH SENSE? 1221 01:15:35,464 --> 01:15:38,468 YOU EXAMINE A SITUATION. YOU PLAN A COURSE OF ACTION. 1222 01:15:38,534 --> 01:15:40,912 YOU EXECUTE IT. 1223 01:15:41,003 --> 01:15:44,314 AND EVERYTHING WORKS OUT FINE. 1224 01:15:45,340 --> 01:15:46,045 BUT IT DOESN'T. 1225 01:15:46,141 --> 01:15:50,749 - HE REJECTS EACH NEW OPPORTUNITY THAT COMES HIS WAY... 1226 01:15:50,812 --> 01:15:52,689 - YOU WANT TO SIT DOWN? 1227 01:15:52,781 --> 01:15:55,091 - SURE! SURE. 1228 01:15:55,150 --> 01:15:57,926 BUT, ACTUALLY, I WAS... I WAS JUST LEAVING. 1229 01:15:57,986 --> 01:16:00,865 - DESPERATE TO RECLAIM THE HIGH-SCHOOL ROMANCE 1230 01:16:00,956 --> 01:16:03,232 THAT HE THINKS COMPLETED HIM. 1231 01:16:03,292 --> 01:16:05,829 - THERE WAS THIS GIRL AT THE PARTY THE OTHER NIGHT 1232 01:16:05,894 --> 01:16:07,100 - AGIRLGIRL'.7 1233 01:16:07,195 --> 01:16:08,833 YOU DIDN'T TELL ME. 1234 01:16:08,897 --> 01:16:11,434 - I JUST BLEW HER OFF. 1235 01:16:11,533 --> 01:16:13,672 - WHY? 1236 01:16:13,735 --> 01:16:15,009 - I DON'T KNOW. 1237 01:16:15,070 --> 01:16:17,016 - EAGER TO HELP HEAL HIS WOUNDS, 1238 01:16:17,072 --> 01:16:22,078 JENNIFER TURNS TO A RELIABLE SOURCE OF EXPERTISE... 1239 01:16:22,177 --> 01:16:24,851 TEEN MOVIES. 1240 01:16:24,913 --> 01:16:25,516 IT'S THERE, 1241 01:16:25,581 --> 01:16:29,085 IN THE COMFORTABLE FICTION OF THE TEENAGE HAPPY ENDING, 1242 01:16:29,184 --> 01:16:30,788 THAT SHE FINDS HER ANSWERS. 1243 01:16:30,852 --> 01:16:33,958 - I MEAN, IT'S SUCH A LOT OF BULLSHIT. 1244 01:16:34,022 --> 01:16:34,830 - BULLSHIT? 1245 01:16:34,890 --> 01:16:35,698 - JUST SHOW ME A MOVIE 1246 01:16:35,757 --> 01:16:37,759 THAT TAKES PLACE SIX MONTHS AFTERTHEY GET TOGETHER, 1247 01:16:37,859 --> 01:16:40,863 YOU KNOW, WHEN EVERYTHING STARTS FALLING APART. 1248 01:16:40,929 --> 01:16:41,464 - JENNIFER. 1249 01:16:41,563 --> 01:16:42,837 - IT'S JUST THAT I DON'T THINK 1250 01:16:42,898 --> 01:16:45,003 THAT ANY OF US KNOW WHO WE REALLY ARE, 1251 01:16:45,067 --> 01:16:49,675 SO HOW ARE WE SUPPOSED TO KNOW WHO MR. RIGHT IS'? 1252 01:16:57,412 --> 01:17:01,554 - IF THEY'RE EVER TO MAKE SENSE OF THE WIDER WORLD, 1253 01:17:01,617 --> 01:17:04,291 OVERGROWN ADOLESCENTS LIKE RYAN 1254 01:17:04,386 --> 01:17:08,061 MUST SEVER THEIR HIGH-SCHOOL ATTACHMENTS 1255 01:17:08,123 --> 01:17:13,937 AND FIRST MAKE SENSE OF THEMSELVES. 1256 01:19:15,383 --> 01:19:17,863 I CAN BE WHOEVER I WANT TO BE. 1257 01:19:17,919 --> 01:19:21,128 I DON'T HAVE TO DRESS FOR ANYONE. 1258 01:19:21,223 --> 01:19:23,328 I DON'T HAVE TO LOOK LIKE ANYONE. 1259 01:19:23,391 --> 01:19:24,870 I CAN DO ANYTHING. 1260 01:19:24,926 --> 01:19:27,600 I CAN JUST BE MYSELF! 1261 01:20:02,297 --> 01:20:06,439 - AS THE CURTAIN FALLS ON THEIR HIGH-SCHOOL ODYSSEY, 1262 01:20:06,535 --> 01:20:09,516 TEENS COME TOGETHER ONE LAST TIME, 1263 01:20:09,571 --> 01:20:13,246 UNITED BY THE JOURNEY BEHIND THEM. 1264 01:20:13,308 --> 01:20:17,654 SIDE-BY-SIDE, THEY FOUND THEIR SEAT AT THE GAFEFERIA TABLE, 1265 01:20:17,746 --> 01:20:22,752 GIVING THEMSELVES OVER TO THE POWER OF THE CLIQUES. 