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* (sinister music)
(lighter clicks)
* (sinister music)
(tattoo needle buzzing)
* (sinister music)
(thunking sound)
* (jaunty jazz music)
(traffic sounds & birds chirping)
(rapid drumbeat music)
(siren wailing)
(cell phone rings)
- Hello?
Yes.
Hassan?
Yes.
Yes?
No, I am here.
OK.
One hour.
Yes.
OK.
No, no...I am here. I know.
(plop & fizz)
- Where do you want to go my friend?
- Berlin...Germany.
With my daughter.
- How old is she? - Nine.
- You can walk...to Vienna through Skopje.
This will cost you 1200 euros.
There I will give you a contact number.
He will take care of you.
(speaking Arabic)
- My cousin is in prison there,
I don't want to go. Other...
- I have a truck.
We'll get you to Patras Port.
You will get inside the boat...
You go Italy, and then you continue to Germany.
This is 4000 euros.
(speaking Arabic)
- Something other... I don't know...
- Another way is the secure van...
will get you to a secure point.
You will find a sailing boat. It's a private.
It will be you and another nine people.
It will get you to Italy and then Germany.
8000 euros.
- This money is all the money in my life, OK?
I have my little daughter, it's too dangerous to go
with the boat. 8000 euros for the boat, I have
never heard. In Greece every day,
the people, they die....
It's not right...it's too dangerous with a little child.
I have not...other, other.
- The last solution is the plane.
Fresh passports, original... in the market.
And two escorts for your daughter...
a man and a woman.
- You have passport for me?
- Original. This will cost you 8000 euros.
- And is it secure? Is it safe to go?
- It's very safe. You go direct.
Anyways, you have 5 tries.
If you don't go from the first time,
you go from the second time.
This is the last solution.
- OK.
OK.
- You go to Aasif's Mini Market.
- You put the money there.
He will give you a password.
When you get to Berlin, you send me this password.
By SMS.
Then I will collect the money from Aasif.
- OK.
* (faint pop music playing in background)
* (jaunty jazz music)
* (upbeat jazz music) (voiceovers)
* (upbeat jazz music)
(moped accelerating)
(dog barking in distance)
(bag rustling)
(moped starts)
(lighter clicks)
(bag rustling)
(city street sounds)
- Hello.
- Hello, good morning!
- I'm here to see Aasif.
- Your name, please?
- Tarek.
* (Middle Eastern music playing in background)
(beads jingling)
- You're welcome! - Hello.
- Aasif. - Tarek.
- You want to go to Berlin?
- Yes, yes.
- You deposit the money here.
- Yes.
8000. - 8000.
- OK, OK.
- I give you a file number, you give me a password.
OK...so, um... the password...
Eh...when I arrive in Berlin,
I call Hassan and uh...
he collect the money, yes?
- Yes. - OK.
Uh...I give you the money now?
- 8000.
OK.
(cash rustling)
- So...everybody say you are good man and uh...
to trust you and... everybody knows your name.
Hassan told me you are good.
From Aleppo to Istanbul, everybody...
say Aasif is good man, yes?
- Thank you, thank you very much.
(drawer slides open)
Good luck!
Be careful son. - Yes. OK.
Thank you.
(city street sounds)
(car whooshes past)
* (jaunty jazz music)
(tires squeal)
* (jaunty jazz music)
* (gentle nursery music)
(Achilleas humming)
- Hey! - Hello.
Photo? For passport?
Welcome! This way!
* (gentle nursery music)
Amerika Square...
the Vivendo of Athens.
Everybody used to come here,
everybody knew everybody else.
And Maria Callas...
she used to live around the corner from here.
Where are you from?
- I'm from Syria. - From Syria?
OK...ready?
- OK. - OK.
(shutter clicks) (Tarek speaking Arabic)
(cutter squeaking)
(Achilleas humming)
(cutter squeaking)
(Achilleas humming)
(cutter squeaking)
- There you are!
No, leave it leave it.
Leave it.
* (gentle nursery music)
(tattoo needle buzzing)
(cell phone rings)
(tattoo needle buzzing)
* (sinister music)
(tattoo needle buzzing)
* (sinister music)
- Refuse to sink.
(object slapping down on table)
(tattoo gun buzzing)
(envelope rustling)
- My friend, the passports and the tickets.
- OK.
- So this is Burhan and Fatma.
You will go together to the airport tonight by car.
To Kalamata, OK?
- Not from here?
- No, because it's a high risk here.
There are secret agents, they will stop you for sure
if they see the tickets and the passports.
(speaking Arabic)
- When you get to the airport,
they will escort your daughter.
You have to be separate from your daughter.
- But...I cannot leave Maya...alone.
It's not possible.
- It will be OK. We've done it many times.
(speaking Arabic)
- So...we will not talk again until you get to Italy.
