...
What is this? Whenever you want.
We are right in the middle of the site Industrial Chamfors. </ P>
This is where they find children. </ P>
Gedung1. </ P>
We have received permission Didn't make this film. </ P>
As a medical archive favorable
from a pediatric village from the hospital.
there you go
He lives in there.
He wasn't raped, that's certain.
This looks more let's like abuse.
Malnutrition, dehydration, mild hypothermia. </ P>
Holes allow people to do one need without standing. </ P>
The infection on the wrist proves he chained.
How can he get out of here?
Lucie didn't say anything about what she experienced.
What is that? Orange? Yes. </ P>
Is that for him? Yes. </ P>
You're really mother. He has no one else.
Don't worry, Anna, Nitu gentlemen
really good. Okay.
Do you know why we - your show this film?
Yes.
Why do we need you? -Because...
You want to get people
p>
that hurt Lucie. -Yes, Anna.
Lucie wants that too. -he said they have to be caught.
What's more Who are you? -You talked to him for hours...
He's scared.
Did he tell me something? -l'm scared.
Does he remember?
Sometimes he thinks he remembers something, - sometimes he doesn't.
What do you think? -Do you think he'll remember?
It's dark and he doesn't see well. -he doesn't remember. </ P>
lebokke. </ P>
Lucie Jurin doesn't come. </ P>
Lucie?
Anna,
Don't say, yeah?
I won't. -That's not me,
not me,
not me.
Calm down.
Do you want to come along?
Anna?
15 YEARS LATER
Give it to me!
Stop, you two.
BUAJINGAN !!!
You will see how bad he is writing. </ P>
Stop, I say. -You are the worst! </ P>
Don't touch me. -From the way, that's your business.
What do you know? \ NYou don't know what love is. </ P>
You don't have a boyfriend. </ P>
And? Are we going to eat breakfast or not? -Yeah, yeah. </ P>
You get my nerves. </ P>
I hate you. </ P>
100 METER MODELS BUTTERFLY
And you talk about something like that? ?
How should I talk about it? -sok...
A Sunday morning. -You talked about that with your mother?
Yes. -And what are you saying?
That he has a problem with pressure.
If he works, he's not happy. - Are you happy? </ P>
I have fun. -I have fun. </ P>
Done. -Good. </ P>
here
A gift.
puicek, Gairielle. -BUOSOK !!
In the main pipe?
You take a shower -not running as it should.
Gross. -ayo. Let's eat. </ P>
Yeah, I'm getting dirty, -but now we can use the park again. </ P>
Did Antoine talk about the big projects?
I ask what you think they are.
No, you wonder if he's upset. -Don't start. That's your business. </ P>
This is my brother. \ N-Your brother is a dreamer. </ P>
Hey, Antoine? </ P>
You can't leave school - a lot of fees after 3 months. </ P>
Clear not if you pay in advance. -you go.
Stop it, you! -He always boasted since the newspaper article.
Will you do it any time? \ N-What? </ P>
Bahkan untuk lulus -kita harus membayar sekolah swasta.
With a lot of effort. -I passed.
Thank you Lord. Do you know - how much does it cost? </ P>
your money, for the trimester. -you to hear you don't care at all. </ P>
Really, Antoine, not difficult Can't be so annoying?
That school... it's not the same.
I want to do something I like.
We don't force you. -No, but...
law school, that's not a thing. -You can get anywhere with it.
That's not the point. -He wants to live with his girlfriend.
School law, that's not a thing. -Everything, Antoine,
there's nothing you like. even if you even want to be a baker.
That was unheard of.
Who is Butthole?
Be friendly, Marie Belfond. -This is Sunday.
So? Why do you need to take a break on Sunday? </ P>
The week at the factory? </ P>
Stay there. Don't move! </ P>
Don't move! </ P>
Sit! </ P>
How old are you? </ P>
Eightteen. </ P>
Do Do you know what your parents are? </ P>
Why did you do it to me? </ P>
Why? </ P>
That's them. -Lucie?
That's them, Anna. -Do you see them?
They change, but they're clear. -Do you sure?
I told you. -Lucie, it's been 15 years.
And you found them on paper? -I told you. </ p >
We will call the police -Don't bother.
What? -I did what I needed to do
What are you doing? -What do I need to do!
