[MUSIC]
MICHAEL, I THINK I SEE A SHADOW.
I THINK HE'S COMING UP.
MOMMY?
IT'S OKAY, BABY. IT'S OKAY.
SIT TIGHT. I'LL BE RIGHT THERE.
[DRAMATIC MUSIC]
IT'S OKAY, IT'S OKAY.
ANNE?
ANNE, WHERE ARE YOU?
CLEF, WHAT ARE YOU DOING HERE?
HOW COME YOU'RE NOT RETURNING MY CALLS, ANNE?
HOW DID YOU EVEN GET INTO MY HOUSE?
CLEF, I NEED YOU TO LEAVE.
I REALLY ... I NEED YOU TO LEAVE RIGHT NOW.
I... LOVE YOU ANNE.
I'M NOT GONNA GIVE UP ON YOU.
NO CLEF, THIS IS NOT OKAY.
THIS IS NOT OKAY FOR YOU TO BE HERE.
NO, DON'T TOUCH ME. CLEF, LET GO.
[STRUGGLES]
[CRASH!]
ANNE!
[CHILD SCREAMS] MOMMY!
[CHILD SCREAMS]
IT'S OKAY, IT'S OKAY. IT'S OKAY SWEETIE.
IT'S OKAY, IT'S OKAY! IT'S OKAY, IT'S OKAY.
I'M SORRY. SHHH.
[MUFFLED SCREAMS FROM CHILD]
SHHHH! SHHHHH. SHHHHH.
IT'S OKAY, IT'S OKAY, IT'S OKAY.
IT'S OKAY, IT'S OKAY! IT'S OKAY, IT'S OKAY.
[DRAMATIC MUSIC]
NO! NO, NO!
NOOO!
[DRAMATIC MUSIC]
♪ I CAN REMEMBER ♪
♪ WHEN WE FIRST MET ♪
♪ I CAN REMEMBER YOU ♪
♪ BACK WHEN MY DREAMS WERE JUST BEGINNING ♪
♪ YOU WERE MY DREAM COME TRUE ♪
♪ YOU ARE MY ANGEL YOU ARE MY HEART ♪
♪ YOU ARE THE AIR I BREATHE ♪
♪ THAT'S HOW I KNOW THERE'S NO FORGETTING ♪
♪ ALL OF THE THINGS YOU ARE TO ME ♪
♪ I HAVEN'T SEEN YOU IN A LONG TIME ♪
♪ I HOPE I SEE YOU SOON ♪
♪ MAYBE TONIGHT I'LL FIND YOU WAITING ♪
♪ THERE BY THE LIGHT OF THE MOON ♪
GOOD MORNING DADDY!
GOOD MORNING.
DAD?
YEA?
OUR HOUSE IF MADE OF BWICKS, WIGHT?
OUR HOUSE IS MADE OF WHAT?
BWICKS.
BRICKS?
UM HUM.
YEAH, AND IT'S COATED WITH MAXIMUM STRENGTH WOLF REPELLANT.
PHEW, I FEEL MUCH SAFER NOW.
BUT YOU KNOW,
I ACTUALLY WANT THAT WOLF TO MAKE IT THIS FAR
SO I CAN WRING HIS NECK MYSELF.
ALRIGHT, YOU'RE GOING TO BE LATE YOUNG LADY.
SAYONARA!
WANT ME TO PACK YOU A LUNCH?
OH, I'LL GET SOMETHING AT THE OFFICE.
YOU HAVEN'T JOINED US FOR BREAKFAST IN A WHILE.
I'LL CALL YOU WHEN I GET IN.
HEY.
I LOVE YOU, TOO.
[BABY CRYING]
WHAT'S THE BABY'S NAME?
STELLA.
MAY I?
[BABY STOPS CRYING]
HEY BUDDY, YOU GETTING OFF OR WHAT?
[TENDER MUSIC]
[BELL RINGS]
HERE YOU GO YOUNG LADY, PAY TIME.
YOUNG? YOUNG LADY?
YOU KNOW I'M IN MY MID...UH, FORTIES, RIGHT?
OH NO, YOU DON'T LOOK A DAY OVER THIRTY.
YOU'RE GETTING SENILE DEAR.
HERE'S YOUR ADVANCED I PROMISED YOU SWEETIE.
THANK YOU, ROUBEN.
THIRTY FIVE.
[LABORED BREATHING]
STOP IT, STOP IT!
STOP IT!
AH, YOU WANT THIS?
COME ON, JUMP UP AND GET IT.
I DON'T SEE YA JUMPIN.
SO, HOW IS THE LITTLE ONE?
MEDICAL BILLS JUST KEEP COMING IN AND COMING IN.
IT'S GETTING BETTER.
IT'S GOOD?
IT IS GOOD.
HI. PLEASE HAVE A SEAT.
DO YOU WANT COFFEE?
YES, PLEASE.
ORANGE JUICE?
NO.
STOP PLEASE!
COME ON, YOU WANT IT?
JUST JUMP UP AND GET IT. JUST JUMP AND GET IT.
I DON'T SEE YA JUMPIN.
YO, WHO ARE YOU?
JUST PASSING THROUGH.
YOU AIN'T COMING THROUGH HERE.
YEAH, WHY DON'T YOU MIND YOUR BUSINESS AND LEAVE?
SOMETHING FROM YOUR TOY KIT?
MISTER, YOU DON'T HAVE TO DO THIS.
INCH TO YOUR LEFT.
[DRAMATIC MUSIC]
PERFECT.
DO IT!
COME ON MAN, LET'S GO.
I'M SPARKLE.
I THINK PEOPLE SHOULD SMILE WHEN THEY SAY THEIR NAME.
I'M MARTIN.
THANK YOU, MARTIN.
FOR WHAT?
YOU SAVED MY LIFE.
NO, I DIDN'T.
OKAY, WHERE ARE YOUR PARENTS?
UM ...
HEY, DO YOU THINK YOU CAN SPOT ME FOR A COUPLE OF PANCAKES?
YOU READY TO ORDER?
UM ...
YEAH, HI MISS, I'LL HAVE A SHORT STACK PLEASE.
I'M ON A DIET.
I'VE GOT TO GET RID OF THIS MONSTER
OTHERWISE KNOWN AS MY STOMACH.
AND FOR YOU?
EXCUSE ME, MORNING MA'AM.
CAN I GET A CUP OF COFFEE TO GO PLEASE?
WANT A PIECE OF PIE TO GO WITH THAT, HONEY?
MAYBE NEXT TIME.
ALRIGHT, LISTEN LITTLE GIRL.