- Italy?
It's not to Germany?
- My friend, we have to do one stop.
Because as I told you there are secret agents here--
No wait, wait, wait; we talked to take one plane to Berlin.
Now you tell me we go to Italy? But why?
No, no, no, no, no...
- If you don't have confidence you
will not make it. You have to believe me.
You have to get to Italy first; one stop.
It's very high risk.
(Tarek sighs heavily)
(envelope rustling)
(speaking in Arabic)
* (suspenseful music)
- It's been a while since I could
just walk around freely.
Without having to listen or imagine a bullet
hunting me.
I used to believe in borders...
but not anymore.
Now...
I believe borders are business.
A big business that makes lots of money.
Like war does.
I've seen a lot of money during the war.
More money than I've ever seen
in my whole life.
Foreign money and our money.
Money everywhere.
Lots of borders too.
Borders within borders.
Turkey is a border ...business.
The Aegean Sea is a border, business.
Athens is a border, business.
Victoria Square, more business.
And businesses need constant supplies of products.
What products?
People...like myself and Maya.
* (sinister music)
(moped buzzing) * (sinister music)
(coins spilling)
(city street sounds)
(motorbike buzzing)
(smack)
(box crumpling)
*
* (indistinct chatter)
- [Tarek These people think we came to stay.
They think we came here to take over their squares
and squat their benches.
Some of them think we came from places
where things are human-like...
well like they are here anyways.
They think we became humans the moment
we set foot in their squares.
I'm sure they didn't even care about the
squares before we arrived and started
sleeping on their benches.
They get greedy when they see us...
how many of us there are ... how much in need we are.
Seeing a person in need ...makes them greedy.
Firstly evil.
All of the sudden, they love their squares again,
and want to sit on the benches that they
abandoned long ago.
* (sinister music)
(Nakos voiceover)
* (sinister music)
(city street sounds)
(chair rattles)
(tattoo gun buzzing)
* ("Sinnerman" beat plays)
* (singing) Oh sinnerman
* Where you gonna run to?
* Sinnerman
* Where you gonna run to?
* Sinnerman
* Where you gonna run to?
*(faint music heard beyond door)
(knocking on door)
*
* (singing) Please hide me, I run to the rock
* Please hide me, Lord
* All on that day
* But the rock cried out
* Ain't gonna hide you
* The rock cried out
* Ain't gonna hide you
* The rock cried out
(Billy voiceover & music)
* (singing) Lord, Lord, Lord Lord, Lord, Lord...
* All on that day
* But the Lord said
* Go to the Devil, the Lord said
- God is black?
- Yes he is.
* ("Sinnermancontinues)
(laughing)
*
- OK...
- We go first, you stay here.
- From now on we separate.
* (tense music)
- Please have your boarding pass and identification ready.
* (tense music)
- Thank you, please.
- Just a minute, please.
- There's no problem. - Just a minute.
- No...I have a ticket... It's no problem.
Please!
I have the ticket, and I have the passport...
Is no problem... no, no, no, no...
One second! Madam?
Is the passport...one second, one second...
Is no problem... Look, look, look...
I must...go this plane...
Maybe I use this plane ...because I have...
I must go here...it's very important...
- Please come with me. - Please, please one second...
Madam...
Please, I must go here... It's very important...
because they wait for me, I cannot miss the plane.
(distant roar of aircraft)
(bag drops on ground)
* (tense music)
(lid pops)
(liquid pouring)
* (tense music) (Nakos voiceover)
*
(pan clanging in oven)
*
- Hassan!
What do you do now?
What are we going to do now?
How do I travel? I must fly tonight!
You understand? I must fly tonight!
I have no news...
from my girl!
What do you do?!
- It's impossible for you tonight to travel, OK?
They caught you one time.
OK no problem, I must go, I must
fly to Italy tonight!
My daughter is with strange people in strange country!
What do I do?! I must go tonight, you understand?
What do you do?
Buhrani has a family, he has already a
daughter. He is my guy!
He will call.
Don't worry Tarek.
- Please...you find a way that I must go down there.
You understand me? It's very important!
You understand me?
Please Hassan...
Please...I must go tonight...
- Tarek...don't worry. Don't worry.
- Please...you fly me tonight to Italy...please...
- You cannot fly tonight. The only way I have, the only
solution I have is a sailboat for tomorrow morning, OK?
In one day you will get to Italy.
This is the only way I have.
- Look...you send me the soonest way.
What is the soonest way?
- Tomorrow morning you're leaving, OK?
Go now and I will call you.
Don't worry, I will call you OK?
* (tense music)
- Nadia...
(glove snapping off)
(tattoo gun buzzing)
*
* (tattoo gun buzzing)
*
* (wind whooshing)
*
* (indistinct chatter)
*
(glasses clink)
*
* (bag rustling)
(city street sounds)
(speaking Arabic)
- Thank you.