1266 01:20:22,818 --> 01:20:28,860 COMPELLED BY STRANGE NEW URGES, THEY SURRENDERED TO DESIRE 1267 01:20:28,957 --> 01:20:33,337 AS THEIR CHANGING BODIES TOOK CONTROL. 1268 01:20:33,428 --> 01:20:38,741 THEY LOST TOUCH WITH REALITY AND PAID THE PRICE. 1269 01:20:38,800 --> 01:20:41,440 BUT IN THE FACE OF A HARSH SYSTEM, 1270 01:20:41,503 --> 01:20:43,380 THEY FOUGHT TO REDISCOVER WHAT WAS ONCE THEIRS. 1271 01:20:43,471 --> 01:20:48,784 AND LAID THE GROUNDWORK FOR A LIFE BEYOND HIGH SCHOOL. 1272 01:20:48,844 --> 01:20:52,792 - GOOD AFTERNOON, CLASSMATES AND INVITED GUESTS. 1273 01:20:52,848 --> 01:20:56,193 TODAY, WE MARK THE END OF OUR INFANCY, 1274 01:20:56,284 --> 01:20:58,321 THE END OF OUR CHILDHOOD, 1275 01:20:58,420 --> 01:21:01,799 THE END OUR BEGINNING. 1276 01:21:01,857 --> 01:21:04,463 - TODAY, THEY TAKE A BOW. 1277 01:21:04,526 --> 01:21:08,474 TOMORROW, THE SHOW COMES TO A CLOSE. 1278 01:21:08,530 --> 01:21:11,374 - I WANT YOU TO TRY TO ENJOY THIS DAY. 1279 01:21:11,466 --> 01:21:16,609 COMMENCEMENT... THE END OF ONE THING, 1280 01:21:16,671 --> 01:21:19,117 THE START OF SOMETHING NEW. 1281 01:21:19,174 --> 01:21:19,811 - IN "SPIDER-MAN," 1282 01:21:19,875 --> 01:21:23,413 THE AMAZING POWERS OF TEENAGE LONER PETER 1283 01:21:23,511 --> 01:21:26,890 SEE HIM ISOLATED FROM HIS PEERS. 1284 01:21:36,558 --> 01:21:39,903 - JESUS, PARKER, YOU ARE A FREAK. 1285 01:21:39,995 --> 01:21:43,772 - EAGER TO BLEND IN, HE HIDES THEM FROM VIEW. 1286 01:21:43,832 --> 01:21:47,712 - WHAT DO YOU SEE COMING FOR YOU? 1287 01:21:49,170 --> 01:21:49,807 - I DON'T KNOW. 1288 01:21:49,871 --> 01:21:55,514 - ONLY IN ADULTHOOD IS HE FREE TO EMBRACE THE ABNORMALITIES 1289 01:21:55,577 --> 01:21:59,457 THAT MAKE HIM WHO HE REALLY IS. 1290 01:21:59,547 --> 01:22:03,085 WITH HIS TRANSFORMATION INTO A MASKED SUPERHERO, 1291 01:22:03,184 --> 01:22:05,824 HE AT LAST SHOWS THE WORLD HIS TRUE FACE, 1292 01:22:05,887 --> 01:22:11,667 LEITING HIS GUARD DOWN AND REVEALING HIS POWERS... 1293 01:22:13,895 --> 01:22:18,037 AND HIS DESIRES. 1294 01:22:18,099 --> 01:22:20,238 IN HIGH SCHOOL, HE PLAYED A ROLE, 1295 01:22:20,335 --> 01:22:24,340 MUTATING HIMSELF INTO SOMEONE CAPABLE OF SURVIVING 1296 01:22:24,406 --> 01:22:25,282 THE ADOLESCENT EXPERIENCE. 1297 01:22:25,373 --> 01:22:30,823 - SOME SPIDERS CHANGE COLORS TO BLEND INTO THEIR ENVIRONMENT. 1298 01:22:30,879 --> 01:22:34,918 IT'S A DEFENSE MECHANISM. - PEl'ER. 1299 01:22:39,254 --> 01:22:45,205 - BEYOND THAT, HE CAN LEAVE THE SCRIPT BEHIND. 1300 01:23:19,260 --> 01:23:21,103 - SHE KNOWS EVERYTHING ABOUT EVERYONE 1301 01:23:21,162 --> 01:23:23,938 SHE'S THE STAR, SHE'S THE ONLY ONE TO BELONG 1302 01:23:23,999 --> 01:23:25,979 SHE FEELS BAD FOR YOU THAT YOU DON'T COMPARE 1303 01:23:26,067 --> 01:23:29,571 SHE KNOWS IT'S HARD WHEN SHE SEES, SHE SEES YOU STARE 1304 01:23:29,637 --> 01:23:31,344 SHE'S A SYMBOL OF THE TURNING WORLD 1305 01:23:31,439 --> 01:23:34,420 SHE THINKS EVERYBODY'S IN LOVE WITH HER 1306 01:23:34,476 --> 01:23:37,013 SHE'S A STONE-COLD FOX 