EITHER I CALL CHILD PROTECTIVE SERVICES
OR YOU CALL YOUR PARENTS TO PICK YOU UP RIGHT NOW.
WHAT WILL IT BE?
TO HAVE ANY RECEPTION WHERE THEY'RE AT.
WHY NOT?
HERE HONEY.
THANK YOU.
HAVE A GOOD ONE.
YOU TOO.
MY PARENTS ARE DEAD.
[DRAMATIC MUSIC]
OH, YOU CAME BACK.
YEAH, I THINK I'LL TAKE A PIECE OF THAT CHERRY PIE AFTER ALL.
NOW YOU'RE TALKING.
DID YOU HEAR?
LAST WEEK THEY RELEASED A MAN AFTER THREE YEARS
THAT HE DID DOUBLE HOMICIDE.
HERE?
NO, NO, UP IN HACIENDA HEIGHTS.
NO WONDER. HERE YOU GO.
THEY SAID IT WAS INADMISSIBLE EVIDENCE.
AH, CAN YOU IMAGINE HOW THE VICTIM'S FAMILY FEELS?
WELL UH, CAN I GET YOU SOME COFFEE, SIR?
SURE.
[SOUND OF WAVES]
WHO YOU STAYIN WITH?
MY UNCLE, BUT THAT'S NOT REALLY WORKING OUT AT ALL
SO I'M GOING TO GO LIVE WITH MY GRANDMA.
WHERE'S SHE?
NEW JERSEY.
AND YOU PLAN ON GETTING THERE HOW?
ANY IDEA WHEN THE BUS GETS HERE?
SHOULD BE ABOUT ANOTHER HALF HOUR.
THEY USUALLY DROP OFF MY CUSTOMERS.
BUT I DON'T THINK THE BUS IS COMING BY ANY TIME SOON.
WHAT DO YOU MEAN?
THERE'S CONSTRUCTION ON CAHUENGA SO THEY BLOCKED IT OFF.
HEY, ANY CHANCE I CAN GRAB THAT BOOTH AT THE END?
OH, SURE. GO RIGHT AHEAD.
[THINKING] I THINK WE NEED TO TALK.
WHAT'S THIS?
IT'S A QUIET PLACE I KNOW OF.
WE CAN GO THERE AND FIGURE THINGS OUT.
WHAT DO WE NEED TO FIGURE OUT?
WHAT DO WE NEED TO TALK ABOUT?
YOU KNOW, I ALWAYS HEARD OF MARRIED MEN
WHO DID STUFF LIKE THIS.
I ALWAYS WONDERED WHAT TYPE OF PERSON YOU'D HAVE TO BE.
DO WE SERIOUSLY HAVE TO GO THROUGH THIS EVERY SINGLE TIME?
NO, YOU KNOW WHAT?
[PHONE RINGS]
HELLO.
HELLO, SIR?
YOU HERE?
NO, UH, THE BUS WON'T TAKE ME TO YOUR LOCATION.
I HAD TO TAKE THE 91 TO THE 94 AND GET OFF AT SHELDON.
I WAS HOPING WE COULD PUSH IT TILL 11:00 MAYBE.
THAT'S AN HOUR AWAY.
I KNOW, I KNOW. I'M SO SORRY.
THAT'S FINE.
I'LL SEE YOU AT 11:00.
[CRYING]
[PIANO MUSIC]
♪ THERE'S A LAND THAT IS FAIRER THAN DAY, ♪
♪ AND BY FAITH WE CAN SEE IT AFAR; ♪
♪ FOR THE FATHER WAITS OVER THE WAY ♪
♪ TO PREPARE US A DWELLING PLACE THERE. ♪
♪ IN THE SWEET BY AND BY, ♪
♪ WE SHALL MEET ON THAT BEAUTIFUL SHORE. ♪
♪ IN THE SWEET BY AND BY, ♪
♪ WE SHALL MEET ON THAT BEAUTIFUL SHORE. ♪
YOU'RE WAY TOO SERIOUS, YOU KNOW THAT?
I MEAN GEEZ, LIGHTEN UP A LITTLE OR SMILE FOR ONCE.
HERE YOU GO SWEETIE.
THANK YOU.
(WAITRESS) ANYTHING ELSE?
NO.
HEY, GO EASY ON THE SYRUP
OR THE SUGAR MONSTER WILL COME KNOCKING.
YOU WON'T LET HIM CATCH ME THOUGH, WILL YOU DAD?
I'LL NEVER LET ANYTHING HAPPEN TO YOU SWEETHEART.
HOW'S THAT?
IT'S SUPER SWEET SYRUPY.
I'M GOING TO HAVE THIS PIECE,
THE NORTH ISLAND IN THE SEA OF SYRUP.
OH YEAH, SUGAR MONSTER LIKES IT.
I CAN FEEL HIM TURNING INTO THE SUGAR MONSTER.
THE SUGAR MONSTER!
[LAUGHTER]
YOU REALLY SHOULD TRY THE PIE.
WHAT?
THE PIE. YOU SHOULD TRY IT.
I'M NOT EATING.
YOU SURE? IT'S REAL GOOD.
I'M HERE FOR AN INTERVIEW.
GREAT, THEN I HOPE YOU GET THE JOB.
I'M ON THE HIRING END ACTUALLY.
THEN I HOPE YOU FIND WHO YOU'RE LOOKING FOR.
EXCUSE ME.
JESUS SAYS, "I'M GOING AWAY TO PREPARE A PLACE FOR YOU
"AND I WILL COME BACK AND WELCOME YOU INTO MY PRESENCE
"SO THAT YOU MAY BE WHERE I AM.
YOU KNOW WHERE I'M GOING AND YOU KNOW THE WAY."
BUT HOW DO WE GET THERE?
THAT'S WHAT DISCIPLE THOMAS ASKED.
GUYS CAN YOU HELP ME OUT WITH THESE PLEASE?
NO PROBLEM.
JESUS SAYS, "I AM THE WAY, THE TRUTH AND THE LIFE.
NO ONE COMES TO THE FATHER EXCEPT THROUGH ME."
DO YOU KNOW WHAT THAT MEANS?
YOU PLAY PIANO BEAUTIFULLY.
THANK YOU.
I HAVE SOME SHEET MUSIC I'D LIKE TO GIVE YOU.
I THINK YOU'D LIKE IT.
SHEET MUSIC, I WOULD LOVE THAT.
THANK YOU.
WOAH CLEF. I'M MARRIED.
I HAVE SOME SHEET MUSIC I'LL BRING IT TO YOU.
I THINK YOU'D LIKE IT.