(city street sounds)
(van door slams shut)
(van engine accelerates)
(footsteps down stairs)
(moped engine starts)
(moped accelerates away)
(moped engine buzzing)
(Nakos voiceover)
* (tense music)
(moped engine buzzing)
(city street sounds)
(moped engine buzzing)
(footsteps)
(engine starting)
(moped engine faintly buzzing)
(sound of traffic passing by)
* (ominous music)
- Hassan!
(wretching)
- Hassan!
* (ominous music)
(moped engine buzzing)
* (ominous music)
(seagulls squawking)
- What's going on?
- I don't know.
(Nakos voiceover)
(sirens wailing)
(Nakos voiceover)
(tattoo needle buzzing)
(plastic wrap tearing)
* (tense music)
(seagulls squawking)
(ocean surf lapping)
- [Tarek] So you...you wanted to leave?
- [Tereza] My momma wanted to.
She used to tell me,
as an immigrant, you have to work...
harder than anyone to be at the top
of your class.
And look at me now.
Slave for two idiots, waiting for a boat
in the cold.
With no papers.
- I would never leave...
if I could.
I would stay until the end.
There in the...
I believe in that, you know...
roots...the place where...
You belong, and you attach...to the land.
You know, the place.
So now...you see what's happening.
- Yes, I've seen on TV.
(Tarek moans)
- The TV shows you nothing.
The TV shows you one bomb here, and this...
It cannot show the...
the fear...of the people.
The people have a fear and...hate.
For me...
has been long time for...not
singing a song, or hearing a song, you know.
In the war...
your best friend is...silence.
(tattoo needle buzzing)
(lighter clicks)
*
(cell phone buzzing)
*
- OK.
We go back to Athens.
Hassan is not coming, we go back to Athens.
- We go back to Athens?
- We can't go back to Athens!
- Why we go back to Athens?
- Hassan is not coming.
* (ominous music)
(door closes)
(bed creaks)
(footsteps down stairs)
* (tense music)
- I must leave immediately.
I have to find my daughter and...
to talk to Hassan.
(lock rattling)
(light switch clicks)
(door closes)
(door opens)
(light switch clicks)
- You can stay here.
Alright?
- OK. - For a while.
It's safe.
- There is water inside.
And toilet, whatever you want.
OK?
- Thank you...I must go out after...
so maybe the key? - OK. Take the keys.
(door opens)
(door closes)
(light switch clicks)
(footsteps)
(knocks on door)
(bag rustles)
(footsteps)
(staggering footsteps)
(gasping)
(thump)
* (tense music)
(moaning)
* (tense music)
- Help!
Help!
Billy!
- Stay here, alright? - OK.
* (tense music)
- What is the matter? (moaning)
What is going on?
She ate something...
OK...OK...she must bring up...
Bring me water with salt!
For her to drink... she must bring up.
Hello? Do you hear me?
What did you eat? What did you eat?
* (tense music)
(spoon clanking in glass)
* (tense music)
(gagging)
(moaning)
(gagging) Drink more!
(gagging)
(choking)
(gasping & moaning)
Billy, bring the doctor!
*(melancholy music)
(smack)
* (delicate nursery music)
(footsteps up stairs)
* (delicate nursery music)
(footsteps down stairs)
(knocking on door)
* (tense music)
(Tarek voiceover) - Papers...
Papers to save lives ...real lives!
You don't die from hunger but you can die
because you miss a piece of paper that says
a specific thing...that misses a specific stamp.
Otherwise, you die. In a specific way.
And, when we get the papers what?
They are just proof enough that I didn't
want to leave my home in the first place.
It's an agreement with myself...
not some contract with the government.
Any government.
It's a promise...that I will never have to go back.
That I won't ever see Aleppo again.
Because if I do...
there will be a bullet with my name on it.
A bullet that will ask me...
Where where you? Who were you with?
And I won't know what to say.
(cell phone rings)
- Hello?
Yes?
Burhan?!
Where are you?!
But why do you not call?
Where's Maya?!
OK!
Give Maya the phone!
Hello?
* (tense music)
(speaking Arabic)
* (tense music)
(door unlocking and opening)
(door closing)
- Yes bro.
(Nadia sighs)
* (sentimental music)
- God is black. - Yes he is.
(footsteps running) * (sentimental music)
- [Hassan on phone] Hello?
* (sentimental music)
(engine starting)
(van accelerating)
* (tense music)
(van door shuts)
(van accelerates away)
* (tense music)
(van door shuts)
* (tense music)
(doors open)
* (tense music)
(gunshot)
(city street sounds)
(moped engine starts)
(moped engine buzzing)
(door opens)
* (jaunty jazz music)