You have to observe them. You're not sure. -I'm sure. </ P>
I know I have to come together -Why don't you trust me? </ P>
where did you call? </ P >
From home. -From them?
Yes. -Give me an address.
Lucie, give me an aress!
I did it...
Look,
I did it...
It's me, Lucie.ini me. . this is me
He's there.
He's at home. -I know
He hurt me more than before. </ p >
Stay here.
where are you?
I have to go check it out. -He is there.
I have to go check it out. -He is at home.
Look at me, I have to go check it out. -I'm waiting.
He hurt me more than before. -I'm coming, Lucie.
What am I doing? </ P>
I'm coming. </ P>
I don't have a bullet anymore. -You won't need them. </ P>
Why don't we leave ? -Come
He will come back.
Come on.
You call me from here -all of them will know it is us.
I don't care. -Yes.
I don't care. -Stay in the cell. do you care.
What will we do? -Don't move.
It hurts. -Sorry.
What what are we going to do, Anna?
Are you okay?
Are you disgusted? What do I do with it? </ P>
what is this smell? </ P>
bau busuk itu?
I smell that every time -she bends over me. All days. </ P>
Do you understand? </ P>
When he hit me, I smelled it. </ P>
Look. </ P>
That's them.
What are you doing?
Do you think I'm going to get out of this?
Yes. Yes. </ P>
Please don't make a sound. </ P>
Anna, what are you doing? </ P>
Are you okay? -Yes.
I'm calling... -I'm there.
I think he's coming back. -No
Are you ready ? We will go. </ P>
We will clean the house -Will we go? </ P>
Get dressed. </ P>
Lucie! </ P>
Open, Anna. -It's closed, Lucie. </ P>
Open it! </ P>
Hurry! </ P>
Apa yang Anda inginkan?
Leave me alone.
I killed them!
Even children!
I even killed children!
Calm down! Calm down! </ P>
To get away from there, prostitute! </ P>
I'll kill you! </ P>
Sorry. </ P>
That's not my fault. </ P >
where?
Anna, I know you're there. Open up!
I'm coming.
What's your name? <
Gabrielle...
I'm coming, Lucie!
You have to help me, Gairielle.
Why did he do that?
I think he heard us.
it must go fast.
An ambulance. -I can't.
For my children...
Come on!
Right up to the forest. After that you are on your own, okay?
Tidak! Berhenti!
Stop! </ P>
Why are you defending him? </ P>
He didn't do anything, Lucie. -He hurt me! </ P>
For me!
Do you want him to live?
You never trust me!
Stop!
You think I'm crazy. Like another. Like a doctor. </ P>
What did they do for me? </ P>
Besides saying I'm crazy? and you like them? </ P>
It's over, Anna!
They're dead. They won't hurt you anymore.
Stop!
No!
Why did you call I? Aye? </ P>
I didn't hear anything from you for two years, and then you called me. </ P>
Yes. \ N-I'm mad at you, Anna. </ P>
aku tidak akan palsu. -Mom.
What do you want? Make me feel guilty?
No
Don't you think I feel like that? Don & apos; t you think I don't think of
all the things I've lost?
No, mother, that's not it. What's that?
I want to talk to you, that's all. I don't think.
Like that. On the day you decide you lost your mother. </ P>
Are you okay, you have no problem? -No
Are you sure? Where are you? </ P>
Away. </ P>
Where do you sleep? How do you make a living? </ P>
It's okay, mother. -Are you still with him? Does he affect you? </ P>
No
My God! </ P>
It's still the same. -Mom...
Anna, dia tidak berharga, dia pelacur.
He is worth less than nothing. Don & apos; t stay with him.
Anna?
Are you saying nothing?
Don't move.
I can't take care of you.
Don't be afraid.
Calm down.
Rest.
Sorry.
Stop!
Who is the girl on the sofa?
Who is that? </ P>
Lucie...
Who is Lucie? \ N-Lucie Jurin. </ P>
And you? </ P>
Dan? </ P>
Anna Assaoui. </ P>
We're trying to reach Belfonds for hours -hours. The phone is busy.
Phone & apos; s off the hook. -That shouldn't happen.
Can you tell me what happened in here?
What are you doing here?
Lucie Jurin escaped 15 years ago, isn & apos; t that?
Isn & t; t it?
Yes.
it is the time in that we are not organized.