[PHONE RINGS]
HELLO.
[SNIFFLING] ADDIE?
HEY.
I THOUGHT ABOUT IT AND UM I DON'T WANT TO END THIS.
WHERE ARE YOU?
THIS STUFF IS GOOD.
MISS?
LAUREN, WILL YOU PLEASE TELL ME WHERE YOU ARE?
I'M IN FRONT OF YOUR HOUSE.
EXCUSE ME?
LAUREN, IF THIS IS YOUR IDEA OF A JOKE
I CAN ASSURE YOU IT'S NOT VERY FUNNY.
I'M GOING TO HAVE A HEART TO HEART WITH YOUR WIFE
AND I'M GOING TO TELL HER THAT WE'RE IN LOVE
AND THAT SHE'S STANDING IN OUR WAY.
EXCUSE ME, MISS.
YES.
CHECK PLEASE.
SURE.
GOOD BYE, ADDISON.
COLONEL BRIGGS?
LAUREN...
MARTIN?
...LISTEN TO ME.
WELL, I'LL BE.
[TRAIN HORN]
ALRIGHT EVERYBODY, LISTEN UP!
DO WHAT I SAY AND NOBODY GETS HURT.
[PHONE RINGS]
HELLO.
LAUREN, LISTEN TO ME.
TWO GUYS JUST WALKED IN WITH GUNS.
I NEED YOU TO LISTEN TO ME.
YEAH, RIGHT.
WE'LL DO SOME REAL DAMAGE IF YOU DO ANYTHING STUPID.
WOW! WOW!
PUT THAT PHONE DOWN!
OKAY! OKAY, OKAY.
PUT IT DOWN! GIVE IT TO ME!
ALRIGHT HERE. IT'S COOL.
LOOK GUYS, I GOTTA GO.
YOU DON'T UNDERSTAND.
I REALLY GOT TO GET OUT OF HERE.
WHAT? YOU'RE KIDDING ME.
I NEED TO LEAVE.
WHAT'S GOING ON?
LOOK, I'LL GIVE YOU MY WALLET;
WHATEVER I GOT BUT I NEED TO LEAVE NOW!
WHAT YOU NEED TO DO NOW IS SIT DOWN.
[MUSIC]
YOU GOOD?
OH, WE'RE GOOD.
ALRIGHT, I WANT PHONES, JEWELRY, WALLETS EVERYTHING IN THAT BAG,
PASS IT DOWN.
OKAY!
I WANT EVERYBODY TO MOVE DOWN TO THIS CORNER TABLE!
OKAY!
NOBODY'S GOING TO BE CALLING THEIR LOVED ONES, NOT YET!
YOU GUYS WILL HAVE PLENTY OF TIME
TO CHAT IT UP ONCE WE LEAVE.
IN THAT BAG I WANT PHONES, JEWELRY, WALLETS EVERYTHING.
LET'S GO! LET'S GO!
YOU TOO OLD MAN. I WANT THAT SUNDIAL.
COME ON! QUICK, QUICK, QUICK!
WALLET.
PUT THE WALLET IN THE BAG!
OKAY!
WHOA, WHOA, WHOA! WHERE'D HE COME FROM?
I THINK HE'S COMING UP.
ANNIE, GO INSIDE, LOCK THE DOOR RIGHT NOW! GO!
WHOA! YOU JOIN YOUR FRIENDS.
WALK OVER TO THE TABLE.
WALK!
I SAID MOVE NOW!
[DRAMATIC MUSIC]
OKAY GUYS, LET'S JUST ALL DO WHAT THEY SAY
AND GET BACK TO OUR LIVES.
[WHISPERING] EVERYONE SAID YOU WERE DEAD.
SHUT UP!
[WACK!]
[SCREAMING]
[WACK, WACK WACK!]
GET AWAY!
GET OUT OF HERE! GO!
GET HIM AWAY FROM ME! GO!
(KENDRA) OH, WHAT WERE YOU THINKING OF.
HOW COULD YOU DO SOMETHING LIKE THAT?
DON'T WASTE YOUR TIME WITH THAT LITTLE GIRL.
YOU THINK GOD HEARS YOUR PRAYERS?
YOU BELIEVE IN FAIRIES, TOO?
OH, LEAVE HER ALONE. SHE'S JUST A KID.
WHAT ARE YOU AFRAID SHE'S GOING TO FIND OUT THE TRUTH?
DO YOU THINK GOD HEARS YOUR PRAYERS OR NOT?
WHAT'S THE MATTER? CAT GOT YOUR TONGUE?
YOU BETTER BACK OFF.
BACK OFF?
WHO ARE YOU TO TELL ME TO BACK OFF?
I'M THE GUY THAT'S GOING TO COME AT YOU WITH EVERYTHING HE'S GOT
AND NOT STOP TILL YOU LEAVE THIS KID ALONE.
[LAUGHS]
OPEN THE REGISTER!
IT'S ALREADY OPEN.
I GOT IT.
YOU WOULD HAVE TAKEN THIS GUYS HEAD OFF BY NOW.
PEOPLE CHANGE, MARTIN.
SEVENTY THREE DOLLARS.
SEVENTY THREE?
YEAH, SEVEN THREE!
WHERE'S THE REST?
OUR CUSTOMERS ALL PAY WITH CREDIT CARDS.
I DON'T WANT TO TELL YOU GUYS HOW TO RUN YOUR BUSINESS
BUT YOU PICKED A BAD DAY TO ROB THIS PLACE.
THE BUS ROUTE WAS JUST CLOSED DOWN.
WHERE'S THE SAFE?
DON'T DO THAT. DON'T DO THAT WITH ME.
I DON'T KNOW WHAT YOU'RE TALKING ABOUT.
YOU KNOW EXACTLY WHAT I'M TALKING ABOUT!
WHERE'S THE SAFE!
LEAVE HIM ALONE.
THERE'S ONLY ONE PERSON WHO KNOWS THE CODE
AND IT'S ME AND I'M NOT GIVING IT TO YOU.
OLD MAN, YOU'RE OPENING THAT SAFE WHETHER YOU LIKE IT OR NOT.
OH YEAH? OVER MY DEAD BODY!
I DON'T HAVE A PROBLEM WITH THAT.
HAVE YOU LOST YOUR MIND.
I'LL OPEN IT.
WHAT?
(ROUBEN) WHAT EXACTLY DO YOU THINK YOU'RE DOING?
WHERE IS IT?
IT'S IN THE BACK ROOM.
WHAT ARE YOU TALKING ABOUT? YOU DON'T ...