1307 01:23:37,112 --> 01:23:38,785 SHE'S A STONE-COLD FOX 1308 01:23:38,847 --> 01:23:43,887 AND THE TREES, LIKE LUNGS, FILLING UP WITH AIR 1309 01:23:43,985 --> 01:23:48,866 MY SISTER, THE MEAN ONE, PULLING MY HAIR 1310 01:23:48,957 --> 01:23:53,929 AND THOSE GIRLS, THEY WERE JUST WOMEN IN DISGUISE 1311 01:23:53,995 --> 01:23:58,273 THEY UNDERSTOOD IT ALL, THERE WAS DARKNESS AND PAIN 1312 01:23:58,333 --> 01:23:59,937 IN THEIR EYES 1313 01:24:00,001 --> 01:24:02,345 IT ONLY MATTERS THAT WE LOVED THEM 1314 01:24:02,437 --> 01:24:05,077 IT ONLY MATTERS THAT WE LOVED THEM 1315 01:24:05,140 --> 01:24:09,611 IT ONLY MATTERS THAT WE LOVED THEM 1316 01:24:09,677 --> 01:24:12,851 HE'S FIT, BUT HE'S A WASTE OF YEARBOOK SPACE 1317 01:24:12,947 --> 01:24:14,722 AN INSTITUTION IN THIS PLACE 1318 01:24:14,783 --> 01:24:16,990 HIS SOUL IS AN ISLAND, HIS CAR IS A FORD 1319 01:24:17,052 --> 01:24:20,261 HE'S CLASS PRESIDENT, HE CAN'T BE IGNORED 1320 01:24:20,355 --> 01:24:21,493 HE CAN'T EAT, HE CAN'T SLEEP 1321 01:24:21,556 --> 01:24:25,094 'CAUSE HE THINKS THAT HE'S IN LOVE WITH HER 1322 01:24:25,193 --> 01:24:27,298 HE'S THE BRAVEST 1323 01:24:27,362 --> 01:24:29,740 HE'S THE BEST-EST 1324 01:24:29,831 --> 01:24:31,640 AND AS ABOVE, SO BELOW 1325 01:24:31,699 --> 01:24:34,543 THE WORLD SPINS, NO PLACE LEI-T TO GO 1326 01:24:34,636 --> 01:24:39,244 AS BOYS BECAME MEN, YEAH, THEY WANTED IT SO 1327 01:24:39,307 --> 01:24:44,188 AND THEY HAD IT ALL LAID OUT RIGHT BEFORE THEIR EYES 1328 01:24:44,245 --> 01:24:50,355 WHEN NIGHT COMES, THE DARKNESS PROVED A SAD DISGUISE 1329 01:24:50,418 --> 01:24:52,955 IT ONLY MATTERS THAT THEY LOVED US 1330 01:24:53,054 --> 01:24:55,557 IT ONLY MATTERS THAT THEY LOVED US 1331 01:24:55,657 --> 01:25:00,333 IT ONLY MATTERS THAT THEY LOVED US 1332 01:25:00,395 --> 01:25:03,035 IT ONLY MATTERS THAT THEY LOVED US 1333 01:25:03,098 --> 01:25:05,476 IT ONLY MATTERS THAT THEY LOVED US 1334 01:25:05,567 --> 01:25:13,110 IT ONLY MATTERS THAT THEY LOVED US 1335 01:25:13,208 --> 01:25:18,180 - IT ONLY MATTERS THAT WE LOVED THEM 1336 01:25:18,246 --> 01:25:20,783 - IT ONLY MATTERS THAT WE LOVED THEM 1337 01:25:20,882 --> 01:25:23,385 - I WILL REMEMBER YOU 1338 01:25:23,451 --> 01:25:25,727 - IT ONLY MATTERS THAT WE LOVED THEM 1339 01:25:25,787 --> 01:25:28,461 - I WILL REMEMBER YOU 1340 01:25:28,556 --> 01:25:31,002 - IT ONLY MATTERS THAT WE LOVED THEM 1341 01:25:31,059 --> 01:25:33,596 - I WILL REMEMBER YOU 1342 01:25:33,695 --> 01:25:36,005 - IT ONLY MATTERS THAT WE LOVED THEM 1343 01:25:36,064 --> 01:25:38,670 - I WILL REMEMBER YOU 1344 01:25:38,733 --> 01:25:44,615 - IT ONLY MATTERS THAT WE LOVED THEM 1345 01:25:48,743 --> 01:25:52,885 [SUMMER CAMP'S "WHATEVER" PLAYS 1 1346 01:26:26,014 --> 01:26:29,894 AHHHHH 1347 01:26:34,322 --> 01:26:38,134 AHHHHH 1348 01:26:42,530 --> 01:26:46,376 AHHHHH 1349 01:26:50,872 --> 01:26:55,548 AHHHHH 1350 01:28:21,963 --> 01:28:25,740 AHHHHH 1351 01:28:30,405 --> 01:28:34,012 AHHHHH 1352 01:28:38,413 --> 01:28:42,259 AHHHHH 1353 01:28:46,921 --> 01:28:52,599 AHHHHH