Gabrielle shouldn't let it happen. </ P>
After 15 years. That & s; s showed a lot of perseverance. </ P>
But in the end Lucie was a victim. </ P>
Like all the others. </ P>
It's easy to make a victim. Very easy. </ P>
Lock someone in a dark place. He starts to suffer. </ P>
Feeds that suffering. </ P>
methodical, systematic. </ P>
And it's cold. And keep going. </ P>
The subject goes through different stages. </ P>
After a while of trauma,
small cracks that happens so easy,
makes it look at things that don't exist.
What is poor Lucie see?
Doesn't he see things?
Not monsters too?
Things that want to hurt him?
A girl who is dead.
There you go.
A girl who is dead.
Your girl was found. Sarah Dutreuil. He sees insects. Roaches, everywhere. </ P>
We crawled on it. He already kinda chopped from his arm then to go through it. </ P>
People don't want to suffer anymore. </ P>
The world has come to the point
that there are only victims left.
Martyrs are rare.
A martyr, that is something else...
A martyr is an extraordinary.
It survives suffering, lacks everything.
We burden it with all the evil in the world,
and he surpasses himself.
Do you understand? he changes form...
Longsheng, 1912.
That women don't believe in God.
He tried to steal a chicken. and he paid a high price.
When the picture was taken, she was still alive. Look at his eyes. </ P>
Jouans-Lussac, 1945. </ P>
That woman is a grocery store. She sleeps with Germans. </ P>
then Returns people French is sensitive. She has to pay. </ P>
She's still alive. Look at his eyes. </ P>
Birmingham Central Hospital, 1960. </ P>
The atheist caretaker without a story
seriously ill and morphine no more effect.
Look at his eyes.
This one was beaten by her husband. Jealousy...
This one just spent 9 hours in the wreckage of the car.
This young leukemia patient is dying. Pain eats away. </ P>
This woman has a rare disease. She suffered for nine hours. </ P>
Look at their eyes. See. </ P>
All of them. Do you hear me? </ P>
They all live when these photos were taken. </ P>
So, tell me again \ Nthat the idea of a martyr
is a discovery from the world of religion!
We've tried everything. Children's events.
It's proven that women
more sensitive to a transformation.
Young women.
This is like that.
Anna?
Are you there?
I'm here.
Anna? -Yes, Lucie.
Why are you never afraid?
Sometimes I'm afraid.
Unlike me.
I don't go through what you do the same thing.
What should you do Don't stop being scared?
I think you should let yourself go.
Do you think so?
Let yourself go. </ p >
If I can't do it, will you be there for me?
Yes.
I miss you.
You no more fear, Anna.
You're not afraid anymore, Anna.
You're not afraid anymore.
That will be fine, Anna.
it will be fine.
This suffering is almost over.
There is one left stage.
The last one.
That will be fine. You don't need to defend yourself anymore.
It's okay, Anna.
Is he persevering? IT's amazing.
Michel! \ N-what? </ P>
Now. I went to feed him. A few minutes ago. </ P>
Are you sure? -As I said,
I have never seen such an expression.
He was released. Fully released. Here the face is like...
Miss, his eyes...
He is not him what happens around him. </ P >
But is he still... -He is still alive.
Do you see it?
another world?
Yesterday , in the afternoon,
around 12.15,
Anna Assaoui was martyred.
I asked you very respectfully Not thinking of him.
Anna Assaoui is amazing.
In 17 years of trying
he's only fourth Don't reach this stage.
And first, yes, first...
to make the idea of what has been he saw.
Between 12.15 en 14.30
Miss Assaoui was clear seen what happened after death.
You heard well .
Her extatic country lasted for 2 hours and 15 minutes.
Not close experience death.
What is experienced, was authentic martyrdom.
At 14.30 he left the country.
And at 15.05 he spoke.
At this time he still alive.
But he doesn't speak anymore.
Miss heard the testimony.
It's a testimony, my dear friends,
will divided in a few moments.
Miss,
they are waiting.
I'm coming, Etienne.
So there IS something?
Off.
Is that clear?
Very clear .
And right?
exists because there is no space for \ Nfor interpretation, Etienne.
Thank you, Miss
Etienne?
Miss?
Can you imagine what comes after death?
Are you okay?
Can you please ? -No, I....
Keep doubting, Etienne.
martyr:
noun
from the word Greek marturos & apos; & apos; & apos;
witnesses