[DRAMATIC MUSIC]
IF HE TRIES ANYTHING FUNNY, SHOOT HIM.
[DRAMATIC MUSIC]
[QUIET BANTER]
HEY CHAMP, WE'RE ABOUT TO REHEARSE SO I'M SORRY,
YOU'RE GOING TO HAVE TO LEAVE THE STAGE.
(ANNIE) THAT'S OKAY. I KNOW HIM.
WE DON'T HAVE ANY TIME TO GET ANYTHING FINISHED.
COME ON RODGE. JUST CUT HIM SOME SLACK.
ANNIE, THIS IS BAND PRACTICE, NOT MUSIC SCHOOL.
[PIANO MUSIC- "FANTASIE" IMPROMPTU, OP. 66"]
YOUR WALLET.
SORRY.
IF I HAD KNOWN I WOULD HAVE STOPPED AT THE ATM.
THAT'S FUNNY.
I DIDN'T KNOW YOU WERE A COMEDIAN.
HAS YOUR BOSS CONSIDERED THE CONSEQUENCES?
HE'S NOT MY BOSS.
STRIKE A NERVE?
JUST OPEN THE SAFE, HUH?
WHAT'S GOING ON?
I NEED A MINUTE.
WE AIN'T GOT A MINUTE MAN!
WHAT, YOU'RE PLAYING GAMES WITH ME, HUH?
YOU GOT THE CODE FOR THIS THING OR NOT?
I'M TRYING.
WELL, TRY HARDER! I'M SERIOUS!
I'M GIVING YOU THREE SECONDS.
ONE... TWO... THREE!
WAIT, WAIT, WAIT, WAIT, WAIT.
DUMP IT ALL IN HERE.
[DRAMATIC MUSIC]
YOU BELIEVE IN GOD?
YOU BELIEVE IN KEEPING QUIET?
I THINK IT'S A FAIR QUESTION TO ASK,
NO MATTER WHAT SIDE OF THE GUN YOU'RE ON.
(BENJAMIN) WHAT'S GOING ON?
WE'RE ALMOST DONE. EVERYTHING'S FINE.
IS IT?
YOU KNOW GOD STOOD THIS CLOSE TO ME ONCE.
YEAH.
AND I KNEW HE'D COME TO FINALLY CLEANSE ME FROM MY SINS.
BUT YOU NOW WHAT HE DID INSTEAD?
GAVE ME A SECOND CHANCE TO MAKE THINGS RIGHT.
[HEAVY BREATHING AND SNIFFING]
I CAN'T DO THIS ANYMORE.
HE'S JEOPARDIZING ALL OF OUR SAFETY.
RITA, BE QUIET.
NO, WE HAVE TO TELL HIM.
WHAT'S GOING ON?
THE GUY IN THE BACK, HE DOESN'T WORK HERE.
HE DOESN'T HAVE THE CODE TO THE SAFE.
YOU GOT THE MONEY?
YES!
OH, NO!
WHAT?
NO, NO, NO!
A COP CAR JUST PULLED UP IN THE PARKING LOT!
WHAT?
WHO CALLED THE COPS? WHO CALLED THE COPS?
NOBODY, NOBODY CALLED THE COPS.
OH YEAH, BECAUSE THAT DOESN'T LOOK LIKE A COP CAR
THAT JUST PULLED UP IN THE PARKING LOT!
WELL YEAH, HE COMES HERE SOMETIMES.
DON'T LIE TO ME!
HE'S NOT! HE COMES IN EVERY WEEK.
I CHECKED IT, I CHECKED IT, IT'S LOCKED.
OH NO, OF ALL THE SPACES HE'S GOING TO PARK NEXT TO OUR CAR!
WHAT ARE WE GONNA DO?
I'LL SHOOT HIM.
WHAT? WE PICKED THE WRONG DAY TO ROB THE COFFEE SHOP!
WHAT DO YOU WANT ME TO DO?
YOU CAN'T SHOOT A COP.
ALRIGHT, YOU THREE,
GET UP.
MOVE. COME ON! MOVE!
WE'RE GOING.
YOU, CLEAN THAT UP!
YOU, LOOK BUSY.
YOU, BEHIND THE COUNTER.
HOW DID YOU OPEN THE SAFE WITHOUT KNOWING THE CODE?
WHO SAYS I DIDN'T HAVE THE CODE?
YOU, GET UP AND MOVE BACK OVER THERE!
LET'S GO!
OH, HEY MAN, HOW ARE YA?
WHERE'S ANNE?
I THINK SHE WENT HOME--
BUT SHE'S WALKING SO YOU SHOULD BE ABLE TO CATCH HER.
WHEW, SOMEBODY DIE?
THAT'S FUNNY.
ONE OF THOSE DAYS HUH, RUE?
YEAH, YEAH IT IS ONE OF THOSE DAYS OFFICER.
UM, MY SANDWICH?
(ROUBEN) OH, OF COURSE, OF COURSE,
YES, THE PASTRAMI JUST THE WAY YOU LIKE IT.
NO, NO, NO, THIS IS... THIS IS ON THE HOUSE.
OH COME ON NOW, I'M NOT GOING TO ARREST YOU FOR CHARGING ME.
[LAUGHING]
I HAVE NO CHANGE ANYWAY,
COME ON, I CAN'T TAKE YOUR MONEY.
WELL, THAT'S ALRIGHT, I'VE GOT CHANGE IN THE CAR.
I'LL BE RIGHT BACK.
IT'S MY PLEASURE, IT'S MY PLEASURE.
(OFFICER) OKAY.
THAT'S VERY KIND OF YOU.
WHAT UH, WHAT'S GOING ON OVER HERE?
OH, WELL UH, THAT'S THE, THEY'RE...
HEY OFFICER. I'M DON BRIGGS.
YEAH, WE'RE ALL FROM THE SPRING VALLEY CHURCH.
WE'RE TAKING A TOUR ACROSS THE U.S.
TO HELP SPREAD THE GOOD WORD.
I DIDN'T SEE A CHARTER BUS OUT FRONT.
OH, I KNOW, WE TAKE THE METRO.
TOUCH A LOT MORE LIVES THAT WAY.
I SUPPOSE YOU WOULD.
ALLOW ME TO INTRODUCE YOU.
WE HAVE THE CHILDREN'S MINISTRY AND OUR LITTLE HELPER.
SPARKLE.
NICE TO MEET YOU.
AND MARTIN, OUR TROUBLED YOUTH MINISTER,
AND OUR MARRIAGE COUNSELING DIRECTOR.
YOU CAN'T SEE HIS FACE;
HIS WIFE JUST GAVE HIM A BEATING.
[CHUCKLES]
AND FINALLY, WE HAVE...
MICHAEL.
MICHAEL, HE'S OUR RECOVERY GROUP LEADER.
SO WITH THE ECONOMY DWINDLING AND THE CRIME RATE ON THE RISE,
WE'RE REACHING OUT TO ADDICTS, ADULTERERS, LIARS AND THIEVES
AND REGULAR FOLKS WHO JUST WANT TO GET A LITTLE BIT BETTER.
SO, WE'RE UNDER A LITTLE BIT OF PRESSURE TO GET THIS DONE.
YOU COULD DEFINITELY SAY WE'RE UNDER THE GUN ON THIS ONE.
WANT TO JOIN US?
THANK YOU, NO, I'LL TAKE A PASS.
TOO BAD IT WOULD HAVE BEEN REALLY INTERESTING.
BUT UH, YOU FOLKS KEEP UP THE GOOD WORK.
YOU TOO, OFFICER.
(OFFICER) THANK YOU, ROUBEN.
(OFFICER) SEE YA NEXT TIME.
(ROUBEN) YEAH.
HEY DON, UH, WHERE'D YOU SAY YOU FOLKS WERE FROM AGAIN?
WOAH, WOAH, HEY, HEY....
LET ME SEE THAT RIGHT HAND!
DON'T YOU MOVE! DON'T YOU MOVE!
TAKE OFF THE BELT.
(OFFICER) THE WHAT?
THE... THE...
THE BELT, THE RADIO, THE GUN.
OKAY, OKAY, OKAY! THE BELT'S COMING OFF.
HERE YOU GO, WATCH YOURSELF NOW.
PUT IT IN THE BAG.
THIS ISN'T THE BEST IDEA YOU'VE EVER HAD,
I CAN GUARANTEE YA THAT. COME ON.
SHUT UP! I SAID SHUT UP!
OKAY, OKAY, OKAY.
GIVE ME THE CUFFS.
PUT THEM ON THE TABLE, CUFF YOURSELF.
YOU HEARD ME! CUFF YOURSELF!
YEAH, YEAH, YEAH, YEAH.
(ROBBER) IN FRONT.
OKAY, OKAY, OKAY.
HERE WE GO, THERE'S ONE. EASY, EASY...
EVERYTHING'S FINE. OKAY, ALRIGHT.
CUFFED. HERE WE GO. SEE?
(ROBBER) OKAY, MOVE.
MOVE!
YOU GO BACK THERE.
GO BACK WHERE YOU WERE.
LOOKS LIKE YOU'RE JOINING YOUR FRIENDS AFTER ALL.
[MUSIC]
OKAY, LET'S GO.
GO START THE CAR.
I'LL BE RIGHT THERE.
WHAT ARE YOU GOING TO DO?
I'M GOING TO CLEAN UP A LITTLE BIT.
JUST TAKE YOUR MONEY AND...
SHUT UP!
COME ON MAN! LET'S JUST GO!
GO START THE CAR!
HEY, GET UP...
YOU TOO.
LET'S GO TOUGH GUY... MOVE!
PUT YOUR HANDS ON YOUR HEAD AND WALK TOWARDS ME.
LET HIM GO.
I SAID LET HIM GO!
YOU HAVEN'T HURT ANYBODY YET.
RIGHT NOW, IT'S JUST ATTEMPTED ROBBERY.
GET ... DOWN ... ON ... YOUR ... KNEES.
SO YOU'RE THE TOUGH GUY, HUH?
YOU'RE THE ONE THAT'S GOING TO STAND IN MY WAY?
YOU HAVE NO IDEA WHAT I'M CAPABLE OF.
HOW'S YOUR GOD NOW LITTLE GIRL?
[GUN FIRES, SCREAMING]
WHAT DID YOU DO, WHAT DID YOU DO?
[MUSIC]
YOU SHOT HIM.
YOU DID IT. YOU DID IT.
(ROUBEN) WHERE DID YOU GET THE GUN FROM?
YOU HAD IT WITH YOU THE WHOLE TIME?
TELL THEM BADGE 2120, OFFICER NEEDS ASSISTANCE.
CODE 3.
I'M GOING TO CALL THE POLICE.
PUT THAT DOWN.
(ROUBEN) I'M GONNA CALL THE COPS.
THERE'S NO NEED. PUT THE PHONE DOWN.
WHAT DO YOU MEAN THERE'S NO NEED.
PUT THE PHONE DOWN!
I WANT EVERYONE TO SIT DOWN.
NO ONE'S GOING ANYWHERE, UNDERSTAND?
WHAT?
NOT UNTIL I'M DONE HERE.
PLEASE.
JUST DO AS I SAY.
HAS EVERYONE GONE CRAZY TODAY?
YOU SHOT HIM IN SELF DEFENCE.
AND WE ALL SAW IT.
[MUSIC]
LOOK, PUT THE GUN DOWN, WE CAN TALK.
[CRYING] THE POLICE AREN'T GOING TO DO ANYTHING, RIGHT.
WHEN HAVE THEY EVER.
DO YOU WANT TO MAKE ANOTHER RUN FOR IT?
[MUSIC]
MRS. MCKINNEY.
LAUREN, WHAT A WONDERFUL SURPRISE.
WHAT ARE YOU DOING HERE?
I WAS JUST IN THE NEIGHBORHOOD
AND I GOT LILLY'S DRAWINGS FROM THE ART SHOW,
I THOUGHT I'D DROP THEM OFF.
THANK YOU.
SHE TALKS ABOUT YOU ALL THE TIME.
PLEASE, COME IN.
OH, I COULDN'T.
I'M SURE YOU'RE REALLY BUSY.
ARE YOU KIDDING ME?
I'M NOT TAKING NO FOR AN ANSWER.
COME IN.
OKAY.
AH, OH....
THIS IS ABOUT THE MEETING ISN'T IT?
WHAT MEETING?
ASK HIM, HE'LL TELL YOU.
WHAT'S HE TALKING ABOUT?
YOU REMEMBER ME DON'T YOU?
YEAH, OF COURSE YOU DO.
SOBBING OVER HIS DEAD WIFE AND DAUGHTER.
YOU GUYS KNOW EACH OTHER?
THAT WAS A LONG TIME AGO.
NOT LONG ENOUGH.
REMEMBER THE GUY WHO DID IT?
WELL, GUESS WHAT?
THEY LET HIM OUT LAST WEEK AFTER ONLY SIX YEARS.
HE KILLED MY WIFE AND DAUGHTER
AND HE'S WALKING THE STREETS A FREE MAN.
THAT'S NOT POSSIBLE.
INADMISSIBLE EVIDENCE THEY SAY.
IS THAT WHO YOU'RE MEETING AT 11:00?
HERE WE GO.
THANKS.
I WAS JUST LOOKING AT SOME PICTURES OF YOU
WITH YOUR BEAUTIFUL FAMILY.
THANK YOU.
SOMEDAY YOU'LL HAVE A FAMILY OF YOUR OWN.
OH, MARRIAGE SCARES ME.
WHY?
WELL, WHAT IF ONE DAY YOU WAKE UP
AND HE'S JUST FALLEN OUT OF LOVE WITH YOU?
WELL, THAT CAN HAPPEN BUT THE GREAT THING ABOUT MARRIAGE
IS THAT IF KEEPS YOU TOGETHER UNTIL YOU CAN FALL BACK IN LOVE.
YOU KNOW LOVE MAY BE AN EPISODE IN A MAN'S LIFE
BUT IT REPRESENTS A WOMAN'S ENTIRE HISTORY
AND NO ONE CAN TAKE THAT AWAY FROM YOU
IF YOU DON'T LET THEM.
SO, DO YOU HAVE ANYTHING IN THE WORKS?
OH, UH ...
UH OH, I KNOW THAT LOOK. I TAKE THAT AS A YES.
CAN YOU TELL ME ABOUT HIM?
YEAH, UH ...
HE'S SMART, YA KNOW, AND HE'S GENTLE AND HE'S VERY HANDSOME.
BUT ALL THAT KIND OF DWARFS NEXT TO THE FACT THAT HE'S UH...
HE'S ...
I'M SORRY. I CAN'T DO THIS.
I'M SORRY. I HAVE TO GO.
I'M SORRY. I'VE WASTED ENOUGH OF YOUR TIME.
[MUSIC]
SO WHAT EXACTLY ARE YOU GONNA DO, MICHAEL?
WHAT YOU SHOULD HAVE DONE A LONG TIME AGO.
THIS IS NOT THE WAY TO HANDLE THE SITUATION.
HE WAS RELEASED BECAUSE YOU DIDN'T DO YOUR JOB PROPERLY.
I UNDERSTAND THAT YOU'RE UPSET.
YOU HAVE NO IDEA WHAT I'VE BEEN THROUGH!
NOBODY KNOWS WHAT I'VE BEEN THROUGH.
WHAT ABOUT GOD?
I'M SURE HE DOES.
WHAT DID YOU SAY?
GOD KNOWS? GOD!
GOD HAS NOTHING TO DO WITH THIS.
DON'T YOU THINK IT'S JUST A LITTLE ODD THAT JUST TODAY
THE BUS LINES WERE CLOSED TO THIS DINER,
GIVING YOU AS MUCH PRIVACY AS YOU NEED?
LIKE THIS GUY, CALLING YOU AND PUSHING THE MEETING AN HOUR
JUST TO STAY CLEAR OF THIS MESS, ANOTHER COINCIDENCE?
YEAH, THAT'S IT, COINCIDENCE.
LIKE THE ARRESTING OFFICER SHOWING UP AFTER SIX YEARS?
LOOK, MICHAEL.
ALL I'M SAYING IS SOMEBODY'S PULLING A LOT OF STRINGS
TO MAKE THIS MEETING GO THROUGH.
AND I DON'T KNOW HOW MANY MORE COINCIDENCES YOU NEED
BEFORE YOU WAKE UP.
LISTEN PREACHER MAN, SHUT UP
OR I'LL KILL YOU FIRST BEFORE I KILL HIM.
GOD HASN'T BEEN HERE IN THE LAST SIX YEAR.
I DOUBT HE'S GOING TO SHOW UP IN THE NEXT TWENTY MINUTES.
OH, HE'S ALREADY HERE.
WELL, HERE'S SOMEONE WHO CAN CERTAINLY USE HIS HELP.
[TEXT MESSAGE BUZZING]
NO PHONES ALLOWED, REMEMBER?
THIS IS THE LAST TIME I'M LISTENING TO YOU.
NEVER AGAIN, NEVER, NEVER, NEVER, NEVER, NEVER.
[DRAMATIC MUSIC]
WHAT'S GOING ON?
WHOA, WHOA, WHAT HAPPENED?
I'M WARNING YOU, I'LL SHOOT.
(BENJAMIN) DUFFIE, YOU GOTTA SHOOT HIM?
WHAT? WHAT?
I SAID DROP YOUR GUN!
I'M GONNA SHOOT YOU, I WARN YOU,
I WILL, I'M GONNA SHOOT!
DON'T DO IT, I'LL SHOOT YOU.
DUFFIE, YOU GOTTA SHOOT HIM!
I CAN'T!
DO IT!
I CAN'T!
[SCREAMS OF PAIN]
DUFFIE, YOU GOT A GUN IN YOUR HAND, PULL THE TRIGGER!
DUFFIE, IF YOU DON'T SHOOT HIM, HE'S GONNA SHOOT YOU!
I CAN'T! I CAN'T DO IT!
SHOOT HIM!
[SOUNDS OF EMPTY GUN WHEN TRIGGER PULLED]
[MUSIC]
SIT DOWN!
[MUSIC]
[CRYING]
WE HAVE TO CALL AN AMBULANCE;
HE'S LOST A LOT OF BLOOD.
THAT'S NOT MY PROBLEM.
MICHAEL, IF WE DON'T GET HIM TO A HOSPITAL,
HE'S GOING TO DIE.
I CAN HELP HIM.
WE DID AN EMERGENCY DRILL CLASS AT SCHOOL
AND THEY BASICALLY TOLD US WHAT TO DO
IN CASE SOMEBODY GETS HURT.
I MEAN, I CAN SHOW YOU GUYS, BUT MRS. RAMIREZ
SAID I HAD TO USE A COLD CLOTH TO CLEAN THE WOUND.
THERE'S CLEAN TOWELS BEHIND THE COUNTER HONEY.
(KENDRA) YOU HAVE TO WET IT THOUGH FIRST, SO WILL THAT WORK?
(SPARKLE) YEAH, THAT'LL WORK.
COME ON, SHE'S A CHILD, GET THESE OFF ME, I CAN HELP.
OKAY MISTER, WHAT'S YOUR NAME?
BENJAMIN.
COOL, I'M SPARKLE.
OKAY, BENJAMIN, THIS IS GOING TO HURT A LITTLE.
[SCREAMS OF PAIN]
THIS IS RIDICULOUS, CALL AN AMBULANCE.
[SCREAMS CONTINUE]
(SPARKLE) SORRY.
YOU GOT TO GET THAT BLEEDING UNDER CONTROL.
YOU GOT TO APPLY PRESSURE TO WHERE THE BULLET ENTRY POINTS.
HERE... LET ME DO IT.
BENJAMIN, LOOK AT ME, JUST RELAX.
FOR AT LEAST TEN MINUTES TO STOP THE BLEEDING.
GOTTA KEEP IT STEADY FOR AT LEAST TEN MINUTES.
[CELL PHONE BUZZING]
RELAX, RELAX...
YOU GOTTA RELAX, TRY TO RELAX.
(BENJAMIN) I'M OKAY, I'M OKAY.
[SCREAMS CONTINUE]
I CAN'T HELP YOU IF YOU DON'T CALM DOWN.
JUST CALM DOWN, MAN. JUST DO WHAT HE SAYS.
OKAY, OKAY, OKAY, OKAY.
MIND IF I LEND A HAND?
[SCREAMS CONTINUE]
RELAX, JUST RELAX. SHHHH SHHHH.
[MUSIC]
GOD IS HERE, MICHAEL.
HE'S DEFINITELY HERE.
MY WIFE AND DAUGHTER PRAYED LIKE THAT EVERY NIGHT.
THEY LOVED GOD SO MUCH
BUT HE STILL TOOK THEM AWAY FROM ME.
"GOD CAUSES EVERYTHING TO WORK FOR THE GOOD
OF THOSE WHO LOVE HIM."
IS THAT WHY MY WIFE AND DAUGHTER WERE MURDERED?
I DON'T KNOW.
WILL YOU LISTEN TO YOURSELF MAN?
DO YOU EVEN KNOW WHAT YOU'RE TALKING ABOUT?
I WAS IN CHARGE OF AN ENTIRE PLATOON.
AND THEN ONE DAY, BEFORE THE SUN CAME UP,
A SUICIDE BOMBER RAN INTO THE CAMP.
ALL OF A SUDDEN A WHITE LIGHT CONSUMED EVERYTHING.
THEN IN THE BLINK OF AN EYE ALL 25 OF MY MEN WERE KILLED
AND I WALKED AWAY WITH NOTHING
BUT A COUPLE OF CUTS AND BRUISES.
GOD NOT ONLY SPARED MY LIFE THAT DAY
BUT HE GAVE ME A SECOND CHANCE TO GET TO KNOW HIM.
MICHAEL, THOSE SECOND CHANCES DON'T COME TOO OFTEN.
EVERYBODY DIES BUT NOT EVERYBODY KNOWS GOD BEFORE DYING.
UNTIL I'VE KILLED THE MAN WHO TOOK MY FAMILY.
UNTIL I'VE RID THIS WORLD OF CLEF ROBIE!
GASP!
WHAT'S THE MATTER?
NOTHING, IT JUST SLIPPED OUT.
(MICHAEL) SOMETHING HAPPENED, WHAT WAS IT?
PLEASE, I JUST DON'T WANT ANY PART OF THIS.
WHAT?
I THINK, I THINK I KNOW HIM.
I KNOW CLEF.
WHAT?
I WORKED FOR HIS MOTHER BEFORE STARTING HERE.
YES, I REMEMBER CLEF, TALL, DARK HAIR AND HE HAD A...
BIRTH MARK ON THE BACK OF HIS NECK.
IS THIS IS SOME KIND OF JOKE?
I DIDN'T EVEN KNOW HOW THIS IS POSSIBLE MYSELF.
I KNEW CLEF WHEN I WAS A KID.
THIS WAS OVER TWENTY YEARS AGO.
HIS MOTHER TOOK HIM AWAY TO PURSUE A CAREER IN MUSIC.
I NEVER SAW HIM AGAIN.
[PIANO MUSIC]
(KENDRA) THERE WAS NEVER A DAY WENT BY
THAT THEY DIDN'T PRACTICE TOGETHER.
[PIANO MUSIC]
I USED TO HEAR THOSE MELODIES FLOWING DOWN THE HALLWAY.
I THOUGHT I'D NEVER HEARD SUCH ENCHANTING MUSIC
IN MY WHOLE LIFE.
THEN LIZ FELL SICK.
DAY AFTER DAY CLEF WAS THERE BY HER SIDE MORNING TILL NIGHT
BECAUSE HE WAS CONVINCED SHE WAS GOING TO GET BETTER.
WHEN SHE PASSED AWAY CLEF STOPPED PLAYING ALL TOGETHER
AND WOULD JUST SIT THERE IN HIS ROOM ALL ALONE
WITH THE FRONT DOOR OPEN.
I THINK HE WAS STILL HOPING SHE WOULD COME BACK.
(MELANCHOLY MUSIC)
AHHHH!
[SCREAMS OF ANQUISH]
[CRYING]
IT'S ALWAYS NICE TO HAVE YOU.
GOOD NIGHT.
HAVE A GOOD ONE.
HEY BUDDY, BUDDY, IT'S CLOSING TIME.
OH, YOU HAVEN'T FINISHED YOUR FOOD?
ALRIGHT, YOU CAN STAY A LITTLE LONGER.
I'M DONE.
WHAT HAPPENED TO YOUR HANDS?
THEY'RE ALL BLOODY.
YOU LIKE RUBBIN' YOUR NOSE
IN OTHER PEOPLE'S BUSINESS DON'T YOU?
TAKE YOUR TIME STAY ALL YOU WANT.
[POUNDS ON COUNTER]
DON'T... PATRONIZE... ME.
I'M ONLY TRYING TO HELP YOU.
HELP? NOBODY CAN HELP ME.
[MUSIC]
WHENEVER I'M FEELING DOWN I READ A FEW PAGES OF THIS
AND I GET A STRANGE COMFORT OUT OF KNOWING THAT
SOMEONE'S WATCHING OVER ME.
I DON'T KNOW WHAT YOUR TROUBLE IS SON
BUT WE ALL NEED SOMEONE TO LEAN ON ONCE IN A WHILE.
HERE, GO ON, TAKE IT, IT'S YOURS.
[DOOR OPENS AND CLOSES]
[MUSIC]
MICHAEL, IT'S LIKE THE LORD HAS HAND PICKED
EACH AND EVERY ONE OF US TO BE HERE TODAY,
TO BARE WITNESS ON A MAN'S LIFE;
A GOOD LIFE UNTIL STRUCK BY TRAGEDY
AND LEFT WITH NOTHING BUT MEMORIES.
THOSE MEMORIES, I TELL YOU,
THEY BLUR THE LINE BETWEEN WHAT IS REAL AND WHAT ISN'T.
UNTIL ONE DAY YOU WAKE UP AND REALIZE THAT YOU'RE STILL ALIVE
AND THAT YOUR PAIN IS REAL
AND THAT YOU'VE LOST EVERYTHING THAT MATTERS.
A MAN MIGHT GO AS FAR AS TO COMMIT A HIDEOUS CRIME
TO GET OUT OF HIS DESPAIR.
THAT'S WHY CLEF DESERVES TO DIE.
I'M NOT TALKING ABOUT CLEF.
MICHAEL, HOW WILL YOU TWO BE ANY DIFFERENT IF YOU KILL HIM?
(BENJAMIN) SOMEBODY HELP ME.
PLEASE, CAN'T YOU HEAR THAT HE'S DYING?
RITA, BABY, HELP ME.
RITA, YOU KNOW HIM?
[CRYING]
I'M SO SORRY.
BENJAMIN, WHY, WHY?
[PHONE RINGS]
IT'S MY WIFE.
WOULD YOU PLEASE LET ME TALK TO HER?
THE ONLY WAY IS IF I PUT YOU ON SPEAKER PHONE
AND IF YOU SAY ANYTHING ABOUT THIS I'M HANGING UP.
UNDERSTAND?
HELLO.
HEY, CAN YOU TALK?
NO, NOT REALLY.
OKAY, I'LL CALL YOU LATER THEN.
BRENDA, I KNOW WHAT YOU'RE GOING TO SAY.
WHAT AM I GOING TO SAY?
I'M SO SORRY.
I DIDN'T WANT YOU TO FIND OUT LIKE THIS.
WHAT ARE YOU TALKING ABOUT?
YOU MEAN YOU DON'T KNOW?
THEN WHY DID YOU CALL?
I CALLED TO TELL YOU THAT I LOVE YOU.
CAN'T A WIFE DO THAT NOWADAYS?
ADDIE, IS EVERYTHING ALRIGHT?
NO, NO SWEETIE EVERYTHING'S NOT ALRIGHT.
I MESSED UP, I MESSED UP REAL BAD.
I DON'T EVEN KNOW HOW I GOT THIS FAR.
ONE THING LED TO ANOTHER AND I DON'T KNOW HOW IT ALL STARTED.
I'M SO SORRY.
IS IT BAD?
YEAH.
IS IT WHAT I THINK?
[CRYING]
I KNEW IT, I KNEW IT WAS SOMETHING LIKE THIS.
BABY, I'LL CALL YOU WHEN I GET OUT OF WORK.
I CALLED YOUR OFFICE, ADDIE; THEY TOLD ME YOU'RE NOT THERE.
ARE YOU WITH HER RIGHT NOW? IS SHE THERE WITH YOU?
(ROUBEN) WHAT? WHAT IS IT?
IT'S HIM.
IT'S HIM?
[DRAMATIC MUSIC]
HELP, HELP ME UP.
WHAT?
HELP ME UP.
[GUNS FIRE, SCREAMS]
DUFFIE, COME ON.
DUFFIE, WE GOT TO GO.
NO.
WHAT DO YOU MEAN NO?
I'M NOT GOING WITH YOU. I'M GOING TO STAY.
[MUSIC]
[CRYING]
[DRAMATIC MUSIC]
[GASPS!]
BRENDA.
ADDISON.
HE'S COMING BACK.
[MUSIC]
ANNE?
I'VE WAITED FOR THIS MOMENT FOR SO LONG.
AND I IMAGINED ALL THE WAYS I COULD KILL YOU
WHEN YOU STOOD BEFORE ME.
YOU KNOW WHAT MY DAUGHTER'S FAVORITE CEREAL WAS?
FRUIT LOOPS.
SHE ALWAYS TOLD ME IF SHE HAD THE CHOICE,
SHE'D TAKE OUT ALL THE PURPLE ONES
BECAUSE SHE DIDN'T LIKE THE TASTE.
BUT SHE NEVER DID.
YOU KNOW WHY?
BECAUSE SHE SAID
THAT GOD MUST HAVE HAD A REASON TO PUT THEM THERE.
I'M FINALLY STARTING TO UNDERSTAND WHAT SHE MEANT.
I'M SO...
I'M SO SORRY.
I DIDN'T MEAN TO...
[CRYING]
I'M GOING TO LET YOU GO.
I WANT YOU TO LEAVE NOW AND TAKE AWAY
ALL MY PAIN AND MY SADNESS WITH YOU.
[SOFT CHOIR MUSIC]
I FOUND THIS GREAT QUOTE BY JOHN MUIR AND IT SAYS:
"WE ALL FLOW FROM ONE FOUNTAIN SOUL.
"ALL EXPRESSIONS OF ONE LOVE.
"GOD DOES NOT APPEAR, AND FLOW OUT,
"ONLY FROM NARROW CHINKS AND ROUND BORED WELLS
"HERE AND THERE IN FAVORED RACES AND PLACES,
"BUT HE FLOWS IN GRAND UNDIVIDED CURENTS,
"SHORELESS AND BOUNDLESS OVER CREEDS AND FORMS
"AND ALL KINDS OF CIVILIZATIONS AND PEOPLES AND BEASTS,
SATURATING ALL AND FOUNTAINIZING ALL."
I WANT...I WANT GOD TO FORGIVE ME.
HE ALREADY HAS MICHAEL.
I WANT TO GET RIGHT WITH HIM.
HE KNOWS THAT.
NO, BEFORE I GO,
I WANT TO GET RIGHT WITH HIM.
I DON'T KNOW THAT I'M QUALIFIED.
[CRYING] PLEASE?
[MUSIC]
MICHAEL, DO YOU REPENT FROM YOUR SINS?
YES.
DO YOU BELIEVE IN YOUR HEART
THAT JESUS CHRIST THE SON OF GOD DIED FOR YOUR SINS?
YES.
DO YOU BELIEVE IN YOUR HEART
THAT GOD RAISED HIM FROM THE DEAD?
YES.
THEN MICHAEL BY THE GRACE OF GOD I BAPTIZE YOU
IN THE NAME OF THE FATHER AND OF THE SON AND OF THE HOLY SPIRIT.
BE SANCTIFIED IN THE NAME OF JESUS CHRIST
AND MAY THE HOLY SPIRIT MAKE A HOME WITHIN YOU.
PEACE BE WITH YOU, THE EARTH IS YOUR HERITAGE.
AND, REJOICE, THE KINGDOM OF HEAVEN WILL BE YOURS SOON.
[MUSIC]
[UPBEAT MUSIC]